The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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It was all that house. He had mistrusted the idea from the first. What did Soames want to go into the country for? And, if he must go spending a lot of money building himself a house, why not have a first-rate man, instead of this young Bosinney, whom nobody knew anything about? He had told them how it would be. And he had heard that the house was costing Soames a pretty penny beyond what he had reckoned on spending.
This fact, more than any other, brought home to James the real danger of the situation. It was always like this with these “artistic” chaps; a sensible man should have nothing to say to them. He had warned Irene, too. And see what had come of it!
And it suddenly sprang into James’s mind that he ought to go and see for himself. In the midst of that fog of uneasiness in which his mind was enveloped the notion that he could go and look at the house afforded him inexplicable satisfaction. It may have been simply the decision to do something—more possibly the fact that he was going to look at a house—that gave him relief. He felt that in staring at an edifice of bricks and mortar, of wood and stone, built by the suspected man himself, he would be looking into the heart of that rumour about Irene.
Without saying a word, therefore, to anyone, he took a hansom to the station and proceeded by train to Robin Hill; thence—there being no “flies,” in accordance with the custom of the neighbourhood—he found himself obliged to walk.
He started slowly up the hill, his angular knees and high shoulders bent complainingly, his eyes fixed on his feet, yet, neat for all that, in his high hat and his frock-coat, on which was the speckless gloss imparted by perfect superintendence. Emily saw to that; that is, she did not, of course, see to it—people of good position not seeing to each other’s buttons, and Emily was of good position—but she saw that the butler saw to it.
He had to ask his way three times; on each occasion he repeated the directions given him, got the man to repeat them, then repeated them a second time, for he was naturally of a talkative disposition, and one could not be too careful in a new neighbourhood.
He kept assuring them that it was a new house he was looking for; it was only, however, when he was shown the roof through the trees that he could feel really satisfied that he had not been directed entirely wrong.
A heavy sky seemed to cover the world with the grey whiteness of a whitewashed ceiling. There was no freshness or fragrance in the air. On such a day even British workmen scarcely cared to do more then they were obliged, and moved about their business without the drone of talk which whiles away the pangs of labour.
Through spaces of the unfinished house, shirt-sleeved figures worked slowly, and sounds arose—spasmodic knockings, the scraping of metal, the sawing of wood, with the rumble of wheelbarrows along boards; now and again the foreman’s dog, tethered by a string to an oaken beam, whimpered feebly, with a sound like the singing of a kettle.
The fresh-fitted windowpanes, daubed each with a white patch in the centre, stared out at James like the eyes of a blind dog.
And the building chorus went on, strident and mirthless under the grey-white sky. But the thrushes, hunting amongst the fresh-turned earth for worms, were silent quite.
James picked his way among the heaps of gravel—the drive was being laid—till he came opposite the porch. Here he stopped and raised his eyes. There was but little to see from this point of view, and that little he took in at once; but he stayed in this position many minutes, and who shall know of what he thought.
His china-blue eyes under white eyebrows that jutted out in little horns, never stirred; the long upper lip of his wide mouth, between the fine white whiskers, twitched once or twice; it was easy to see from that anxious rapt expression, whence Soames derived the handicapped look which sometimes came upon his face. James might have been saying to himself: “I don’t know—life’s a tough job.”
In this position Bosinney surprised him.
James brought his eyes down from whatever bird’s-nest they had been looking for in the sky to Bosinney’s face, on which was a kind of humorous scorn.
“How do you do, Mr. Forsyte? Come down to see for yourself?”
It was exactly what James, as we know, had come for, and he was made correspondingly uneasy. He held out his hand, however, saying:
“How are you?” without looking at Bosinney.
The latter made way for him with an ironical smile.
James scented something suspicious in this courtesy. “I should like to walk round the outside first,” he said, “and see what you’ve been doing!”
A flagged terrace of rounded stones with a list of two or three inches to port had been laid round the southeast and southwest sides of the house, and ran with a bevelled edge into mould, which was in preparation for being turfed; along this terrace James led the way.
“Now what did this cost?” he asked, when he saw the terrace extending round the corner.
“What should you think?” inquired Bosinney.
“How should I know?” replied James somewhat nonplussed; “two or three hundred, I dare say!”
“The exact sum!”
James gave him a sharp look, but the architect appeared unconscious, and he put the answer down to mishearing.
On arriving at the garden entrance, he stopped to look at the view.
“That ought to come down,” he said, pointing to the oak-tree.
“You think so? You think that with the tree there you don’t get enough view for your money.”
Again James eyed him suspiciously—this young man had a peculiar way of putting things: “Well!” he said, with a perplexed, nervous, emphasis, “I don’t see what you want with a
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