The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
Read free book «The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: F. Scott Fitzgerald
Read book online «The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕». Author - F. Scott Fitzgerald
It was a sort of lassitude that brought them back to Marietta for another summer. Through a golden enervating spring they had loitered, restive and lazily extravagant, along the California coast, joining other parties intermittently and drifting from Pasadena to Coronado, from Coronado to Santa Barbara, with no purpose more apparent than Gloria’s desire to dance by different music or catch some infinitesimal variant among the changing colors of the sea. Out of the Pacific there rose to greet them savage rocklands and equally barbaric hostelries built that at teatime one might drowse into a languid wicker bazaar glorified by the polo costumes of Southhampton and Lake Forest and Newport and Palm Beach. And, as the waves met and splashed and glittered in the most placid of the bays, so they joined this group and that, and with them shifted stations, murmuring ever of those strange unsubstantial gaieties in wait just over the next green and fruitful valley.
A simple healthy leisure class it was—the best of the men not unpleasantly undergraduate—they seemed to be on a perpetual candidates list for some etherealized “Porcellian” or “Skull and Bones” extended out indefinitely into the world; the women, of more than average beauty, fragilely athletic, somewhat idiotic as hostesses but charming and infinitely decorative as guests. Sedately and gracefully they danced the steps of their selection in the balmy tea hours, accomplishing with a certain dignity the movements so horribly burlesqued by clerk and chorus girl the country over. It seemed ironic that in this lone and discredited offspring of the arts Americans should excel, unquestionably.
Having danced and splashed through a lavish spring, Anthony and Gloria found that they had spent too much money and for this must go into retirement for a certain period. There was Anthony’s “work,” they said. Almost before they knew it they were back in the gray house, more aware now that other lovers had slept there, other names had been called over the banisters, other couples had sat upon the porch steps watching the gray-green fields and the black bulk of woods beyond.
It was the same Anthony, more restless, inclined to quicken only under the stimulus of several highballs, faintly, almost imperceptibly, apathetic toward Gloria. But Gloria—she would be twenty-four in August and was in an attractive but sincere panic about it. Six years to thirty! Had she been less in love with Anthony her sense of the flight of time would have expressed itself in a reawakened interest in other men, in a deliberate intention of extracting a transient gleam of romance from every potential lover who glanced at her with lowered brows over a shining dinner table. She said to Anthony one day:
“How I feel is that if I wanted anything I’d take it. That’s what I’ve always thought all my life. But it happens that I want you, and so I just haven’t room for any other desires.”
They were bound eastward through a parched and lifeless Indiana, and she had looked up from one of her beloved moving picture magazines to find a casual conversation suddenly turned grave.
Anthony frowned out the car window. As the track crossed a country road a farmer appeared momentarily in his wagon; he was chewing on a straw and was apparently the same farmer they had passed a dozen times before, sitting in silent and malignant symbolism. As Anthony turned to Gloria his frown intensified.
“You worry me,” he objected; “I can imagine wanting another woman under certain transitory circumstances, but I can’t imagine taking her.”
“But I don’t feel that way, Anthony. I can’t be bothered resisting things I want. My way is not to want them—to want nobody but you.”
“Yet when I think that if you just happened to take a fancy to someone—”
“Oh, don’t be an idiot!” she exclaimed. “There’d be nothing casual about it. And I can’t even imagine the possibility.”
This emphatically closed the conversation. Anthony’s unfailing appreciation made her happier in his company than in anyone’s else. She definitely enjoyed him—she loved him. So the summer began very much as had the one before.
There was, however, one radical change in ménage. The icy-hearted Scandinavian, whose austere cooking and sardonic manner of waiting on table had so depressed Gloria, gave way to an exceedingly efficient Japanese whose name was Tanalahaka, but who confessed that he heeded any summons which included the dissyllable “Tana.”
Tana was unusually small even for a Japanese, and displayed a somewhat naive conception of himself as a man of the world. On the day of his arrival from “R. Gugimoniki, Japanese Reliable Employment Agency,” he called Anthony into his room to see the treasures of his trunk. These included a large collection of Japanese post cards, which he was all for explaining to his employer at once, individually and at great length. Among them were half a dozen of pornographic intent and plainly of American origin, though the makers had modestly omitted both their names and the form for mailing. He next brought out some of his own handiwork—a pair of American pants, which he had made himself, and two suits of solid silk underwear. He informed Anthony confidentially as to the purpose for which these latter were reserved. The next exhibit was a rather good copy of an etching of Abraham Lincoln, to whose face he had given an unmistakable Japanese cast. Last came a flute; he had made it himself but it was broken: he was going to fix it soon.
After these polite formalities, which Anthony conjectured must be native to Japan, Tana delivered a long harangue in splintered English on the relation of master and servant from which Anthony gathered that he had worked on large estates but had always quarrelled with
Comments (0)