The Song of the Lark by Willa Cather (best reads .TXT) 📕
Description
The Song of the Lark, Willa Cather’s third novel, was written in 1915. It is said to have been inspired by the real-life soprano Olive Fremstad, a celebrated Swedish-American singer who, like the protagonist, was active in New York and Europe during the time period depicted in the novel.
The work explores how an artist’s early life influences their work. In the novel, Thea Kronborg discovers her talent as a singer, and goes on to achieve great fame and success once she leaves her tiny village of Moonstone. Cather eschewed depicting rural life as being idyllic, instead focusing on the conservative, restricted, patriarchal structures that its inhabitants live by. Her work is thus considered to be one of the earliest so-called “Revolt Novels.” She depicts a time at the end of the 19th century when the American West was expanding rapidly and Americans were gaining sophistication in their understanding of culture and artists, particularly compared to Europe. The title of the novel comes from the name of a 1884 painting by Jules Breton, which is described and considered in the book itself.
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- Author: Willa Cather
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She made a mocking little face at him and looked at his new scarf-pin. “That’s the prettiest one you ever had. I wish you’d stay a long while and let me look at it. What is it?”
Dr. Archie laughed. “It’s an opal. Spanish Johnny brought it up for me from Chihuahua in his shoe. I had it set in Denver, and I wore it today for your benefit.”
Thea had a curious passion for jewelry. She wanted every shining stone she saw, and in summer she was always going off into the sand hills to hunt for crystals and agates and bits of pink chalcedony. She had two cigar boxes full of stones that she had found or traded for, and she imagined that they were of enormous value. She was always planning how she would have them set.
“What are you reading?” The doctor reached under the covers and pulled out a book of Byron’s poems. “Do you like this?”
She looked confused, turned over a few pages rapidly, and pointed to “My native land, good night.” “That,” she said sheepishly.
“How about ‘Maid of Athens’?”
She blushed and looked at him suspiciously. “I like ‘There was a sound of revelry,’ ” she muttered.
The doctor laughed and closed the book. It was clumsily bound in padded leather and had been presented to the Reverend Peter Kronborg by his Sunday-School class as an ornament for his parlor table.
“Come into the office some day, and I’ll lend you a nice book. You can skip the parts you don’t understand. You can read it in vacation. Perhaps you’ll be able to understand all of it by then.”
Thea frowned and looked fretfully toward the piano. “In vacation I have to practice four hours every day, and then there’ll be Thor to take care of.” She pronounced it “Tor.”
“Thor? Oh, you’ve named the baby Thor?” exclaimed the doctor.
Thea frowned again, still more fiercely, and said quickly, “That’s a nice name, only maybe it’s a little—old fashioned.” She was very sensitive about being thought a foreigner, and was proud of the fact that, in town, her father always preached in English; very bookish English, at that, one might add.
Born in an old Scandinavian colony in Minnesota, Peter Kronborg had been sent to a small divinity school in Indiana by the women of a Swedish evangelical mission, who were convinced of his gifts and who skimped and begged and gave church suppers to get the long, lazy youth through the seminary. He could still speak enough Swedish to exhort and to bury the members of his country church out at Copper Hole, and he wielded in his Moonstone pulpit a somewhat pompous English vocabulary he had learned out of books at college. He always spoke of “the infant Saviour,” “our Heavenly Father,” etc. The poor man had no natural, spontaneous human speech. If he had his sincere moments, they were perforce inarticulate. Probably a good deal of his pretentiousness was due to the fact that he habitually expressed himself in a book-learned language, wholly remote from anything personal, native, or homely. Mrs. Kronborg spoke Swedish to her own sisters and to her sister-in-law Tillie, and colloquial English to her neighbors. Thea, who had a rather sensitive ear, until she went to school never spoke at all, except in monosyllables, and her mother was convinced that she was tongue-tied. She was still inept in speech for a child so intelligent. Her ideas were usually clear, but she seldom attempted to explain them, even at school, where she excelled in “written work” and never did more than mutter a reply.
“Your music professor stopped me on the street today and asked me how you were,” said the doctor, rising. “He’ll be sick himself, trotting around in this slush with no overcoat or overshoes.”
“He’s poor,” said Thea simply.
The doctor sighed. “I’m afraid he’s worse than that. Is he always all right when you take your lessons? Never acts as if he’d been drinking?”
Thea looked angry and spoke excitedly. “He knows a lot. More than anybody. I don’t care if he does drink; he’s old and poor.” Her voice shook a little.
Mrs. Kronborg spoke up from the next room. “He’s a good teacher, doctor. It’s good for us he does drink. He’d never be in a little place like this if he didn’t have some weakness. These women that teach music around here don’t know nothing. I wouldn’t have my child wasting time with them. If Professor Wunsch goes away, Thea’ll have nobody to take from. He’s careful with his scholars; he don’t use bad language. Mrs. Kohler is always present when Thea takes her lesson. It’s all right.” Mrs. Kronborg spoke calmly and judicially. One could see that she had thought the matter out before.
“I’m glad to hear that, Mrs. Kronborg. I wish we could get the old man off his bottle and keep him tidy. Do you suppose if I gave you an old overcoat you could get him to wear it?” The doctor went to the bedroom door and Mrs. Kronborg looked up from her darning.
“Why, yes, I guess he’d be glad of it. He’ll take most anything from me. He won’t buy clothes, but I guess he’d wear ’em if he had ’em. I’ve never had any clothes to give him, having so many to make over for.”
“I’ll have Larry bring the coat around tonight. You aren’t cross with me, Thea?” taking her hand.
Thea grinned warmly. “Not if you give Professor Wunsch a coat—and things,” she tapped the grapes significantly. The doctor bent over and kissed her.
IIIBeing sick was all very well, but Thea knew from experience that starting back to school again was attended by depressing difficulties. One Monday morning she got up early with Axel and Gunner, who shared her wing room, and hurried into the back living-room, between the dining-room and
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