My Reminiscences by Rabindranath Tagore (free children's ebooks pdf .TXT) π
Description
Rabindranath Tagore, sometimes referred to as the Bard of Bengal, was a poet, composer, and artist active in the latter half of the 19th century and the first half of the 20th century. His poetry had a profound impact on Bengali literatureβso much so that in 1913 he became the first non-European to win the Nobel Prize in Literature.
Today Tagore is recognized for transforming Bengali art, moving it away from its classical forms by embracing the Bengal Renaissance. Though his artistic output spanned many disciplines, his most famous is perhaps Gitanjali, his collection of poems that he himself later translated to English. His impact on Indian and Bengali letters can be exemplified by the fact that two of his compositions were chosen as national anthemsββJana Gana Manaβ for India, and βAmar Shonar Banglaβ for Bangladeshβand that the Sri Lankan national anthem was inspired by his work.
In these autobiographical sketches Tagore gives us windows into his childhood, his youth, and his blossoming as a writer and as a lyricist. He stresses that this is not an autobiography, but more like a palimpsest of memories: glimmers and shadows that illustrate his artistic development, not a strict record of his life.
Read free book Β«My Reminiscences by Rabindranath Tagore (free children's ebooks pdf .TXT) πΒ» - read online or download for free at americanlibrarybooks.com
- Author: Rabindranath Tagore
Read book online Β«My Reminiscences by Rabindranath Tagore (free children's ebooks pdf .TXT) πΒ». Author - Rabindranath Tagore
After that I often longed to see him, but could not get an opportunity. At last one day, when he was Deputy Magistrate of Hawrah, I made bold to call on him. We met, and I tried my best to make conversation. But I somehow felt greatly abashed while returning home, as if I had acted like a raw and bumptious youth in thus thrusting myself upon him unasked and unintroduced.
Shortly after, as I added to my years, I attained a place as the youngest of the literary men of the time; but what was to be my position in order of merit was not even then settled. The little reputation I had acquired was mixed with plenty of doubt and not a little of condescension. It was then the fashion in Bengal to assign each man of letters a place in comparison with a supposed compeer in the West. Thus one was the Byron of Bengal, another the Emerson and so forth. I began to be styled by some the Bengal Shelley. This was insulting to Shelley and only likely to get me laughed at.
My recognised cognomen was the Lisping Poet. My attainments were few, my knowledge of life meagre, and both in my poetry and my prose the sentiment exceeded the substance. So that there was nothing there on which anyone could have based his praise with any degree of confidence. My dress and behaviour were of the same anomalous description. I wore my hair long and indulged probably in an ultra-poetical refinement of manner. In a word I was eccentric and could not fit myself into everyday life like the ordinary man.
At this time Babu Akshay Sarkar had started his monthly review, the Nabajiban, New Life, to which I used occasionally to contribute. Bankim Babu had just closed the chapter of his editorship of the Banga Darsan, the Mirror of Bengal, and was busy with religious discussions for which purpose he had started the monthly, Prachar, the Preacher. To this also I contributed a song or two and an effusive appreciation of Vaishnava lyrics.
From now I began constantly to meet Bankim Babu. He was then living in Bhabani Duttβs street. I used to visit him frequently, it is true, but there was not much of conversation. I was then of the age to listen, not to talk. I fervently wished we could warm up into some discussion, but my diffidence got the better of my conversational powers. Some days Sanjib Babu54 would be there reclining on his bolster. The sight would gladden me, for he was a genial soul. He delighted in talking and it was a delight to listen to his talk. Those who have read his prose writing must have noticed how gaily and airily it flows on like the sprightliest of conversation. Very few have this gift of conversation, and fewer still the art of translating it into writing.
This was the time when Pandit Sashadhar rose into prominence. Of him I first heard from Bankim Babu. If I remember right Bankim Babu was also responsible for introducing him to the public. The curious attempt made by Hindu orthodoxy to revive its prestige with the help of western science soon spread all over the country. Theosophy for some time previously had been preparing the ground for such a movement. Not that Bankim Babu even thoroughly identified himself with this cult. No shadow of Sashadhar was cast on his exposition of Hinduism as it found expression in the Pracharβ βthat was impossible.
I was then coming out of the seclusion of my corner as my contributions to these controversies will show. Some of these were satirical verses, some farcical plays, others letters to newspapers. I thus came down into the arena from the regions of sentiment and began to spar in right earnest.
In the heat of the fight I happened to fall foul of Bankim Babu. The history of this remains recorded in the Prachar and Bharati of those days and need not be repeated here. At the close of this period of antagonism Bankim Babu wrote me a letter which I have unfortunately lost. Had it been here the reader could have seen with what consummate generosity Bankim Babu had taken the sting out of that unfortunate episode.
Part VIII XLI The Steamer HulkLured by an advertisement in some paper my brother Jyotirindra went off one afternoon to an auction sale, and on his return informed us that he had bought a steel hulk for seven thousand rupees; all that now remained being to put in an engine and some cabins for it to become a full-fledged steamer.
My brother must have thought it a great shame that our countrymen should have their tongues and pens going, but not a single line of steamers. As I have narrated before, he had tried to light matches for his country, but no amount of rubbing availed to make them strike. He had also wanted power-looms to work, but after all his travail only one little country towel was born, and then the loom stopped. And now that he wanted Indian steamers to ply, he bought an empty old hulk, which in due course, was filled, not only with engines and cabins, but with loss and ruin as well. And yet we should remember that all the loss and hardship due to his endeavours fell on him alone, while the gain of experience remained in reserve for the whole country. It is these uncalculating, unbusinesslike spirits who keep the business-fields of the country flooded with their activities. And, though the flood subsides as
Comments (0)