The Woodlanders by Thomas Hardy (small books to read .txt) 📕
Description
Grace Melbury, daughter of a rich local wood-trader, has been raised beyond her family through years of expensive education. Coming home, she finds herself pulled between her love for her childhood friend Giles Winterborne, and the allure of the enigmatic Doctor Fitzpiers. Giles and Edgar have their own admirers too, and the backdrop of the bucolic pastures and woodlands of an impressionistic take on south-west England provides the perfect setting for their story.
The Woodlanders was commissioned by Macmillan’s Magazine in 1884, and was serialized and later published as a novel in 1887. The story’s themes of infidelity and less-than-blissful marriage were unusual for the time and drew ire from campaigners, but on its publication it garnered immediate critical acclaim. Thomas Hardy later regarded it as the favorite of his stories, and it’s remained perennially popular as a novel and as a series of adaptations to theatre, opera and film.
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- Author: Thomas Hardy
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She reddened so intensely as to pass the mild blush that suffices to heighten beauty; she put the yellow leather glove on one hand, took up the hook with the other, and sat down doggedly to her work without turning her face to him again. He regarded her head for a moment, went to the door, and with one look back at her, departed on his way homeward.
Marty pursued her occupation for a few minutes, then suddenly laying down the billhook, she jumped up and went to the back of the room, where she opened a door which disclosed a staircase so whitely scrubbed that the grain of the wood was well-nigh sodden away by such cleansing. At the top she gently approached a bedroom, and without entering, said, “Father, do you want anything?”
A weak voice inside answered in the negative; adding, “I should be all right by tomorrow if it were not for the tree!”
“The tree again—always the tree! Oh, father, don’t worry so about that. You know it can do you no harm.”
“Who have ye had talking to ye downstairs?”
“A Sherton man called—nothing to trouble about,” she said, soothingly. “Father,” she went on, “can Mrs. Charmond turn us out of our house if she’s minded to?”
“Turn us out? No. Nobody can turn us out till my poor soul is turned out of my body. ’Tis life-hold, like Ambrose Winterborne’s. But when my life drops ’twill be hers—not till then.” His words on this subject so far had been rational and firm enough. But now he lapsed into his moaning strain: “And the tree will do it—that tree will soon be the death of me.”
“Nonsense, you know better. How can it be?” She refrained from further speech, and descended to the ground-floor again.
“Thank Heaven, then,” she said to herself, “what belongs to me I keep.”
IIIThe lights in the village went out, house after house, till there only remained two in the darkness. One of these came from a residence on the hillside, of which there is nothing to say at present; the other shone from the window of Marty South. Precisely the same outward effect was produced here, however, by her rising when the clock struck ten and hanging up a thick cloth curtain. The door it was necessary to keep ajar in hers, as in most cottages, because of the smoke; but she obviated the effect of the ribbon of light through the chink by hanging a cloth over that also. She was one of those people who, if they have to work harder than their neighbors, prefer to keep the necessity a secret as far as possible; and but for the slight sounds of wood-splintering which came from within, no wayfarer would have perceived that here the cottager did not sleep as elsewhere.
Eleven, twelve, one o’clock struck; the heap of spars grew higher, and the pile of chips and ends more bulky. Even the light on the hill had now been extinguished; but still she worked on. When the temperature of the night without had fallen so low as to make her chilly, she opened a large blue umbrella to ward off the draught from the door. The two sovereigns confronted her from the looking-glass in such a manner as to suggest a pair of jaundiced eyes on the watch for an opportunity. Whenever she sighed for weariness she lifted her gaze towards them, but withdrew it quickly, stroking her tresses with her fingers for a moment, as if to assure herself that they were still secure. When the clock struck three she arose and tied up the spars she had last made in a bundle resembling those that lay against the wall.
She wrapped round her a long red woollen cravat and opened the door. The night in all its fullness met her flatly on the threshold, like the very brink of an absolute void, or the antemundane Ginnung-Gap believed in by her Teuton forefathers. For her eyes were fresh from the blaze, and here there was no street-lamp or lantern to form a kindly transition between the inner glare and the outer dark. A lingering wind brought to her ear the creaking sound of two overcrowded branches in the neighboring wood which were rubbing each other into wounds, and other vocalized sorrows of the trees, together with the screech of owls, and the fluttering tumble of some awkward wood-pigeon ill-balanced on its roosting-bough.
But the pupils of her young eyes soon expanded, and she could see well enough for her purpose. Taking a bundle of spars under each arm, and guided by the serrated line of treetops against the sky, she went some hundred yards or more down the lane till she reached a long open shed, carpeted around with the dead leaves that lay about everywhere. Night, that strange personality, which within walls brings ominous introspectiveness and self-distrust, but under the open sky banishes such subjective anxieties as too trivial for thought, inspired Marty South with a less perturbed and brisker manner now. She laid the spars on the ground within the shed and returned for more, going to and fro till her whole manufactured stock were deposited here.
This erection was the wagon-house of the chief man of business hereabout, Mr. George Melbury, the timber, bark, and copse-ware merchant for whom Marty’s father did work of this sort by the piece. It formed one of the many rambling outhouses which surrounded his dwelling, an equally irregular block of building, whose immense chimneys could just be discerned even now. The four huge wagons under the shed were built on those ancient lines whose proportions have been ousted by modern patterns, their shapes bulging and curving at the base and ends like Trafalgar line-of-battle ships, with which venerable hulks, indeed, these vehicles evidenced a constructed spirit curiously in harmony. One was laden with sheep-cribs, another with hurdles, another
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