The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
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Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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Gloria’s penchant for premonitions and her bursts of vague supernaturalism were a surprise to Anthony. Either some complex, properly and scientifically inhibited in the early years with her Bilphistic mother, or some inherited hypersensitiveness, made her susceptible to any suggestion of the psychic, and, far from gullible about the motives of people, she was inclined to credit any extraordinary happening attributed to the whimsical perambulations of the buried. The desperate squeakings about the old house on windy nights that to Anthony were burglars with revolvers ready in hand represented to Gloria the auras, evil and restive, of dead generations, expiating the inexpiable upon the ancient and romantic hearth. One night, because of two swift bangs downstairs, which Anthony fearfully but unavailingly investigated, they lay awake nearly until dawn asking each other examination-paper questions about the history of the world.
In October Muriel came out for a two weeks’ visit. Gloria had called her on long-distance, and Miss Kane ended the conversation characteristically by saying “All‑ll‑ll righty. I’ll be there with bells!” She arrived with a dozen popular songs under her arm.
“You ought to have a phonograph out here in the country,” she said, “just a little Vic—they don’t cost much. Then whenever you’re lonesome you can have Caruso or Al Jolson right at your door.”
She worried Anthony to distraction by telling him that “he was the first clever man she had ever known and she got so tired of shallow people.” He wondered that people fell in love with such women. Yet he supposed that under a certain impassioned glance even she might take on a softness and promise.
But Gloria, violently showing off her love for Anthony, was diverted into a state of purring content.
Finally Richard Caramel arrived for a garrulous and to Gloria painfully literary weekend, during which he discussed himself with Anthony long after she lay in childlike sleep upstairs.
“It’s been mighty funny, this success and all,” said Dick. “Just before the novel appeared I’d been trying, without success, to sell some short stories. Then, after my book came out, I polished up three and had them accepted by one of the magazines that had rejected them before. I’ve done a lot of them since; publishers don’t pay me for my book till this winter.”
“Don’t let the victor belong to the spoils.”
“You mean write trash?” He considered. “If you mean deliberately injecting a slushy fade-out into each one, I’m not. But I don’t suppose I’m being so careful. I’m certainly writing faster and I don’t seem to be thinking as much as I used to. Perhaps it’s because I don’t get any conversation, now that you’re married and Maury’s gone to Philadelphia. Haven’t the old urge and ambition. Early success and all that.”
“Doesn’t it worry you?”
“Frantically. I get a thing I call sentence-fever that must be like buck-fever—it’s a sort of intense literary self-consciousness that comes when I try to force myself. But the really awful days aren’t when I think I can’t write. They’re when I wonder whether any writing is worth while at all—I mean whether I’m not a sort of glorified buffoon.”
“I like to hear you talk that way,” said Anthony with a touch of his old patronizing insolence. “I was afraid you’d gotten a bit idiotic over your work. Read the damnedest interview you gave out—”
Dick interrupted with an agonized expression.
“Good Lord! Don’t mention it. Young lady wrote it—most admiring young lady. Kept telling me my work was ‘strong,’ and I sort of lost my head and made a lot of strange pronouncements. Some of it was good, though, don’t you think?”
“Oh, yes; that part about the wise writer writing for the youth of his generation, the critic of the next, and the schoolmaster of ever afterward.”
“Oh, I believe a lot of it,” admitted Richard Caramel with a faint beam. “It simply was a mistake to give it out.”
In November they moved into Anthony’s apartment, from which they sallied triumphantly to the Yale-Harvard and Harvard-Princeton football games, to the St. Nicholas ice-skating rink, to a thorough round of the theatres and to a miscellany of entertainments—from small, staid dances to the great affairs that Gloria loved, held in those few houses where lackeys with powdered wigs scurried around in magnificent Anglomania under the direction of gigantic majordomos. Their intention was to go abroad the first of the year or, at any rate, when the war was over. Anthony had actually completed a Chestertonian essay on the twelfth century by way of introduction to his proposed book and Gloria had done some extensive research work on the question of Russian sable coats—in fact the winter was approaching quite comfortably, when the Bilphistic demiurge decided suddenly in mid-December that Mrs. Gilbert’s soul had aged sufficiently in its present incarnation. In consequence Anthony took a miserable and hysterical Gloria out to Kansas City, where, in the fashion of mankind, they paid the terrible and mind-shaking deference to the dead.
Mr. Gilbert became, for the first and last time in his life, a truly pathetic figure. That woman he had broken to wait upon his body and play congregation to his mind had ironically deserted him—just when he could not much longer have supported her. Never again would he be able so satisfactorily to bore and bully a human soul.
II SymposiumGloria had lulled Anthony’s mind to sleep. She,
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