The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Irene came out at once, and stepped in—he afterward described it at Timothy’s—“as light as—er—Taglioni, no fuss about it, no wanting this or wanting that;” and above all, Swithin dwelt on this, staring at Mrs. Septimus in a way that disconcerted her a good deal, “no silly nervousness!” To Aunt Hester he portrayed Irene’s hat. “Not one of your great flopping things, sprawling about, and catching the dust, that women are so fond of nowadays, but a neat little—” he made a circular motion of his hand, “white veil—capital taste.”
“What was it made of?” inquired Aunt Hester, who manifested a languid but permanent excitement at any mention of dress.
“Made of?” returned Swithin; “now how should I know?”
He sank into silence so profound that Aunt Hester began to be afraid he had fallen into a trance. She did not try to rouse him herself, it not being her custom.
“I wish somebody would come,” she thought; “I don’t like the look of him!”
But suddenly Swithin returned to life. “Made of?” he wheezed out slowly, “what should it be made of?”
They had not gone four miles before Swithin received the impression that Irene liked driving with him. Her face was so soft behind that white veil, and her dark eyes shone so in the spring light, and whenever he spoke she raised them to him and smiled.
On Saturday morning Soames had found her at her writing-table with a note written to Swithin, putting him off. Why did she want to put him off? he asked. She might put her own people off when she liked, he would not have her putting off his people!
She had looked at him intently, had torn up the note, and said: “Very well!”
And then she began writing another. He took a casual glance presently, and saw that it was addressed to Bosinney.
“What are you writing to him about?” he asked.
Irene, looking at him again with that intent look, said quietly: “Something he wanted me to do for him!”
“Humph!” said Soames—“Commissions!”
“You’ll have your work cut out if you begin that sort of thing!” He said no more.
Swithin opened his eyes at the mention of Robin Hill; it was a long way for his horses, and he always dined at half-past seven, before the rush at the Club began; the new chef took more trouble with an early dinner—a lazy rascal!
He would like to have a look at the house, however. A house appealed to any Forsyte, and especially to one who had been an auctioneer. After all he said the distance was nothing. When he was a younger man he had had rooms at Richmond for many years, kept his carriage and pair there, and drove them up and down to business every day of his life.
Four-in-hand Forsyte they called him! His T-cart, his horses had been known from Hyde Park Corner to the Star and Garter. The Duke of Z⸺ wanted to get hold of them, would have given him double the money, but he had kept them; know a good thing when you have it, eh? A look of solemn pride came portentously on his shaven square old face, he rolled his head in his stand-up collar, like a turkey-cock preening himself.
She was really a charming woman! He enlarged upon her frock afterwards to Aunt Juley, who held up her hands at his way of putting it.
Fitted her like a skin—tight as a drum; that was how he liked ’em, all of a piece, none of your daverdy, scarecrow women! He gazed at Mrs. Septimus Small, who took after James—long and thin.
“There’s style about her,” he went on, “fit for a king! And she’s so quiet with it too!”
“She seems to have made quite a conquest of you, anyway,” drawled Aunt Hester from her corner.
Swithin heard extremely well when anybody attacked him.
“What’s that?” he said. “I know a—pretty—woman when I see one, and all I can say is, I don’t see the young man about that’s fit for her; but perhaps—you—do, come, perhaps—you—do!”
“Oh?” murmured Aunt Hester, “ask Juley!”
Long before they reached Robin Hill, however, the unaccustomed airing had made him terribly sleepy; he drove with his eyes closed, a lifetime of deportment alone keeping his tall and bulky form from falling askew.
Bosinney, who was watching, came out to meet them, and all three entered the house together; Swithin in front making play with a stout gold-mounted Malacca cane, put into his hand by Adolf, for his knees were feeling the effects of their long stay in the same position. He had assumed his fur coat, to guard against the draughts of the unfinished house.
The staircase—he said—was handsome! the baronial style! They would want some statuary about! He came to a standstill between the columns of the doorway into the inner court, and held out his cane inquiringly.
What was this to be—this vestibule, or whatever they called it? But gazing at the skylight, inspiration came to him.
“Ah! the billiard-room!”
When told it was to be a tiled court with plants in the centre, he turned to Irene:
“Waste this on plants? You take my advice and have a billiard table here!”
Irene smiled. She had lifted her veil, banding it like a nun’s coif across her forehead, and the smile of her dark eyes below this seemed to Swithin more charming than ever. He nodded. She would take his advice he saw.
He had little to say of the drawing or dining-rooms, which he described as “spacious”; but fell into such raptures as he permitted to a man of his dignity, in the wine-cellar, to which he descended by stone steps, Bosinney going first with a light.
“You’ll have room here,” he said, “for six or seven hundred dozen—a very pooty little cellar!”
Bosinney having expressed the wish to show them the house from the copse below, Swithin came to a stop.
“There’s a fine
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