The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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She had looked forward to this evening with keen delight; it was stolen, chaperone-less, undreamed of at Stanhope Gate, where she was supposed to be at Soames’. She had expected reward for her subterfuge, planned for her lover’s sake; she had expected it to break up the thick, chilly cloud, and make the relations between them which of late had been so puzzling, so tormenting—sunny and simple again as they had been before the winter. She had come with the intention of saying something definite; and she looked at the stage with a furrow between her brows, seeing nothing, her hands squeezed together in her lap. A swarm of jealous suspicions stung and stung her.
If Bosinney was conscious of her trouble he made no sign.
The curtain dropped. The first act had come to an end.
“It’s awfully hot here!” said the girl; “I should like to go out.”
She was very white, and she knew—for with her nerves thus sharpened she saw everything—that he was both uneasy and compunctious.
At the back of the theatre an open balcony hung over the street; she took possession of this, and stood leaning there without a word, waiting for him to begin.
At last she could bear it no longer.
“I want to say something to you, Phil,” she said.
“Yes?”
The defensive tone of his voice brought the colour flying to her cheek, the words flying to her lips: “You don’t give me a chance to be nice to you; you haven’t for ages now!”
Bosinney stared down at the street. He made no answer. …
June cried passionately: “You know I want to do everything for you—that I want to be everything to you. …”
A hum rose from the street, and, piercing it with a sharp ping, the bell sounded for the raising of the curtain. June did not stir. A desperate struggle was going on within her. Should she put everything to the proof? Should she challenge directly that influence, that attraction which was driving him away from her? It was her nature to challenge, and she said: “Phil, take me to see the house on Sunday!”
With a smile quivering and breaking on her lips, and trying, how hard, not to show that she was watching, she searched his face, saw it waver and hesitate, saw a troubled line come between his brows, the blood rush into his face. He answered: “Not Sunday, dear; some other day!”
“Why not Sunday? I shouldn’t be in the way on Sunday.”
He made an evident effort, and said: “I have an engagement.”
“You are going to take. …”
His eyes grew angry; he shrugged his shoulders, and answered: “An engagement that will prevent my taking you to see the house!”
June bit her lip till the blood came, and walked back to her seat without another word, but she could not help the tears of rage rolling down her face. The house had been mercifully darkened for a crisis, and no one could see her trouble.
Yet in this world of Forsytes let no man think himself immune from observation.
In the third row behind, Euphemia, Nicholas’s youngest daughter, with her married sister, Mrs. Tweetyman, were watching.
They reported at Timothy’s, how they had seen June and her fiancé at the theatre.
“In the stalls?” “No, not in the. …” “Oh! in the dress circle, of course. That seemed to be quite fashionable nowadays with young people!”
Well—not exactly. In the—Anyway, that engagement wouldn’t last long. They had never seen anyone look so thunder and lightningy as that little June! With tears of enjoyment in their eyes, they related how she had kicked a man’s hat as she returned to her seat in the middle of an act, and how the man had looked. Euphemia had a noted, silent laugh, terminating most disappointingly in squeaks; and when Mrs. Small, holding up her hands, said: “My dear! Kicked a ha-at?” she let out such a number of these that she had to be recovered with smelling-salts. As she went away she said to Mrs. Tweetyman:
“Kicked a—ha-at! Oh! I shall die.”
For “that little June” this evening, that was to have been “her treat,” was the most miserable she had ever spent. God knows she tried to stifle her pride, her suspicion, her jealousy!
She parted from Bosinney at old Jolyon’s door without breaking down; the feeling that her lover must be conquered was strong enough to sustain her till his retiring footsteps brought home the true extent of her wretchedness.
The noiseless Sankey let her in. She would have slipped up to her own room, but old Jolyon, who had heard her entrance, was in the dining-room doorway.
“Come in and have your milk,” he said. “It’s been kept hot for you. You’re very late. Where have you been?”
June stood at the fireplace, with a foot on the fender and an arm on the mantelpiece, as her grandfather had done when he came in that night of the opera. She was too near a breakdown to care what she told him.
“We dined at Soames’.”
“H’m! the man of property! His wife there and Bosinney?”
“Yes.”
Old Jolyon’s glance was fixed on her with the penetrating gaze from which it was difficult to hide; but she was not looking at him, and when she turned her face, he dropped his scrutiny at once. He had seen enough, and too much. He bent down to lift the cup of milk for
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