Green Forest Stories by Thornton W. Burgess (best e ink reader for manga txt) 📕
Description
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories.
This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre.
Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history.
In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.)
The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example.
In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet.
That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
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- Author: Thornton W. Burgess
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Timmy the Flying Squirrel didn’t move. He remained curled up in a soft little ball. He was asleep. Whitefoot remembered that Timmy sleeps during the day and seldom comes out until the Black Shadows come creeping out from the Purple Hills at the close of day. Whitefoot felt easier in his mind then. Timmy was so sound asleep that he knew nothing of his visitor. And so Whitefoot felt safe in staying long enough to get rested. Then he would go out and hunt for another home.
So down in the middle of that soft, warm bed Timmy the Flying Squirrel, curled up in a little round ball with his flat tail wrapped around him, slept peacefully, and on top of that soft bed Whitefoot the Wood Mouse rested and wondered what he should do next. Not in all the Green Forest could two more timid little people be found than the two in that old home of Drummer the Woodpecker.
XIX Whitefoot Finds a Home at LastTrue independence he has known
Whose home has been his very own.
Curled up in his splendid warm bed, Timmy the Flying Squirrel slept peacefully. He didn’t know he had a visitor. He didn’t know that on top of that same bed lay Whitefoot the Wood Mouse. Whitefoot wasn’t asleep. No, indeed! Whitefoot was too worried to sleep. He knew he couldn’t stay in that fine house because it belonged to Timmy. He knew that as soon as Timmy awoke, he, Whitefoot, would have to get out. Where should he go? He wished he knew. How he did long for the old home he had left. But when he thought of that, he remembered Shadow the Weasel. It was better to be homeless than to feel that at any minute Shadow the Weasel might appear.
It was getting late in the afternoon. Before long, jolly, round, red Mr. Sun would go to bed behind the Purple Hills, and the Black Shadows would come creeping through the Green Forest. Then Timmy the Flying Squirrel would awake. “It won’t do for me to be here then,” said Whitefoot to himself. “I must find some other place before he wakes. If only I knew this part of the Green Forest I might know where to go. As it is, I shall have to go hunt for a new home and trust to luck. Did ever a poor little Mouse have so much trouble?”
After awhile Whitefoot felt rested and peeped out of the doorway. No enemy was to be seen anywhere. Whitefoot crept out and climbed a little higher up in the tree. Presently he found another hole. He peeped inside and listened long and carefully. He didn’t intend to make the mistake of going into another house where someone might be living.
At last, sure that there was no one in there, he crept in. Then he made a discovery. There were beech nuts in there and there were seeds.
It was a storehouse! Whitefoot knew at once that it must be Timmy’s storehouse. Right away he realized how very, very hungry he was. Of course, he had no right to any of those seeds or nuts. Certainly not! That is, he wouldn’t have had any right had he been a boy or girl. But it is the law of the Green Forest that whatever anyone finds he may help himself to if he can.
So Whitefoot began to fill his empty little stomach with some of those seeds. He ate and ate and ate and quite forgot all his troubles. Just as he felt that he hadn’t room for another seed, he heard the sound of claws outside on the trunk of the tree. In a flash he knew that Timmy the Flying Squirrel was awake, and that it wouldn’t do to be found in there by him. In a jiffy Whitefoot was outside. He was just in time. Timmy was almost up to the entrance.
“Hi, there!” cried Timmy. “What were you doing in my storehouse?”
“I—I—I was looking for a new home,” stammered Whitefoot.
“You mean you were stealing some of my food,” snapped Timmy suspiciously.
“I—I—I did take a few seeds because I was almost starved. But truly I was looking for a new home,” replied Whitefoot.
“What was the matter with your old home?” demanded Timmy.
Then Whitefoot told Timmy all about how he had been obliged to leave his old home because of Shadow the Weasel, of the terrible journey he had had, and how he didn’t know where to go or what to do. Timmy listened suspiciously at first, but soon he made up his mind that Whitefoot was telling the truth. The mere mention of Shadow the Weasel made him very sober.
He scratched his nose thoughtfully. “Over in that tall, dead stub you can see from here is an old home of mine,” said he. “No one lives in it now. I guess you can live there until you can find a better home. But remember to keep away from my storehouse.”
So it was that Whitefoot found a new home.
XX Whitefoot Makes Himself at HomeLook not too much on that behind
Lest to the future you be blind.
Whitefoot didn’t wait to be told twice of that empty house. He thanked Timmy and then scampered over to that stub as fast as his legs would take him. Up the stub he climbed, and near the top he found a little round hole. Timmy had said no one was living there now, and so Whitefoot didn’t hesitate to pop inside.
There was even a bed in there. It was an old bed, but it was dry and soft. It was quite clear that no one had been in there for a long time. With a little sigh of pure happiness, Whitefoot curled up
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