The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) ๐
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Dante Alighieriโs Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Danteโs vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Danteโs deathโnot his actual death that would come shortly after his workโs completion, but his fictional deathโwhere the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive Godโs love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellowโs blank verse translation. Longfellow succeeds in capturing the original brilliance of Danteโs internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Danteโs writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
Read book online ยซThe Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) ๐ยป. Author - Dante Alighieri
By Dante Alighieri.
Translated by Henry Wadsworth Longfellow.
Table of Contents Titlepage Imprint Epigraph The Divine Comedy Inferno Canto I Canto II Canto III Canto IV Canto V Canto VI Canto VII Canto VIII Canto IX Canto X Canto XI Canto XII Canto XIII Canto XIV Canto XV Canto XVI Canto XVII Canto XVIII Canto XIX Canto XX Canto XXI Canto XXII Canto XXIII Canto XXIV Canto XXV Canto XXVI Canto XXVII Canto XXVIII Canto XXIX Canto XXX Canto XXXI Canto XXXII Canto XXXIII Canto XXXIV Purgatorio Canto I Canto II Canto III Canto IV Canto V Canto VI Canto VII Canto VIII Canto IX Canto X Canto XI Canto XII Canto XIII Canto XIV Canto XV Canto XVI Canto XVII Canto XVIII Canto XIX Canto XX Canto XXI Canto XXII Canto XXIII Canto XXIV Canto XXV Canto XXVI Canto XXVII Canto XXVIII Canto XXIX Canto XXX Canto XXXI Canto XXXII Canto XXXIII Paradiso Canto I Canto II Canto III Canto IV Canto V Canto VI Canto VII Canto VIII Canto IX Canto X Canto XI Canto XII Canto XIII Canto XIV Canto XV Canto XVI Canto XVII Canto XVIII Canto XIX Canto XX Canto XXI Canto XXII Canto XXIII Canto XXIV Canto XXV Canto XXVI Canto XXVII Canto XXVIII Canto XXIX Canto XXX Canto XXXI Canto XXXII Canto XXXIII Endnotes List of Illustrations Colophon Uncopyright ImprintThis ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the Internet Archive (Inferno, Purgatorio, and Paradiso).
The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.
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I follow here the footing of thy feet
That with thy meaning so I may the rather meet
Oft have I seen at some cathedral door
A laborer, pausing in the dust and heat,
Lay down his burden, and with reverent feet
Enter, and cross himself, and on the floor
Kneel to repeat his paternoster oโer;
Far off the noises of the world retreat;
The loud vociferations of the street
Become an undistinguishable roar.
So, as I enter here from day to day,
And leave my burden at this minster gate,
Kneeling in prayer, and not ashamed to pray,
The tumult of the time disconsolate
To inarticulate murmurs dies away,
While the eternal ages watch and wait.
How strange the sculptures that adorn these towers!
This crowd of statues, in whose folded sleeves
Birds build their nests; while canopied with leaves
Parvis and portal bloom like trellised bowers,
And the vast minster seems a cross of flowers!
But fiends and dragons on the gargoyled eaves
Watch the dead Christ between the living thieves,
And, underneath, the traitor Judas lowers!
Ah! from what agonies of heart and brain,
What exultations trampling on despair,
What tenderness, what tears, what hate of wrong,
What passionate outcry of a soul in pain,
Uprose this poem of the earth and air,
This medieval miracle of song!
The dark forestโ โThe hill of Difficultyโ โThe panther, the lion, and the wolfโ โVirgil.
Midway upon the journey of our life2
I found myself within a forest dark,3
For the straightforward pathway had been lost.
Ah me! how hard a thing it is to say
What was this forest savage, rough, and stern,
Which in the very thought renews the fear.
So bitter is it, death is little more;
But of the good to treat, which there I found,
Speak will I of the other things I saw there.
I cannot well repeat how there I entered,
So full was I of slumber at the moment
In which I had abandoned the true way.
But after I had reached a mountainโs foot,4
At that point where the valley terminated,5
Which had with consternation pierced my heart,
Upward I looked, and I beheld its shoulders,
Vested already with that planetโs rays6
Which leadeth others right by every road.
Then was the fear a little quieted
That in my heartโs lake had endured throughout7
The night, which I had passed so piteously.
And even as he, who, with distressful breath,
Forth issued from the sea upon the shore,
Turns to the water perilous and gazes;
So did my soul, that still was fleeing onward,
Turn itself back to re-behold the pass
Which never yet a living person left.8
After my weary body I had rested,
The way resumed I on the desert slope,
So that the firm foot ever
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