Table-Talk by William Hazlitt (best pdf reader for ebooks txt) 📕
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William Hazlitt was a well-regarded critic and essayist in his day, and Table-Talk, a collection of some of his more popular short essays, is perhaps his best-remembered work.
The essays themselves range in subject from philosophy, to art, to literature, culture, society, and politics, with titles like “On the Pleasures of Painting” and “On Corporate Bodies.” Hazlitt’s intimate style and deep familiarity with many different aspects of art culture (not only was he a literary success, but he studied under Joshua Reynolds to be a portrait painter) make his essays fascinating multi-disciplinary reads.
Table-Talk was originally published in two separate volumes, and, largely due to Hazlitt’s political activism, was received poorly by his contemporaries. Today it’s considered one of his masterpieces.
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- Author: William Hazlitt
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“From every work he challenged essoin
For contemplation’s sake.”
Perhaps the superior importance attached to the institutions of religion, as well as the more abstracted and visionary nature of its objects, has led (as a general result) to a wider separation between thought and action in modern times.
Ambition is of a higher and more heroic strain than avarice. Its objects are nobler, and the means by which it attains its ends less mechanical.
“Better be lord of them that riches have,
Than riches have myself, and be their servile slave.”
The incentive to ambition is the love of power; the spur to avarice is either the fear of poverty or a strong desire of self-indulgence. The amassers of fortunes seem divided into two opposite classes—lean, penurious-looking mortals, or jolly fellows who are determined to get possession of, because they want to enjoy, the good things of the world. The one have famine and a workhouse always before their eyes, the others, in the fullness of their persons and the robustness of their constitutions, seem to bespeak the reversion of a landed estate, rich acres, fat beeves, a substantial mansion, costly clothing, a chine and turkey, choice wines, and all other good things consonant to the wants and full-fed desires of their bodies. Such men charm fortune by the sleekness of their aspects and the goodly rotundity of their honest faces, as the others scare away poverty by their wan, meagre looks. The last starve themselves into riches by care and carking; the first eat, drink, and sleep their way into the good things of this life. The greatest number of warm men in the city are good, jolly follows. Look at Sir William ⸻. Callipash and callipee are written in his face: he rolls about his unwieldy bulk in a sea of turtle-soup. How many haunches of venison does he carry on his back! He is larded with jobs and contracts: he is stuffed and swelled out with layers of banknotes and invitations to dinner! His face hangs out a flag of defiance to mischance: the roguish twinkle in his eye with which he lures half the city and beats Alderman ⸻ hollow, is a smile reflected from heaps of unsunned gold! Nature and Fortune are not so much at variance as to differ about this fellow. To enjoy the good the Gods provide us is to deserve it. Nature meant him for a Knight, Alderman, and City Member; and Fortune laughed to see the goodly person and prospects of the man!33 I am not, from certain early prejudices, much to admire the ostentatious marks of wealth (there are persons enough to admire them without me)—but I confess, there is something in the look of the old banking-houses in Lombard Street, the posterns covered with mud, the doors opening sullenly and silently, the absence of all pretence, the darkness and the gloom within, the gleaming of lamps in the daytime,
“Like a faint shadow of uncertain light,”
that almost realises the poetical conception of the cave of Mammon in Spenser, where dust and cobwebs concealed the roofs and pillars of solid gold, and lifts the mind quite off its ordinary hinges. The account of the manner in which the founder of Guy’s Hospital accumulated his immense wealth has always to me something romantic in it, from the same force of contrast. He was a little shopkeeper, and out of his savings bought Bibles and purchased seamen’s tickets in Queen Anne’s wars, by which he left a fortune of two hundred thousand pounds. The story suggests the idea of a magician; nor is there anything in the Arabian Nights that looks more like a fiction.
On Will-MakingFew things show the human character in a more ridiculous light than the circumstance of will-making. It is the latest opportunity we have of exercising the natural perversity of the disposition, and we take care to make a good use of it. We husband it with jealousy, put it off as long as we can, and then use every precaution that the world shall be no gainer by our deaths. This last act of our lives seldom belies the former tenor of them for stupidity, caprice, and unmeaning spite. All that we seem to think of is to manage matters so (in settling accounts with those who are so unmannerly as to survive us) as to do as little good, and to plague and disappoint as many people as possible.
Many persons have a superstition on the subject of making their last will and testament, and think that when everything is ready signed and sealed, there is nothing further left to delay their departure. I have heard of an instance of one person who, having a feeling of this kind on his mind, and being teased into making his will by those about him, actually fell ill with pure apprehension, and thought he was going to die in good earnest, but having executed the deed overnight, awoke, to his great surprise, the next morning, and found himself as well as ever he was.34
An elderly gentleman possessed of a good estate and the same idle notion, and who found himself in a dangerous way, was anxious to do this piece of justice to those who remained behind him, but when it came to the point, his heart failed him, and his nervous fancies returned in full force. Even on his deathbed he still held back and was averse to sign what he looked upon as his own death-warrant, and just at
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