A Portrait of the Artist as a Young Man by James Joyce (best way to read books .TXT) 📕

up again her burden of pieties, masses and prayers and sacraments and mortifications, and only then for the first time since he had brooded on the great mystery of love did he feel within him a warm movement like that of some newly born life or virtue of the soul itself. The attitude of rapture in sacred art, the raised and parted hands, the parted lips and eyes as of one about to swoon, became for him an image of the soul in prayer, humiliated and faint before her Creator.

But he had been forewarned of the dangers of spiritual exaltation and did not allow himself to desist from even the least or lowliest devotion, striving also by constant mortification to undo the sinful past rather than to achieve a saintliness fraught with peril. Each of his senses was brought under a rigorous discipline. In order to mortify the sense of sight he made it his rule to walk in the street with downcast eyes, glancing neither to right nor left and never behind him. His eyes shunned every encounter with the eyes of women. From time to time also he balked them by a sudden effort of the will, as by lifting them suddenly in the middle of an unfinished sentence and closing the book. To mortify his hearing he exerted no control over his voice which was then breaking, neither sang nor whistled, and made no attempt to flee from noises which caused him painful nervous irritation such as the sharpening of knives on the knifeboard, the gathering of cinders on the fireshovel and the twigging of the carpet. To mortify his smell was more difficult as he found in himself no instinctive repugnance to bad odours whether they were the odours of the outdoor world, such as those of dung or tar, or the odours of his own person among which he had made many curious comparisons and experiments. He found in the end that the only odour against which his sense of smell revolted was a certain stale fishy stink like that of longstanding urine; and whenever it was possible he subjected himself to this unpleasant odour. To mortify the taste he practised strict habits at table, observed to the letter all the fasts of the church and sought by distraction to divert his mind from the savours of different foods. But it was to the mortification of touch he brought the most assiduous ingenuity of inventiveness. He never consciously changed his position in bed, sat in the most uncomfortable positions, suffered patiently every itch and pain, kept away from the fire, remained on his knees all through the mass except at the gospels, left part of his neck and face undried so that air might sting them and, whenever he was not saying his beads, carried his arms stiffly at his sides like a runner and never in his pockets or clasped behind him.

He had no temptations to sin mortally. It surprised him however to find that at the end of his course of intricate piety and selfrestraint he was so easily at the mercy of childish and unworthy imperfections. His prayers and fasts availed him little for the suppression of anger at hearing his mother sneeze or at being disturbed in his devotions. It needed an immense effort of his will to master the impulse which urged him to give outlet to such irritation. Images of the outbursts of trivial anger which he had often noted among his masters, their twitching mouths, closeshut lips and flushed cheeks, recurred to his memory, discouraging him, for all his practice of humility, by the comparison. To merge his life in the common tide of other lives was harder for him than any fasting or prayer and it was his constant failure to do this to his own satisfaction which caused in his soul at last a sensation of spiritual dryness together with a growth of doubts and scruples. His soul traversed a period of desolation in which the sacraments themselves seemed to have turned into dried up sources. His confession became a channel for the escape of scrupulous and unrepented imperfections. His actual reception of the eucharist did not bring him the same dissolving moments of virginal self-surrender as did those spiritual communions made by him sometimes at the close of some visit to the Blessed Sacrament. The book which he used for these visits was an old neglected book written by saint Alphonsus Liguori, with fading characters and sere foxpapered leaves. A faded world of fervent love and virginal responses seemed to be evoked for his soul by the reading of its pages in which the imagery of the canticles was interwoven with the communicant’s prayers. An inaudible voice seemed to caress the soul, telling her names and glories, bidding her arise as for espousal and come away, bidding her look forth, a spouse, from Amana and from the mountains of the leopards; and the soul seemed to answer with the same inaudible voice, surrendering herself: Inter ubera mea commorabitur.

This idea of surrender had a perilous attraction for his mind now that he felt his soul beset once again by the insistent voices of the flesh which began to murmur to him again during his prayers and meditations. It gave him an intense sense of power to know that he could, by a single act of consent, in a moment of thought, undo all that he had done. He seemed to feel a flood slowly advancing towards his naked feet and to be waiting for the first faint timid noiseless wavelet to touch his fevered skin. Then, almost at the instant of that touch, almost at the verge of sinful consent, he found himself standing far away from the flood upon a dry shore, saved by a sudden act of the will or a sudden ejaculation; and, seeing the silver line of the flood far away and beginning again its slow advance towards his feet,