The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) 📕
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Dante Alighieri’s Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Dante’s vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Dante’s death—not his actual death that would come shortly after his work’s completion, but his fictional death—where the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive God’s love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellow’s blank verse translation. Longfellow succeeds in capturing the original brilliance of Dante’s internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Dante’s writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
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For now we hear, and now hear not, the words. Canto X
The First Circle—The Proud—The sculptures on the wall.
When we had crossed the threshold of the door700
Which the perverted love of souls disuses,
Because it makes the crooked way seem straight,
Re-echoing I heard it closed again;
And if I had turned back mine eyes upon it,
What for my failing had been fit excuse?
We mounted upward through a rifted rock,
Which undulated to this side and that,
Even as a wave receding and advancing.
“Here it behoves us use a little art,”
Began my Leader, “to adapt ourselves
Now here, now there, to the receding side.”
And this our footsteps so infrequent made,
That sooner had the moon’s decreasing disk701
Regained its bed to sink again to rest,
Than we were forth from out that needle’s eye;
But when we free and in the open were,
There where the mountain backward piles itself,
I wearied out, and both of us uncertain
About our way, we stopped upon a plain
More desolate than roads across the deserts.
From where its margin borders on the void,
To foot of the high bank that ever rises,
A human body three times told would measure;
And far as eye of mine could wing its flight,
Now on the left, and on the right flank now,
The same this cornice did appear to me.
Thereon our feet had not been moved as yet,
When I perceived the embankment round about,
Which all right of ascent had interdicted,702
To be of marble white, and so adorned
With sculptures, that not only Polycletus,703
But Nature’s self, had there been put to shame.704
The Angel, who came down to earth with tidings
Of peace, that had been wept for many a year,
And opened Heaven from its long interdict,
In front of us appeared so truthfully
There sculptured in a gracious attitude,
He did not seem an image that is silent.
One would have sworn that he was saying, “Ave”;705
For she was there in effigy portrayed
Who turned the key to ope the exalted love,
And in her mien this language had impressed,
“Ecce ancilla Dei,” as distinctly706
As any figure stamps itself in wax.
“Keep not thy mind upon one place alone,”
The gentle Master said, who had me standing
Upon that side where people have their hearts;
Whereat I moved mine eyes, and I beheld
In rear of Mary, and upon that side
Where he was standing who conducted me,
Another story on the rock imposed;
Wherefore I passed Virgilius and drew near,
So that before mine eyes it might be set.
There sculptured in the self-same marble were
The cart and oxen, drawing the holy ark,
Wherefore one dreads an office not appointed.707
People appeared in front, and all of them
In seven choirs divided, of two senses
Made one say, “No,” the other, “Yes, they sing.”
Likewise unto the smoke of the frankincense,
Which there was imaged forth, the eyes and nose
Were in the yes and no discordant made.
Preceded there the vessel benedight,
Dancing with girded loins, the humble Psalmist,708
And more and less than King was he in this.
Opposite, represented at the window
Of a great palace, Michal looked upon him,709
Even as a woman scornful and afflicted.
I moved my feet from where I had been standing,
To examine near at hand another story,
Which after Michal glimmered white upon me.
There the high glory of the Roman Prince710
Was chronicled, whose great beneficence
Moved Gregory to his great victory;711
’Tis of the Emperor Trajan I am speaking;
And a poor widow at his bridle stood,
In attitude of weeping and of grief.
Around about him seemed it thronged and full
Of cavaliers, and the eagles in the gold
Above them visibly in the wind were moving.
The wretched woman in the midst of these
Seemed to be saying: “Give me vengeance, Lord,
For my dead son, for whom my heart is breaking.”
And he to answer her: “Now wait until
I shall return.” And she: “My Lord,” like one
In whom grief is impatient, “shouldst thou not
Return?” And he: “Who shall be where I am
Will give it thee.” And she: “Good deed of others
What boots it thee, if thou neglect thine own?”
Whence he: “Now comfort thee, for it behoves me
That I discharge my duty ere I move;
Justice so wills, and pity doth retain me.”
He who on no new thing has ever looked
Was the creator of this visible language,
Novel to us, for here it is not found.
While I delighted me in contemplating
The images of such humility,
And dear to look on for their Maker’s sake,
“Behold, upon this side, but rare they make
Their steps,” the Poet murmured, “many people;
These will direct us to the lofty stairs.”
Mine eyes, that in beholding were intent
To see new things, of which they curious are,
In turning round towards him were not slow.
But still I wish not, Reader, thou shouldst swerve
From thy good purposes, because thou hearest
How God ordaineth that the debt be paid;
Attend not to the fashion of the torment,
Think of what follows; think that at the worst
It cannot reach beyond the mighty sentence.
“Master,” began I, “that which I behold
Moving towards us seems to me not persons,
And what I know not, so in sight I waver.”
And he to me: “The grievous quality
Of this their torment bows them so to earth,
That my own eyes at first contended with it;
But look there fixedly, and disentangle
By sight what cometh underneath those stones;
Already canst thou see how each is stricken.”
O ye proud Christians! wretched, weary ones!
Who, in the vision of the mind infirm,
Confidence have in your backsliding steps,
Do ye not comprehend that we are worms,712
Born to
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