Sartor Resartus by Thomas Carlyle (the reading list book .TXT) 📕
Description
Sartor Resartus was a strange and new book when it was first published in 1833, and in many ways it remains a strange and new book today. The bulk of the novel takes the form of the a commentary on the life and works of the fictional Diogenes Teufelsdröckh, a sort of renaissance-man German philosopher who develops a “Philosophy of Clothes.” The commentary is composed by a fictional English commentator, known only as the “Editor”; the Editor claims to have translated many of Teufelsdröckh’s ideas and quotes from German. As the commentary progresses, the Editor receives a bag of paper scraps on which are written various autobiographical fragments from Teufelsdröckh’s life. The Editor’s attempts to organize and interpret these scraps forms the second part of the novel.
The work is multi-faceted: sometimes a parody, sometimes a comedy, sometimes a satire, and sometimes seriously philosophical. Some critics consider it an early existentialist text. At the very least its unique structure and use of meta-narrative is hugely influential to modern literature; Borges was said to have memorized entire pages, and modern texts like Nabokov’s Pale Fire borrow liberally from the concept of a meta-narrative organized on scraps of paper.
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- Author: Thomas Carlyle
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“Historical Oil-painting,” continues Teufelsdröckh, “is one of the Arts I never practised; therefore shall I not decide whether this subject were easy of execution on the canvas. Yet often has it seemed to me as if such first outflashing of man’s Freewill, to lighten, more and more into Day, the Chaotic Night that threatened to engulf him in its hindrances and its horrors, were properly the only grandeur there is in History. Let some living Angelo or Rosa, with seeing eye and understanding heart, picture George Fox on that morning, when he spreads-out his cutting-board for the last time, and cuts cowhides by unwonted patterns, and stitches them together into one continuous all-including Case, the farewell service of his awl! Stitch away, thou noble Fox: every prick of that little instrument is pricking into the heart of Slavery, and World-worship, and the Mammon-god. Thy elbows jerk, and in strong swimmer-strokes, and every stroke is bearing thee across the Prison-ditch, within which Vanity holds her Workhouse and Ragfair, into lands of true Liberty; were the work done, there is in broad Europe one Free Man, and thou art he!
“Thus from the lowest depth there is a path to the loftiest height; and for the Poor also a Gospel has been published. Surely if, as D’Alembert asserts, my illustrious namesake, Diogenes, was the greatest man of Antiquity, only that he wanted Decency, then by stronger reason is George Fox the greatest of the Moderns; and greater than Diogenes himself: for he too stands on the adamantine basis of his Manhood, casting aside all props and shoars; yet not, in half-savage Pride, undervaluing the Earth; valuing it rather, as a place to yield him warmth and food, he looks Heavenward from his Earth, and dwells in an element of Mercy and Worship, with a still Strength, such as the Cynic’s Tub did nowise witness. Great, truly, was that Tub; a temple from which man’s dignity and divinity was scornfully preached abroad: but greater is the Leather Hull, for the same sermon was preached there, and not in Scorn but in Love.”
George Fox’s “perennial suit,” with all that it held, has been worn quite into ashes for nigh two centuries: why, in a discussion on the Perfectibility of Society, reproduce it now? Not out of blind sectarian partisanship: Teufelsdröckh himself is no Quaker; with all his pacific tendencies, did not we see him, in that scene at the North Cape, with the Archangel Smuggler, exhibit firearms?
For us, aware of his deep Sansculottism, there is more meant in this passage than meets the ear. At the same time, who can avoid smiling at the earnestness and Bœotian simplicity (if indeed there be not an underhand satire in it), with which that “Incident” is here brought forward; and, in the Professor’s ambiguous way, as clearly perhaps as he durst in Weissnichtwo, recommended to imitation! Does Teufelsdröckh anticipate that, in this age of refinement, any considerable class of the community, by way of testifying against the “Mammon-god,” and escaping from what he calls “Vanity’s Workhouse and Ragfair,” where doubtless some of them are toiled and whipped and hoodwinked sufficiently—will sheathe themselves in close-fitting cases of Leather? The idea is ridiculous in the extreme. Will Majesty lay aside its robes of state, and Beauty its frills and train-gowns, for a second-skin of tanned hide? By which change Huddersfield and Manchester, and Coventry and Paisley, and the Fancy-Bazaar, were reduced to hungry solitudes; and only Day and Martin could profit. For neither would Teufelsdröckh’s mad daydream, here as we presume covertly intended, of levelling Society (levelling it indeed with a vengeance, into one huge drowned marsh!), and so attaining the political effects of Nudity without its frigorific or other consequences—be thereby realised. Would not the rich man purchase a waterproof suit of Russia Leather; and the highborn Belle step-forth in red or azure morocco, lined with shamoy: the black cowhide being left to the Drudges and Gibeonites of the world; and so all the old Distinctions be reestablished?
Or has the Professor his own deeper intention; and laughs in his sleeve at our strictures and glosses, which indeed are but a part thereof?
II Church-ClothesNot less questionable is his Chapter on Church-Clothes, which has the farther distinction of being the shortest in the Volume. We here translate it entire:
“By Church-Clothes, it need not be premised that I mean infinitely more than Cassocks and Surplices; and do not at all mean the mere haberdasher Sunday Clothes that men go to Church in. Far from it! Church-Clothes are, in our vocabulary, the Forms, the Vestures, under which men have at various periods embodied and represented for themselves the Religious Principle; that
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