A Portrait of the Artist as a Young Man by James Joyce (best way to read books .TXT) 📕

a new thrill of power and satisfaction shook his soul to know that he had not yielded nor undone all.

When he had eluded the flood of temptation many times in this way he grew troubled and wondered whether the grace which he had refused to lose was not being filched from him little by little. The clear certitude of his own immunity grew dim and to it succeeded a vague fear that his soul had really fallen unawares. It was with difficulty that he won back his old consciousness of his state of grace by telling himself that he had prayed to God at every temptation and that the grace which he had prayed for must have been given to him inasmuch as God was obliged to give it. The very frequency and violence of temptations showed him at last the truth of what he had heard about the trials of the saints. Frequent and violent temptations were a proof that the citadel of the soul had not fallen and that the devil raged to make it fall.

Often when he had confessed his doubts and scruples, some momentary inattention at prayer, a movement of trivial anger in his soul, or a subtle wilfulness in speech or act, he was bidden by his confessor to name some sin of his past life before absolution was given him. He named it with humility and shame and repented of it once more. It humiliated and shamed him to think that he would never be freed from it wholly, however holily he might live or whatever virtues or perfections he might attain. A restless feeling of guilt would always be present with him: he would confess and repent and be absolved, confess and repent again and be absolved again, fruitlessly. Perhaps that first hasty confession wrung from him by the fear of hell had not been good? Perhaps, concerned only for his imminent doom, he had not had sincere sorrow for his sin? But the surest sign that his confession had been good and that he had had sincere sorrow for his sin was, he knew, the amendment of his life.

—I have amended my life, have I not? he asked himself.

The director stood in the embrasure of the window, his back to the light, leaning an elbow on the brown crossblind, and, as he spoke and smiled, slowly dangling and looping the cord of the other blind, Stephen stood before him, following for a moment with his eyes the waning of the long summer daylight above the roofs or the slow deft movements of the priestly fingers. The priest’s face was in total shadow, but the waning daylight from behind him touched the deeply grooved temples and the curves of the skull. Stephen followed also with his ears the accents and intervals of the priest’s voice as he spoke gravely and cordially of indifferent themes, the vacation which had just ended, the colleges of the order abroad, the transference of masters. The grave and cordial voice went on easily with its tale and in the pauses Stephen felt bound to set it on again with respectful questions. He knew that the tale was a prelude and his mind waited for the sequel. Ever since the message of summons had come for him from the director his mind had struggled to find the meaning of the message; and, during the long restless time he had sat in the college parlour waiting for the director to come in, his eyes had wandered from one sober picture to another around the walls and his mind wandered from one guess to another until the meaning of the summons had almost become clear. Then, just as he was wishing that some unforeseen cause might prevent the director from coming, he had heard the handle of the door turning and the swish of a soutane.

The director had begun to speak of the Dominican and Franciscan orders and of the friendship between saint Thomas and saint Bonaventure. The capuchin dress, he thought, was rather too.⁠ ⁠…

Stephen’s face gave back the priest’s indulgent smile and, not being anxious to give an opinion, he made a slight dubitative movement with his lips.

—I believe, continued the director, that there is some talk now among the capuchins themselves of doing away with it and following the example of the other Franciscans.

—I suppose they would retain it in the cloisters? said Stephen.

—O certainly, said the director. For the cloister it is all right but for the street I really think it would be better to do away with it, don’t you?

—It must be troublesome, I imagine.

—Of course it is, of course. Just imagine when I was in Belgium I used to see them out cycling in all kinds of weather with this thing up about their knees! It was really ridiculous. Les jupes, they call them in Belgium.

The vowel was so modified as to be indistinct.

—What do they call them?

—Les jupes.

—O!

Stephen smiled again in answer to the smile which he could not see on the priest’s shadowed face, its image or spectre only passing rapidly across his mind as the low discreet accent fell upon his ear. He gazed calmly before him at the waning sky, glad of the cool of the evening and of the faint yellow glow which hid the tiny flame kindling upon his cheek.

The names of articles of dress worn by women or of certain soft and delicate stuffs used in their making brought always to his mind a delicate and sinful perfume. As a boy he had imagined the reins by which horses are driven as slender silken bands and it shocked him to feel at Stradbrooke the greasy leather of harness. It had shocked him, too, when he had felt for the first time beneath his tremulous fingers the brittle texture of a woman’s stocking for, retaining nothing of all he read save that which seemed to him an echo or a prophecy of his own state,