War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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NatΓ‘sha remained alone and, from the time Princess MΓ‘rya began making preparations for departure, held aloof from her too.
Princess MΓ‘rya asked the countess to let NatΓ‘sha go with her to Moscow, and both parents gladly accepted this offer, for they saw their daughter losing strength every day and thought that a change of scene and the advice of Moscow doctors would be good for her.
βI am not going anywhere,β NatΓ‘sha replied when this was proposed to her. βDo please just leave me alone!β And she ran out of the room, with difficulty refraining from tears of vexation and irritation rather than of sorrow.
After she felt herself deserted by Princes MΓ‘rya and alone in her grief, NatΓ‘sha spent most of the time in her room by herself, sitting huddled up feet and all in the corner of the sofa, tearing and twisting something with her slender nervous fingers and gazing intently and fixedly at whatever her eyes chanced to fall on. This solitude exhausted and tormented her but she was in absolute need of it. As soon as anyone entered she got up quickly, changed her position and expression, and picked up a book or some sewing, evidently waiting impatiently for the intruder to go.
She felt all the time as if she might at any moment penetrate that on whichβ βwith a terrible questioning too great for her strengthβ βher spiritual gaze was fixed.
One day toward the end of December NatΓ‘sha, pale and thin, dressed in a black woolen gown, her plaited hair negligently twisted into a knot, was crouched feet and all in the corner of her sofa, nervously crumpling and smoothing out the end of her sash while she looked at a corner of the door.
She was gazing in the direction in which he had goneβ βto the other side of life. And that other side of life, of which she had never before thought and which had formerly seemed to her so far away and improbable, was now nearer and more akin and more comprehensible than this side of life, where everything was either emptiness and desolation or suffering and indignity.
She was gazing where she knew him to be; but she could not imagine him otherwise than as he had been here. She now saw him again as he had been at MytΓshchi, at TrΓ³itsa, and at YaroslΓ‘vl.
She saw his face, heard his voice, repeated his words and her own, and sometimes devised other words they might have spoken.
There he is lying back in an armchair in his velvet cloak, leaning his head on his thin pale hand. His chest is dreadfully hollow and his shoulders raised. His lips are firmly closed, his eyes glitter, and a wrinkle comes and goes on his pale forehead. One of his legs twitches just perceptibly, but rapidly. NatΓ‘sha knows that he is struggling with terrible pain. βWhat is that pain like? Why does he have that pain? What does he feel? How does it hurt him?β thought NatΓ‘sha. He noticed her watching him, raised his eyes, and began to speak seriously:
βOne thing would be terrible,β said he: βto bind oneself forever to a suffering man. It would be continual torture.β And he looked searchingly at her. NatΓ‘sha as usual answered before she had time to think what she would say. She said: βThis canβt go onβ βit wonβt. You will get wellβ βquite well.β
She now saw him from the commencement of that scene and relived what she had then felt. She recalled his long sad and severe look at those words and understood the meaning of the rebuke and despair in that protracted gaze.
βI agreed,β NatΓ‘sha now said to herself, βthat it would be dreadful if he always continued to suffer. I said it then only because it would have been dreadful for him, but he understood it differently. He thought it would be dreadful for me. He then still wished to live and feared death. And I said it so awkwardly and stupidly! I did not say what I meant. I thought quite differently. Had I said what I thought, I should have said: even if he had to go on dying, to die continually before my eyes, I should have been happy compared with what I am now. Now there is nothingβ ββ β¦ nobody. Did he know that? No, he did not and never will know it. And now it will never, never be possible to put it right.β And now he again seemed to be saying the same words to her, only in her imagination NatΓ‘sha this time gave him a different answer. She stopped him and said: βTerrible for you, but not for me! You know that for me there is nothing in life but you, and to suffer with you is the greatest happiness for me,β and he took her hand and pressed it as he had
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