Antic Hay by Aldous Huxley (kiss me liar novel english txt) 📕

“Of course? Is it as much of course as all that?”

“When I say so.” He smiled at her. The eternity had been renewed, the enchantment prolonged. There was no need to think of anything now but the moment. The past was forgotten, the future abolished. There was only this secret room and the candlelight and the unreal, impossible happiness of being two. Now that this peril of a disenchantment had been averted, it would last forever. He got up from the couch, crossed the room, he took her hands and kissed them.

“Shall we sleep now?” she asked.

Gumbril nodded.

“Do you mind if I blow out the light?” And without waiting for his answer, Emily turned, gave a puff, and the room was in darkness. He heard the rustling of her undressing. Hastily he stripped off his own clothes, pulled back the coverlet from the divan. The bed was made and ready; he opened it and slipped between the sheets. A dim greenish light from the gas lamp in the street below came up between the parted curtains illuminating faintly the farther end of the room. Against this tempered darkness he could see her, silhouetted, standing quite still, as if hesitating on some invisible brink.

“Emily,” he whispered.

“I’m coming,” Emily answered. She stood there, unmoving, a few seconds longer, then overstepped the brink. She came silently across the room, and sat down on the edge of the low couch. Gumbril lay perfectly still, without speaking, waiting in the enchanted timeless darkness. Emily lifted her knees, slid her feet in under the sheet, then stretched herself out beside him, her body, in the narrow bed, touching his. Gumbril felt that she was trembling; trembling, a sharp involuntary start, a little shudder, another start.

“You’re cold,” he said, and slipping one arm beneath her shoulders he drew her, limp and unresisting, towards him. She lay there, pressed against him. Gradually the trembling ceased. Quite still, quite still in the calm of the enchantment. The past is forgotten, the future abolished; there is only this dark and everlasting moment. A drugged and intoxicated stupor of happiness possessed his spirit; a numbness, warm and delicious, lay upon him. And yet through the stupor he knew with a dreadful anxious certainty that the end would soon be there. Like a man on the night before his execution, he looked forward through the endless present; he foresaw the end of his eternity. And after? Everything was uncertain and unsafe.

Very gently, he began caressing her shoulder, her long slender arm, drawing his fingertips lightly and slowly over her smooth skin; slowly from her neck, over her shoulder, lingeringly round the elbow to her hand. Again, again; he was learning her arm. The form of it was part of the knowledge, now, of his fingertips; his fingers knew it as they knew a piece of music, as they knew Mozart’s Twelfth Sonata, for example. And the themes that crowd so quickly one after another at the beginning of the first movement played themselves serially, glitteringly in his mind; they became a part of the enchantment.

Through the silk of her shift he learned her curving side, her smooth straight back and the ridge of her spine. He stretched down, touched her feet, her knees. Under the smock he learned her warm body, lightly, slowly caressing. He knew her, his fingers, he felt, could build her up, a warm and curving statue in the darkness. He did not desire her; to desire would have been to break the enchantment. He let himself sink deeper and deeper into his dark stupor of happiness. She was asleep in his arms; and soon he too was asleep.

Mrs. Viveash descended the steps into King Street, and standing there on the pavement looked dubiously first to the right and then to the left. Little and loud, the taxis rolled by on their white wheels, the long-snouted limousines passed with a sigh. The air smelt of watered dust, tempered in Mrs. Viveash’s immediate neighbourhood by those memories of Italian jasmines which were her perfume. On the opposite pavement, in the shade, two young men, looking very conscious of their grey top-hats, marched gravely along.

Life, Mrs. Viveash thought, looked a little dim this morning, in spite of the fine weather. She glanced at her watch; it was one o’clock. Soon one would have to eat some lunch. But where, and with whom? Mrs. Viveash had no engagements. All the world was before her, she was absolutely free, all day long. Yesterday, when she declined all those pressing invitations, the prospect had seemed delightful. Liberty, no complications, no contacts; a pre-Adamite empty world to do what she liked in.

But today, when it came to the point, she hated her liberty. To come out like this at one o’clock into a vacuum⁠—it was absurd, it was appalling. The prospect of immeasurable boredom opened before her. Steppes after steppes of ennui, horizon beyond horizon, forever the same. She looked again to the right and again to the left. Finally she decided to go to the left. Slowly, walking along her private knife-edge between her personal abysses, she walked towards the left. She remembered suddenly one shining day like this in the summer of 1917, when she had walked along this same street, slowly, like this, on the sunny side, with Tony Lamb. All that day, that night, it had been one long goodbye. He was going back the next morning. Less than a week later he was dead. Never again, never again: there had been a time when she could make herself cry, simply by saying those two words once or twice, under her breath. Never again, never again. She repeated them softly now. But she felt no tears behind her eyes. Grief doesn’t kill, love doesn’t kill; but time kills everything, kills desire, kills sorrow, kills in the end the mind that feels them; wrinkles and softens the body while it still lives, rots it like a medlar, kills it too