The King of Elfland’s Daughter by Lord Dunsany (e ink manga reader TXT) 📕
Description
The people of the obscure village Erl demand to be ruled by a magic lord, so their ruler sends his son Alveric to Elfland to wed the elfin princess Lirazel. He brings her back to Erl and the couple have a son, but Lirazel has trouble integrating with human society. When a scheme by her father spirits her away and Elfland vanishes, Alveric begins a mad quest to find where Elfland went.
The King of Elfland’s Daughter is written in the pseudo-archaic prose style for which Dunsany is known. Some contemporaries thought the style did not suit a novel-length work, but contemporary Irish writer George Russell called the book “the most purely beautiful thing Lord Dunsany has written.” The book touches on a range of themes, including the longing for fantastical things lost, the perception of time, sanity and madness, the fear of the unknown, and being careful what you wish for. Large passages are also devoted to hunting; the original edition even featured an illustration of a unicorn hunt opposite the title page. Neil Gaiman wrote an introduction to the 1999 edition, and Christopher Lee was a featured vocalist on a 1977 progressive rock album based on the book.
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- Author: Lord Dunsany
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Had he shown her any wonder but dawn he might have lured home that fancy, but in bringing this exotic beauty to Elfland to blend with its ancient wonders, he awoke memories of morning coming over fields that he knew not, and Lirazel played in fancy in fields once more with Orion, where grew the unenchanted earthly flowers amongst the English grasses.
“Is it not enough?” he said in his strange rich magical voice, and pointed across his wide lands with the fingers that summoned wonder.
She sighed: it was not enough.
And sorrow came upon that enchanted King: he had only his daughter, and she sighed for Earth. There had been once a queen that had reigned with him over Elfland; but she was mortal, and being mortal died. For she would often stray to the hills of Earth to see the may again, or to see the beechwoods in autumn; and though she stayed but a day when she came to the fields we know, and was back in the palace beyond the twilight before our sun had set, yet Time found her whenever she came; and so she wore away, and soon she died in Elfland; for she was only a mortal. And wondering elves had buried her, as one buries the daughters of men. And now the King was all alone with his daughter, and she had just sighed for Earth. Sorrow was on him, but out of the dark of that sorrow arose, as often with men, and went up singing out of his mourning mind, an inspiration gleaming with laughter and joy. He stood up then and raised up both his arms and his inspiration broke over Elfland in music. And with the tide of that music there went like the strength of the sea an impulse to rise and dance which none in Elfland resisted. Gravely he waved his arms and the music floated from them; and all that stalked through the forest and all that crept upon leaves, all that leaped among craggy heights or browsed upon acres of lilies, all things in all manner of places, yea the sentinel guarding his presence, the lonely mountain-watchers and the trolls as they scampered towards Earth, all danced to a tune that was made of the spirit of spring, arrived on an earthly morning amongst happy herds of goats.
And the trolls were very near to the frontier now, their faces already puckered to laugh at the ways of men; they were hurrying with all the eagerness of small vain things to be over the twilight that lies between Elfland and Earth: now they went forward no longer, but only glided in circles and intricate spirals, dancing some such dance as the gnats in summer evenings dance over the fields we know. And grave monsters of fable in deeps of the ferny forest danced minuets that witches had made of their whims and their laughter, long ago long ago in their youth before cities had come to the world. And the trees of the forest heavily lifted slow roots out of the ground and swayed upon them uncouthly and then danced as on monstrous claws, and the insects danced on the huge waving leaves. And in the dark of long caverns weird things in enchanted seclusion rose out of their age-long sleep and danced in the damp.
And beside the wizard King stood, swaying slightly to the rhythm that had set dancing all magical things, the Princess Lirazel with that faint gleam on her face that shone from a hidden smile; for she secretly smiled forever at the power of her great beauty. And all in a sudden moment the Elf King raised one hand higher and held it high and stilled all that danced in Elfland, and gripped by a sudden awe all magical things, and sent over Elfland a melody all made of notes he had caught from wandering inspirations that sing and stray through limpid blue beyond our earthly coasts: and all the land lay deep in the magic of that strange music. And the wild things that Earth has guessed at and the things hidden even from legend were moved to sing age-old songs that their memories had forgotten. And fabulous things of the air were lured downwards out of great heights. And emotions unknown and unthought of troubled the calm of Elfland. The flood of music beat with wonderful waves against the slopes of the grave blue Elfin Mountains, till their precipices uttered strange bronze-like echoes. On Earth no noise was heard of music or echo: not a note came through the narrow border of twilight, not a sound, not a murmur. Elsewhere those notes ascended, and passed like rare strange moths through all the fields of Heaven, and hummed like untraceable memories about the souls of the blessed; and the angels heard that music but were forbidden to envy it. And though it came not to Earth, and though never our fields have heard the music of Elfland, yet there were then as there have been in every age, lest despair should overtake the peoples of Earth, those that make songs for the need of our grief and our laughter: and even they heard never a note from Elfland across the border of twilight that kills their sound, but they felt in their minds the dance of those magical notes, and wrote them down and earthly instruments played them; then and never till then
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