The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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In a far corner of the tent Adolf was bending his cat-like moustaches over a kettle. He left it at once to draw the cork of a pint-bottle of champagne. Swithin smiled, and, nodding at Bosinney, said: “Why, you’re quite a Monte Cristo!” This celebrated novel—one of the half-dozen he had read—had produced an extraordinary impression on his mind.
Taking his glass from the table, he held it away from him to scrutinize the colour; thirsty as he was, it was not likely that he was going to drink trash! Then, placing it to his lips, he took a sip.
“A very nice wine,” he said at last, passing it before his nose; “not the equal of my Heidsieck!”
It was at this moment that the idea came to him which he afterwards imparted at Timothy’s in this nutshell: “I shouldn’t wonder a bit if that architect chap were sweet upon Mrs. Soames!”
And from this moment his pale, round eyes never ceased to bulge with the interest of his discovery.
“The fellow,” he said to Mrs. Septimus, “follows her about with his eyes like a dog—the bumpy beggar! I don’t wonder at it—she’s a very charming woman, and, I should say, the pink of discretion!” A vague consciousness of perfume caging about Irene, like that from a flower with half-closed petals and a passionate heart, moved him to the creation of this image. “But I wasn’t sure of it,” he said, “till I saw him pick up her handkerchief.”
Mrs. Small’s eyes boiled with excitement.
“And did he give it her back?” she asked.
“Give it back?” said Swithin: “I saw him slobber on it when he thought I wasn’t looking!”
Mrs. Small gasped—too interested to speak.
“But she gave him no encouragement,” went on Swithin; he stopped, and stared for a minute or two in the way that alarmed Aunt Hester so—he had suddenly recollected that, as they were starting back in the phaeton, she had given Bosinney her hand a second time, and let it stay there too. … He had touched his horses smartly with the whip, anxious to get her all to himself. But she had looked back, and she had not answered his first question; neither had he been able to see her face—she had kept it hanging down.
There is somewhere a picture, which Swithin has not seen, of a man sitting on a rock, and by him, immersed in the still, green water, a sea-nymph lying on her back, with her hand on her naked breast. She has a half-smile on her face—a smile of hopeless surrender and of secret joy.
Seated by Swithin’s side, Irene may have been smiling like that.
When, warmed by champagne, he had her all to himself, he unbosomed himself of his wrongs; of his smothered resentment against the new chef at the club; his worry over the house in Wigmore Street, where the rascally tenant had gone bankrupt through helping his brother-in-law as if charity did not begin at home; of his deafness, too, and that pain he sometimes got in his right side. She listened, her eyes swimming under their lids. He thought she was thinking deeply of his troubles, and pitied himself terribly. Yet in his fur coat, with frogs across the breast, his top hat aslant, driving this beautiful woman, he had never felt more distinguished.
A coster, however, taking his girl for a Sunday airing, seemed to have the same impression about himself. This person had flogged his donkey into a gallop alongside, and sat, upright as a waxwork, in his shallopy chariot, his chin settled pompously on a red handkerchief, like Swithin’s on his full cravat; while his girl, with the ends of a flyblown boa floating out behind, aped a woman of fashion. Her swain moved a stick with a ragged bit of string dangling from the end, reproducing with strange fidelity the circular flourish of Swithin’s whip, and rolled his head at his lady with a leer that had a weird likeness to Swithin’s primeval stare.
Though for a time unconscious of the lowly ruffian’s presence, Swithin presently took it into his head that he was being guyed. He laid his whiplash across the mare’s flank. The two chariots, however, by some unfortunate fatality continued abreast. Swithin’s yellow, puffy face grew red; he raised his whip to lash the costermonger, but was saved from so far forgetting his dignity by a special intervention of Providence. A carriage driving out through a gate forced phaeton and donkey-cart into proximity; the wheels grated, the lighter vehicle skidded, and was overturned.
Swithin did not look round. On no account would he have pulled up to help the ruffian. Serve him right if he had broken his neck!
But he could not if he would. The greys had taken alarm. The phaeton swung from side to side, and people raised frightened faces as they went dashing past. Swithin’s great arms, stretched at full length, tugged at the reins. His cheeks were puffed, his lips compressed, his swollen face was of a dull, angry red.
Irene had her hand on the rail, and at every lurch she gripped it tightly. Swithin heard her ask:
“Are we going to have an accident, Uncle Swithin?”
He gasped out between his pants: “It’s nothing; a—little fresh!”
“I’ve never been in an accident.”
“Don’t you move!” He took a look at her. She was smiling, perfectly calm. “Sit still,” he repeated. “Never fear, I’ll get you home!”
And in the midst of all his terrible efforts, he was surprised to hear her answer in a voice not like her own:
“I don’t care if I never get home!”
The carriage giving a terrific lurch, Swithin’s exclamation was jerked back into his throat. The horses, winded by the rise of a hill, now steadied to a trot, and finally stopped of their own accord.
“When”—Swithin described it at Timothy’s—“I pulled ’em up, there she was
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