The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“I’ve promised to go for a drive with Uncle. …”
“The big one! Make him bring you; it’s only ten miles—the very thing for his horses.”
“Poor old Uncle Swithin!”
A wave of the azalea scent drifted into June’s face; she felt sick and dizzy.
“Do! ah! do!”
“But why?”
“I must see you there—I thought you’d like to help me. …”
The answer seemed to the girl to come softly with a tremble from amongst the blossoms: “So I do!”
And she stepped into the open space of the window.
“How stuffy it is here!” she said; “I can’t bear this scent!”
Her eyes, so angry and direct, swept both their faces.
“Were you talking about the house? I haven’t seen it yet, you know—shall we all go on Sunday?”
From Irene’s face the colour had flown.
“I am going for a drive that day with Uncle Swithin,” she answered.
“Uncle Swithin! What does he matter? You can throw him over!”
“I am not in the habit of throwing people over!”
There was a sound of footsteps and June saw Soames standing just behind her.
“Well! if you are all ready,” said Irene, looking from one to the other with a strange smile, “dinner is too!”
II June’s TreatDinner began in silence; the women facing one another, and the men.
In silence the soup was finished—excellent, if a little thick; and fish was brought. In silence it was handed.
Bosinney ventured: “It’s the first spring day.”
Irene echoed softly: “Yes—the first spring day.”
“Spring!” said June: “there isn’t a breath of air!” No one replied.
The fish was taken away, a fine fresh sole from Dover. And Bilson brought champagne, a bottle swathed around the neck with white. …
Soames said: “You’ll find it dry.”
Cutlets were handed, each pink-frilled about the legs. They were refused by June, and silence fell.
Soames said: “You’d better take a cutlet, June; there’s nothing coming.”
But June again refused, so they were borne away. And then Irene asked: “Phil, have you heard my blackbird?”
Bosinney answered: “Rather—he’s got a hunting-song. As I came round I heard him in the Square.”
“He’s such a darling!”
“Salad, sir?” Spring chicken was removed.
But Soames was speaking: “The asparagus is very poor. Bosinney, glass of sherry with your sweet? June, you’re drinking nothing!”
June said: “You know I never do. Wine’s such horrid stuff!”
An apple charlotte came upon a silver dish, and smilingly Irene said: “The azaleas are so wonderful this year!”
To this Bosinney murmured: “Wonderful! The scent’s extraordinary!”
June said: “How can you like the scent? Sugar, please, Bilson.”
Sugar was handed her, and Soames remarked: “This charlottes good!”
The charlotte was removed. Long silence followed. Irene, beckoning, said: “Take out the azalea, Bilson. Miss June can’t bear the scent.”
“No; let it stay,” said June.
Olives from France, with Russian caviar, were placed on little plates. And Soames remarked: “Why can’t we have the Spanish?” But no one answered.
The olives were removed. Lifting her tumbler June demanded: “Give me some water, please.” Water was given her. A silver tray was brought, with German plums. There was a lengthy pause. In perfect harmony all were eating them.
Bosinney counted up the stones: “This year—next year—some time.”
Irene finished softly: “Never! There was such a glorious sunset. The sky’s all ruby still—so beautiful!”
He answered: “Underneath the dark.”
Their eyes had met, and June cried scornfully: “A London sunset!”
Egyptian cigarettes were handed in a silver box. Soames, taking one, remarked: “What time’s your play begin?”
No one replied, and Turkish coffee followed in enamelled cups.
Irene, smiling quietly, said: “If only. …”
“Only what?” said June.
“If only it could always be the spring!”
Brandy was handed; it was pale and old.
Soames said: “Bosinney, better take some brandy.”
Bosinney took a glass; they all arose.
“You want a cab?” asked Soames.
June answered: “No! My cloaks please, Bilson.” Her cloak was brought.
Irene, from the window, murmured: “Such a lovely night! The stars are coming out!”
Soames added: “Well, I hope you’ll both enjoy yourselves.”
From the door June answered: “Thanks. Come, Phil.”
Bosinney cried: “I’m coming.”
Soames smiled a sneering smile, and said: “I wish you luck!”
And at the door Irene watched them go.
Bosinney called: “Good night!”
“Good night!” she answered softly. …
June made her lover take her on the top of a bus, saying she wanted air, and there sat silent, with her face to the breeze.
The driver turned once or twice, with the intention of venturing a remark, but thought better of it. They were a lively couple! The spring had got into his blood, too; he felt the need for letting steam escape, and clucked his tongue, flourishing his whip, wheeling his horses, and even they, poor things, had smelled the spring, and for a brief half-hour spurned the pavement with happy hoofs.
The whole town was alive; the boughs, curled upward with their decking of young leaves, awaited some gift the breeze could bring. New-lighted lamps were gaining mastery, and the faces of the crowd showed pale under that glare, while on high the great white clouds slid swiftly, softly, over the purple sky.
Men in evening dress had thrown back overcoats, stepping jauntily up the steps of Clubs; working folk loitered; and women—those women who at that time of night are solitary—solitary and moving eastward in a stream—swung slowly along, with expectation in their gait, dreaming of good wine and a good supper, or—for an unwonted minute, of kisses given for love.
Those countless figures, going their ways under the lamps and the moving sky, had one and all received some restless blessing from the stir of spring. And one and all, like those clubmen with their opened coats, had shed something of caste, and creed, and custom, and by the cock of their hats, the pace of their walk, their laughter, or their silence, revealed their common kinship under the passionate heavens.
Bosinney and June entered the theatre in silence, and mounted to their seats in the upper boxes. The piece had just begun, and the half-darkened house, with its rows of creatures peering all one way, resembled a great garden of flowers turning their faces to the sun.
June had never before been in the upper boxes. From the age of fifteen she had habitually accompanied
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