Short Fiction by Ernest Hemingway (best free ebook reader for android .txt) ๐
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Ernest Hemingway is perhaps the most influential American writer of the twentieth century. Though known mostly for his longer works, he began his writing career with the publication of short stories which helped develop his often-imitated concise, simple, and straightforward style, which stood in stark contrast to the more elaborate prose of many of his contemporaries.
In 1947, during a University of Mississippi creative writing class, William Faulkner remarked that Hemingway โhas never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.โ Hemingway famously responded: โPoor Faulkner. Does he really think big emotions come from big words? He thinks I donโt know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.โ
Besides his writing style, Hemingwayโs most well-known contribution to the literary landscape was the iceberg theory of writing, developed while composing the short story โOut of Season.โ Hemingway later said of the story: โI had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.โ
This collection comprises all of the public domain stories published in Hemingwayโs short story collections, some miscellaneous stories published in various magazines, and his novellas. With the exception of stories within collections with a thematic link, such as In Our Time, they are arranged in publication order.
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- Author: Ernest Hemingway
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And here I solemnly protest I have no intention to vilify or asperse anyone; for though everything is copied from the book of nature, and scarce a character or action produced which I have not taken from my own observations or experience; yet I have used the utmost care to obscure the persons by such different circumstances, degrees, and colors, that it will be impossible to guess at them with any degree of certainty; and if it ever happens otherwise, it is only where the failure characterized is so minute, that it is a foible only which the party himself may laugh at as well as any other.
Henry Fielding VIScripps OโNeil was looking for employment. It would be good to work with his hands. He walked down the street away from the beanery and past McCarthyโs barber shop. He did not go into the barber shop. It looked as inviting as ever, but it was employment Scripps wanted. He turned sharply around the corner of the barber shop and onto the Main Street of Petoskey. It was a handsome, broad street, lined on either side with brick and pressed-stone buildings. Scripps walked along it toward the part of town where the pump-factory stood. At the door of the pump-factory he was embarrassed. Could this really be the pump-factory? True, a stream of pumps were being carried out and set up in the snow, and workmen were throwing pails of water over them to encase them in a coating of ice that would protect them from the winter winds as well as any paint would. But were they really pumps? It might all be a trick. These pump men were clever fellows.
โI say!โ Scripps beckoned to one of the workmen who was sloshing water over a new, raw-looking pump that had just been carried out and stood protestingly in the snow. โAre they pumps?โ
โThey will be in time,โ the workman said.
Scripps knew it was the factory. They werenโt going to fool him on that. He walked up to the door. There was a sign on it:
Keep out. This means you
Can that mean me? Scripps wondered. He knocked on the door and went in.
โIโd like to speak to the manager,โ he said, standing quietly in the half-light.
Workmen were passing him, carrying the new raw pumps on their shoulders. They hummed snatches of songs as they passed. The handles of the pumps flopped stiffly in dumb protest. Some pumps had no handles. They perhaps, after all, are the lucky ones, Scripps thought. A little man came up to him. He was well-built, short, with wide shoulders and a grim face.
โYou were asking for the manager?โ
โYes, sir.โ
โIโm the foreman here. What I say goes.โ
โCan you hire and fire?โ Scripps asked.
โI can do one as easily as the other,โ the foreman said.
โI want a job.โ
โAny experience?โ
โNot in pumps.โ
โAll right,โ the foreman said. โWeโll put you on piecework. Here, Yogi,โ he called to one of the men, who was standing looking out of the window of the factory, โshow this new chum where to stow his swag and how to find his way around these diggings.โ The foreman looked Scripps up and down. โIโm an Australian,โ he said. โHope youโll like the lay here.โ He walked off.
The man called Yogi Johnson came over from the window. โGlad to meet you,โ he said. He was a chunky, well-built fellow. One of the sort you see around almost anywhere. He looked as though he had been through things.
โYour foremanโs the first Australian Iโve ever met,โ Scripps said.
โOh, heโs not an Australian,โ Yogi said. โHe was just with the Australians once during the war, and it made a big impression on him.โ
โWere you in the war?โ Scripps asked.
โYes,โ Yogi Johnson said. โI was the first man to go from Cadillac.โ
โIt must have been quite an experience.โ
โItโs meant a lot to me,โ Yogi answered. โCome on and Iโll show you around the works.โ
Scripps followed this man, who showed him through the pump-factory. It was dark but warm inside the pump-factory. Men naked to the waist took the pumps in huge tongs as they came trundling by on an endless chain, culling out the misfits and placing the perfect pumps on another endless chain that carried them up into the cooling room. Other men, Indians for the most part, wearing only breech-clouts, broke up the misfit pumps with huge hammers and adzes and rapidly recast them into axe heads, wagon springs, trombone slides, bullet moulds, all the byproducts of a big pump-factory. There was nothing wasted, Yogi pointed out. A group of Indian boys, humming to themselves one of the old tribal chanties, squatted in a corner of the big forging room shaping the little fragments that were chipped from the pumps in casting, into safety razor blades.
โThey work naked,โ Yogi said. โTheyโre searched as they go out. Sometimes they try and conceal the razor blades and take them out with them to bootleg.โ
โThere must be quite a loss that way,โ Scripps said.
โOh, no,โ Yogi answered. โThe inspectors get most of them.โ
Upstairs, apart in a separate room, two old men were working. Yogi opened the door. One of the old men looked over his steel spectacles and frowned.
โYou make a draft,โ he said.
โShut the door,โ the other old man said, in the high, complaining voice of the very old.
โTheyโre our two hand-workers,โ Yogi said. โThey make all the pumps the manufactory sends out to the big international pump races. You remember our Peerless Pounder that won the pump race in Italy, where Franky Dawson was killed?โ
โI read about it in the paper,โ Scripps answered.
โMr. Borrow, over there in the corner, made the Peerless Pounder all himself
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