Iola Leroy by Frances Ellen Watkins Harper (books you need to read .txt) 📕
Description
As the Civil War bears down on a small North Carolina town, a tight-knit community of enslaved men and women is preparing for the coming battle and the possibility of freedom. Into this ensemble cast of characters comes Iola Leroy, a young woman who grew up unaware of her African ancestry until she is lured back home under false pretenses and immediately enslaved. Amidst a backdrop of battlefield hospitals and clandestine prayer meetings, this quietly stouthearted novel is a story of community, integrity, and solidarity.
Frances Ellen Watkins Harper was already one of the most prominent African-American poets of the nineteenth century when—at age 67—she turned her focus to novels. Her most enduring work, Iola Leroy, was one of the first novels published by an African-American writer. Although the book was initially popular with readers, it soon fell out of print and was critically forgotten. In the 1970s, the book was rediscovered and reclaimed as a seminal contribution to African-American literature.
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- Author: Frances Ellen Watkins Harper
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“I’se a goin,” said Tom Anderson, “jis’ as soon as dem Linkum soldiers gits in sight.”
“An’ I’se a gwine wid you, Tom,” said another. “I specs my ole Marster’ll feel right smart lonesome when I’se gone, but I don’t keer ’bout stayin’ for company’s sake.”
“My ole Marster’s room’s a heap better’n his company,” said Tom Anderson, “an’ I’se a goner too. Dis yer freedom’s too good to be lef’ behind, wen you’s got a chance to git it. I won’t stop to bid ole Marse goodbye.”
“What do you think,” said Robert, turning to Uncle Daniel; “won’t you go with us?”
“No, chillen, I don’t blame you for gwine; but I’se gwine to stay. Slavery’s done got all de marrow out ob dese poor ole bones. Ef freedom comes it won’t do me much good; we ole one’s will die out, but it will set you youngsters all up.”
“But, Uncle Daniel, you’re not too old to want your freedom?”
“I knows dat. I lubs de bery name of freedom. I’se been praying and hoping for it dese many years. An’ ef I warn’t boun’, I would go wid you ter-morrer. I won’t put a straw in your way. You boys go, and my prayers will go wid you. I can’t go, it’s no use. I’se gwine to stay on de ole place till Marse Robert comes back, or is brought back.”
“But, Uncle Daniel,” said Robert, “what’s the use of praying for a thing if, when it comes, you won’t take it? As much as you have been praying and talking about freedom, I thought that when the chance came you would have been one of the first to take it. Now, do tell us why you won’t go with us. Ain’t you willing?”
“Why, Robbie, my whole heart is wid you. But when Marse Robert went to de war, he called me into his room and said to me, ‘Uncle Dan’el, I’se gwine to de war, an’ I want you to look arter my wife an’ chillen, an’ see dat eberything goes right on de place’. An’ I promised him I’d do it, an’ I mus’ be as good as my word. ’Cept de overseer, dere isn’t a white man on de plantation, an’ I hear he has to report ter-morrer or be treated as a deserter. An’ der’s nobody here to look arter Miss Mary an’ de chillen, but myself, an’ to see dat eberything goes right. I promised Marse Robert I would do it, an’ I mus’ be as good as my word.”
“Well, what should you keer?” said Tom Anderson. “Who looked arter you when you war sole from your farder and mudder, an’ neber seed dem any more, and wouldn’t know dem today ef you met dem in your dish?”
“Well, dats neither yere nor dere. Marse Robert couldn’t help what his father did. He war an orful mean man. But he’s dead now, and gone to see ’bout it. But his wife war the nicest, sweetest lady dat eber I did see. She war no more like him dan chalk’s like cheese. She used to visit de cabins, an’ listen to de pore women when de overseer used to cruelize dem so bad, an’ drive dem to work late and early. An’ she used to sen’ dem nice things when they war sick, and hab der cabins whitewashed an’ lookin’ like new pins, an’ look arter dere chillen. Sometimes she’d try to git ole Marse to take dere part when de oberseer got too mean. But she might as well a sung hymns to a dead horse. All her putty talk war like porin water on a goose’s back. He’d jis’ bluff her off, an’ tell her she didn’t run dat plantation, and not for her to bring him any nigger news. I never thought ole Marster war good to her. I often ketched her crying, an’ she’d say she had de headache, but I thought it war de heartache. ’Fore ole Marster died, she got so thin an’ peaked I war ’fraid she war gwine to die; but she seed him out. He war killed by a tree fallin’ on him, an’ ef eber de debil got his own he got him. I seed him in a vision arter he war gone. He war hangin’ up in a pit, sayin’ ‘Oh! oh!’ wid no close on. He war allers blusterin’, cussin’, and swearin’ at somebody. Marse Robert ain’t a bit like him. He takes right arter his mother. Bad as ole Marster war, I think she jis’ lob’d de groun’ he walked on. Well, women’s mighty curious kind of folks anyhow. I sometimes thinks de wuss you treats dem de better dey likes you.”
“Well,” said Tom, a little impatiently, “what’s yer gwine to do? Is yer gwine wid us, ef yer gits a chance?”
“Now, jes’ you hole on till I gits a chance to tell yer why I’se gwine to stay.”
“Well, Uncle Daniel, let’s hear it,” said Robert.
“I was jes’ gwine to tell yer when Tom put me out. Ole Marster died when Marse Robert war two years ole, and his pore mother when he war four. When he died, Miss Anna used to keep me ’bout her jes’ like I war her shadder. I used to nuss Marse Robert jes’ de same as ef I were his own fadder. I used to fix his milk, rock him to sleep, ride him on my back, an’ nothin’ pleased him better’n fer Uncle Dan’el to ride him piggyback.”
“Well, Uncle Daniel,” said
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