Following the death of her father, Ann Whitefield becomes the ward of Jack Tanner and Roebuck Ramsden; Jack is a childhood friend, author of The Revolutionistโs Handbook, and descendant of Don Juan, while Roebuck Ramsden is a respectable friend of her fatherโs entirely opposed to Jackโs philosophy. Also in mourning are Octavius Robinson, who is openly in love with Ann, and his sister Violet, who is secretly pregnant. So begins a journey that will take them across London, Europe, and to Hell.
George Bernard Shaw wrote Man and Superman between 1901 and 1903. It was first performed in 1905 with the third act excised; a part of that third act, Don Juan in Hell, was performed in 1907. The full play was not performed in its entirety until 1915.
Shaw explains that he wrote Man and Superman after being challenged to write on the theme of Don Juan. Once described as Shawโs most allusive play, Man and Superman refers to Nietzscheโs concept of the รbermensch. It combines Nietzscheโs argument that humanity is evolving towards a โsupermanโ with the philosophy of Don Juan as a way to present his conception of society: namely, that it is women who are the driving force behind natural selection and the propagation of the species. To this end, Shaw includes as an appendix The Revolutionistโs Handbook and Pocket Companion as written by the character Jack Tanner.
end. In the old chronicles you read of earthquakes and pestilences, and are told that these showed the power and majesty of God and the littleness of Man. Nowadays the chronicles describe battles. In a battle two bodies of men shoot at one another with bullets and explosive shells until one body runs away, when the others chase the fugitives on horseback and cut them to pieces as they fly. And this, the chronicle concludes, shows the greatness and majesty of empires, and the littleness of the vanquished. Over such battles the people run about the streets yelling with delight, and egg their Governments on to spend hundreds of millions of money in the slaughter, whilst the strongest Ministers dare not spend an extra penny in the pound against the poverty and pestilence through which they themselves daily walk. I could give you a thousand instances; but they all come to the same thing: the power that governs the Earth is not the power of life but of death; and the inner need that has nerved life to the effort of organizing itself into the human being is not the need for higher life but for a more efficient engine of destruction. The plague, the famine, the earthquake, the tempest were too spasmodic in their action; the tiger and crocodile were too easily satiated and not cruel enough: something more constantly, more ruthlessly, more ingeniously destructive was needed; and that something was Man, the inventor of the rack, the stake, the gallows, and the electrocutor; of the sword and gun; above all, of justice, duty, patriotism and all the other isms by which even those who are clever enough to be humanely disposed are persuaded to become the most destructive of all the destroyers.
Don Juan
Pshaw! All this is old. Your weak side, my diabolic friend, is that you have always been a gull: you take Man at his own valuation. Nothing would flatter him more than your opinion of him. He loves to think of himself as bold and bad. He is neither one nor the other: he is only a coward. Call him tyrant, murderer, pirate, bully; and he will adore you, and swagger about with the consciousness of having the blood of the old sea kings in his veins. Call him liar and thief; and he will only take an action against you for libel. But call him coward; and he will go mad with rage: he will face death to outface that stinging truth. Man gives every reason for his conduct save one, every excuse for his crimes save one, every plea for his safety save one; and that one is his cowardice. Yet all his civilization is founded on his cowardice, on his abject tameness, which he calls his respectability. There are limits to what a mule or an ass will stand; but Man will suffer himself to be degraded until his vileness becomes so loathsome to his oppressors that they themselves are forced to reform it.
The Devil
Precisely. And these are the creatures in whom you discover what you call a life force!
Don Juan
Yes; for now comes the most surprising part of the whole business.
The Statue
Whatโs that?
Don Juan
Why, that you can make any of these cowards brave by simply putting an idea into his head.
The Statue
Stuff! As an old soldier I admit the cowardice: itโs as universal as sea sickness, and matters just as little. But that about putting an idea into a manโs head is stuff and nonsense. In a battle all you need to make you fight is a little hot blood and the knowledge that itโs more dangerous to lose than to win.
Don Juan
That is perhaps why battles are so useless. But men never really overcome fear until they imagine they are fighting to further a universal purposeโ โfighting for an idea, as they call it. Why was the Crusader braver than the pirate? Because he fought, not for himself, but for the Cross. What force was it that met him with a valor as reckless as his own? The force of men who fought, not for themselves, but for Islam. They took Spain from us, though we were fighting for our very hearths and homes; but when we, too, fought for that mighty idea, a Catholic Church, we swept them back to Africa.
The Devil
Ironically. What! You a Catholic, Seรฑor Don Juan! A devotee! My congratulations.
The Statue
Seriously. Come come! As a soldier, I can listen to nothing against the Church.
Don Juan
Have no fear, Commander: this idea of a Catholic Church will survive Islam, will survive the Cross, will survive even that vulgar pageant of incompetent schoolboyish gladiators which you call the Army.
The Statue
Juan: you will force me to call you to account for this.
Don Juan
Useless: I cannot fence. Every idea for which Man will die will be a Catholic idea. When the Spaniard learns at last that he is no better than the Saracen, and his prophet no better than Muhammad, he will arise, more Catholic than ever, and die on a barricade across the filthy slum he starves in, for universal liberty and equality.
The Statue
Bosh!
Don Juan
What you call bosh is the only thing men dare die for. Later on, liberty will not be Catholic enough: men will die for human perfection, to which they will sacrifice all their liberty gladly.
The Devil
Aye: they will never be at a loss for an excuse for killing one another.
Don Juan
What of that? It is not death that matters, but the fear of death. It is not killing and dying that degrade us, but base living, and accepting the wages and profits of degradation. Better ten dead men than one live slave or his master. Men shall yet rise up, father against son and brother against brother, and kill one another for the great Catholic idea of abolishing slavery.
The Devil
Yes, when the liberty and equality of which you prate
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