Green Forest Stories by Thornton W. Burgess (best e ink reader for manga txt) đź“•
Description
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories.
This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre.
Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history.
In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.)
The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example.
In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet.
That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
Read free book «Green Forest Stories by Thornton W. Burgess (best e ink reader for manga txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Thornton W. Burgess
Read book online «Green Forest Stories by Thornton W. Burgess (best e ink reader for manga txt) 📕». Author - Thornton W. Burgess
My, my, but that was a dreadful journey! Every time a twig snapped, Whitefoot’s heart seemed to jump right up in his throat. Every time he saw a moving shadow, and the branches of the trees moving in the wind were constantly making moving shadows on the snow, he dodged behind a tree trunk or under a piece of bark or wherever he could find a hiding-place.
You see, Whitefoot has so many enemies always looking for him that he hides whenever he sees anything moving. When at home, he is forever dodging in and out of his hiding-places. So, because everything was strange to him, and because of the great fear of Shadow the Weasel, he suspected everything that moved and every sound he heard. For a long way no one saw him, for no one was about. Yet all that way Whitefoot twisted and dodged and darted from place to place and was just as badly frightened as if there had been enemies all about.
“Oh, dear! Oh, dear me!” he kept saying over and over to himself. “Wherever shall I go? Whatever shall I do? However shall I get enough to eat? I won’t dare go back to get food from my little storehouses, and I shall have to live in a strange place where I won’t know where to look for food. I am getting tired. My legs ache. I’m getting hungry. I want my nice, warm, soft bed. Oh, dear! Oh, dear! Oh, dear me!”
But in spite of his frights, Whitefoot kept on. You see, he was more afraid to stop than he was to go on. He just had to get as far from Shadow the Weasel as he could. Being such a little fellow, what would be a short distance for you or me is a long distance for Whitefoot.
And so that journey was to him very long indeed. Of course, it seemed longer because of the constant frights which came one right after another. It really was a terrible journey. Yet if he had only known it, there wasn’t a thing along the whole way to be afraid of. You know it often happens that people are frightened more by what they don’t know than by what they do know.
XVI Whitefoot Climbs a TreeI’d rather be frightened
With no cause for fear
Than fearful of nothing
When danger is near.
Whitefoot kept on going and going. Every time he thought that he was so tired he must stop, he would think of Shadow the Weasel and then go on again. By and by he became so tired that not even the thought of Shadow the Weasel could make him go much farther. So he began to look about for a safe hiding-place in which to rest.
Now the home which he had left had been a snug little room beneath the roots of a certain old stump. There he had lived for a long time in the greatest comfort. Little tunnels led to his storehouses and up to the surface of the snow. It had been a splendid place and one in which he had felt perfectly safe until Shadow the Weasel had appeared. Had you seen him playing about there, you would have thought him one of the little people of the ground, like his cousin Danny Meadow Mouse.
But Whitefoot is quite as much at home in trees as on the ground. In fact, he is quite as much at home in trees as is Chatterer the Red Squirrel, and a lot more at home in trees than is Striped Chipmunk, although Striped Chipmunk belongs to the Squirrel family. So now that he must find a hiding-place, Whitefoot decided that he would feel much safer in a tree than on the ground.
“If only I can find a hollow tree,” whimpered Whitefoot. “I will feel ever so much safer in a tree than hiding in or near the ground in a strange place.”
So Whitefoot began to look for a dead tree. You see, he knew that there was more likely to be a hollow in a dead tree than in a living tree. By and by he came to a tall, dead tree. He knew it was a dead tree, because there was no bark on it. But, of course, he couldn’t tell whether or not that tree was hollow. I mean he couldn’t tell from the ground.
“Oh, dear!” he whimpered again. “Oh, dear! I suppose I will have to climb this, and I am so tired. It ought to be hollow. There ought to be splendid holes in it. It is just the kind of a tree that Drummer the Woodpecker likes to make his house in. I shall be terribly disappointed if I don’t find one of his houses somewhere in it, but I wish I hadn’t got to climb it to find out. Well, here goes.”
He looked anxiously this way. He looked anxiously that way. He looked anxiously the other way. In fact, he looked anxiously every way. But he saw no one and nothing to be afraid of, and so he started up the tree.
He was halfway up when, glancing down, he saw a shadow moving across the snow. Once more Whitefoot’s heart seemed to jump right up in his throat. That shadow was the shadow of someone flying. There couldn’t be the least bit of doubt about it. Whitefoot flattened himself against the side of the tree and peeked around it. He was just in time to see a gray and black and white bird almost the size of Sammy Jay alight in the very next tree. He had come along near the ground and then risen sharply into the tree. His bill was black, and there was just a tiny hook on the end of it. Whitefoot knew who it was. It was Butcher the Shrike. Whitefoot shivered.
Comments (0)