Sartor Resartus by Thomas Carlyle (the reading list book .TXT) 📕

other of those whimsicalities and perverse inexplicabilities, whereby Herr Teufelsdröckh, meaning much or nothing, is pleased so often to play fast-and-loose with us?

Here, indeed, at length, must the Editor give utterance to a painful suspicion, which, through late Chapters, has begun to haunt him; paralysing any little enthusiasm that might still have rendered his thorny Biographical task a labour of love. It is a suspicion grounded perhaps on trifles, yet confirmed almost into certainty by the more and more discernible humoristico-satirical tendency of Teufelsdröckh, in whom underground humours and intricate sardonic rogueries, wheel within wheel, defy all reckoning: a suspicion, in one word, that these Autobiographical Documents are partly a mystification! What if many a so-called Fact were little better than a Fiction; if here we had no direct Camera-obscura Picture of the Professor’s History; but only some more or less fantastic Adumbration, symbolically, perhaps significantly enough, shadowing-forth the same! Our theory begins to be that, in receiving as literally authentic what was but hieroglyphically so, Hofrath Heuschrecke, whom in that case we scruple not to name Hofrath Nose-of-Wax, was made a fool of, and set adrift to make fools of others. Could it be expected, indeed, that a man so known for impenetrable reticence as Teufelsdröckh, would all at once frankly unlock his private citadel to an English Editor and a German Hofrath; and not rather deceptively inlock both Editor and Hofrath in the labyrinthic tortuosities and covered-ways of said citadel (having enticed them thither), to see, in his half-devilish way, how the fools would look?

Of one fool, however, the Herr Professor will perhaps find himself short. On a small slip, formerly thrown aside as blank, the ink being all-but invisible, we lately notice, and with effort decipher, the following: “What are your historical Facts; still more your biographical? Wilt thou know a Man, above all a Mankind, by stringing-together beadrolls of what thou namest Facts? The Man is the spirit he worked in; not what he did, but what he became. Facts are engraved Hierograms, for which the fewest have the key. And then how your Blockhead (Dummkopf) studies not their Meaning; but simply whether they are well or ill cut, what he calls Moral or Immoral! Still worse is it with your Bungler (Pfuscher): such I have seen reading some Rousseau, with pretences of interpretation; and mistaking the ill-cut Serpent-of-Eternity for a common poisonous reptile.” Was the Professor apprehensive lest an Editor, selected as the present boasts himself, might mistake the Teufelsdröckh Serpent-of-Eternity in like manner? For which reason it was to be altered, not without underhand satire, into a plainer Symbol? Or is this merely one of his half-sophisms, half-truisms, which if he can but set on the back of a Figure, he cares not whither it gallop? We say not with certainty; and indeed, so strange is the Professor, can never say. If our suspicion be wholly unfounded, let his own questionable ways, not our necessary circumspectness, bear the blame.

But be this as it will, the somewhat exasperated and indeed exhausted Editor determines here to shut these Paper-bags for the present. Let it suffice that we know of Teufelsdröckh, so far, if “not what he did, yet what he became:” the rather, as his character has now taken its ultimate bent, and no new revolution, of importance, is to be looked for. The imprisoned Chrysalis is now a winged Psyche: and such, wheresoever be its flight, it will continue. To trace by what complex gyrations (flights or involuntary waftings) through the mere external Life element, Teufelsdröckh reaches his University Professorship, and the Psyche clothes herself in civic Titles, without altering her now fixed nature⁠—would be comparatively an unproductive task, were we even unsuspicious of its being, for us at least, a false and impossible one. His outward Biography, therefore, which, at the Blumine Lover’s-Leap, we saw churned utterly into spray-vapour, may hover in that condition, for aught that concerns us here. Enough that by survey of certain “pools and plashes,” we have ascertained its general direction; do we not already know that, by one way and other, it has long since rained-down again into a stream; and even now, at Weissnichtwo, flows deep and still, fraught with the Philosophy of Clothes, and visible to whoso will cast eye thereon? Over much invaluable matter, that lies scattered, like jewels among quarry-rubbish, in those Paper-catacombs we may have occasion to glance back, and somewhat will demand insertion at the right place: meanwhile be our tiresome diggings therein suspended.

If now, before reopening the great Clothes-Volume, we ask what our degree of progress, during these Ten Chapters, has been, towards right understanding of the Clothes-Philosophy, let not our discouragement become total. To speak in that old figure of the Hell-gate Bridge over Chaos, a few flying pontoons have perhaps been added, though as yet they drift straggling on the Flood; how far they will reach, when once the chains are straightened and fastened, can, at present, only be matter of conjecture.

So much we already calculate: Through many a little loophole, we have had glimpses into the internal world of Teufelsdröckh; his strange mystic, almost magic Diagram of the Universe, and how it was gradually drawn, is not henceforth altogether dark to us. Those mysterious ideas on Time, which merit consideration, and are not wholly unintelligible with such, may by and by prove significant. Still more may his somewhat peculiar view of Nature, the decisive Oneness he ascribes to Nature. How all Nature and Life are but one Garment, a “Living Garment,” woven and ever a-weaving in the “Loom of Time;” is not here, indeed, the outline of a whole Clothes-Philosophy; at least the arena it is to work in? Remark, too, that the Character of the Man, nowise without meaning in such a matter, becomes less enigmatic: amid so much tumultuous obscurity, almost like diluted madness, do not a certain indomitable Defiance and yet a boundless Reverence seem to loom-forth, as the two mountain-summits,