A Voyage to Arcturus by David Lindsay (the false prince series .TXT) 📕
Description
On hearing the title A Voyage to Arcturus, one might picture an astronaut strapping themselves into a rocket and flying into space for a swashbuckling adventure. Nothing could be further from what this book actually is.
Voyage is in fact a fascinating, bizarre, bewildering, and thought-provoking sort of acid-fueled Pilgrim’s Progress: a philosophical allegory told through the frame of a psychedelic gender-bending journey to an alien planet.
After a terrifying séance, the protagonist, Maskull, is offered the chance of an adventure on a different world. He agrees, and the reader follows him on his blood-soaked path through lands representing different philosophies and ways of life as he searches for the world’s godhead, Surtur. Or is it Crystalman?
Voyage features fiction wildly ahead of its time, and is hardly classifiable as either science fiction or fantasy; one might even say that the book is better approached as a philosophical work than a straightforward narrative. It’s not a book for a reader seeking simple fiction, but rather for a reader seeking a thoughtful, imaginative, and totally unexpected exploration of philosophy and of life.
Decades ahead of its time, Voyage was praised by contemporaries like C. S. Lewis and J. R. R. Tolkien, and by modern authors like Clive Barker and Alan Moore. Many modern reviewers consider it a masterpiece of 20th century fiction and the work of an underappreciated genius. A century later it boasts a significant cult following, having inspired movies, plays, albums, and even operas, as well as a modern sequel by famous literary critic Harold Bloom—the only work of fiction he ever wrote.
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- Author: David Lindsay
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Polecrab growled a little. “If Surtur chooses to speak to you in that fashion, it appears he’s trying to say something.”
“What else can I think? But, Polecrab, what’s your opinion—is he calling me to the life after death?”
The old man stirred uneasily. “I’m a fisherman,” he said, after a minute or two. “I live by killing, and so does everybody. This life seems to me all wrong. So maybe life of any kind is wrong, and Surtur’s world is not life at all, but something else.”
“Yes, but will death lead me to it, whatever it is?”
“Ask the dead,” said Polecrab, “and not a living man.”
Maskull continued. “In the forest I heard music and saw a light, which could not have belonged to this world. They were too strong for my senses, and I must have fainted for a long time. There was a vision as well, in which I saw myself killed, while Nightspore walked on toward the light, alone.”
Polecrab uttered his grunt. “You have enough to think over.”
A short silence ensued, which was broken by Maskull.
“So strong is my sense of the untruth of this present life, that it may come to my putting an end to myself.” The fisherman remained quiet and immobile.
Maskull lay on his stomach, propped his face on his hands, and stared at him. “What do you think, Polecrab? Is it possible for any man, while in the body, to gain a closer view of that other world than I have done?”
“I am an ignorant man, stranger, so I can’t say. Perhaps there are many others like you who would gladly know.”
“Where? I should like to meet them.”
“Do you think you were made of one stuff, and the rest of mankind of another stuff?”
“I can’t be so presumptuous. Possibly all men are reaching out toward Muspel, in most cases without being aware of it.”
“In the wrong direction,” said Polecrab.
Maskull gave him a strange look. “How so?”
“I don’t speak from my own wisdom,” said Polecrab, “for I have none; but I have just now recalled what Broodviol once told me, when I was a young man, and he was an old one. He said that Crystalman tries to turn all things into one, and that whichever way his shapes march, in order to escape from him, they find themselves again face to face with Crystalman, and are changed into new crystals. But that this marching of shapes (which we call ‘forking’) springs from the unconscious desire to find Surtur, but is in the opposite direction to the right one. For Surtur’s world does not lie on this side of the one, which was the beginning of life, but on the other side; and to get to it we must repass through the one. But this can only be by renouncing our self-life, and reuniting ourselves to the whole of Crystalman’s world. And when this has been done, it is only the first stage of the journey; though many good men imagine it to be the whole journey. … As far as I can remember, that is what Broodviol said, but perhaps, as I was then a young and ignorant man, I may have left out words which would explain his meaning better.”
Maskull, who had listened attentively to all this, remained thoughtful at the end.
“It’s plain enough,” he said. “But what did he mean by our reuniting ourselves to Crystalman’s world? If it is false, are we to make ourselves false as well?”
“I didn’t ask him that question, and you are as well qualified to answer it as I am.”
“He must have meant that, as it is, we are each of us living in a false, private world of our own, a world of dreams and appetites and distorted perceptions. By embracing the great world we certainly lose nothing in truth and reality.”
Polecrab withdrew his feet from the water, stood up, yawned, and stretched his limbs.
“I have told you all I know,” he said in a surly voice. “Now let me go to sleep.”
Maskull kept his eyes fixed on him, but made no reply. The old man let himself down stiffly on to the ground, and prepared to rest.
While he was still arranging his position to his liking, a footfall sounded behind the two men, coming from the direction of the forest. Maskull twisted his neck, and saw a woman approaching them. He at once guessed that it was Polecrab’s wife. He sat up, but the fisherman did not stir. The woman came and stood in front of them, looking down from what appeared a great height.
Her dress was similar to her husband’s, but covered her limbs more. She was young, tall, slender, and strikingly erect. Her skin was lightly tanned, and she looked strong, but not at all peasantlike. Refinement was stamped all over her. Her face had too much energy of expression for a woman, and she was not beautiful. Her three great eyes kept flashing and glowing. She had great masses of fine, yellow hair, coiled up and fastened, but so carelessly that some of the strands were flowing down her back.
When she spoke, it was in a rather weak voice, but full of lights and shades, and somehow intense passionateness never seemed to be far away from it.
“Forgiveness is asked for listening to your conversation,” she said, addressing Maskull. “I was resting behind the tree, and heard it all.”
He got up slowly. “Are you Polecrab’s wife?”
“She is my wife,” said Polecrab, “and her name is Gleameil. Sit down again, stranger—and you too, wife, since you are here.”
They both obeyed. “I heard everything,” repeated Gleameil. “But what I did not hear was where you are going to, Maskull, after you have left us.”
“I know no more than you do.”
“Listen, then. There’s only one place for you to go to, and that is Swaylone’s Island. I will ferry you across myself before sunset.”
“What shall I find there?”
“He may go, wife,” put in the old man hoarsely, “but I won’t allow
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