New Grub Street by George Gissing (best mobile ebook reader .txt) 📕
Description
Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. He’s forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwin’s increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwin’s nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel that’s true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an “alarmingly modern” writer laser-focused on earning as much money as possible no matter what he’s made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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She detailed all manner of expenses that had to be met—outlay there was no possibility of avoiding so long as their life was maintained on its present basis.
“However, you needn’t trouble any more about it. I’ll see to it. Now you are free from your book try to rest.”
“Come and sit by the fire. There’s small chance of rest for me if we are thinking unkindly of each other.”
A doleful Christmas. Week after week went by and Reardon knew that Amy must have exhausted the money he had given her. But she made no more demands upon him, and necessaries were paid for in the usual way. He suffered from a sense of humiliation; sometimes he found it difficult to look in his wife’s face.
When the publishers’ letter came it contained an offer of seventy-five pounds for the copyright of Margaret Home, twenty-five more to be paid if the sale in three-volume form should reach a certain number of copies.
Here was failure put into unmistakable figures. Reardon said to himself that it was all over with his profession of authorship. The book could not possibly succeed even to the point of completing his hundred pounds; it would meet with universal contempt, and indeed deserved nothing better.
“Shall you accept this?” asked Amy, after dreary silence.
“No one else would offer terms as good.”
“Will they pay you at once?”
“I must ask them to.”
Well, it was seventy-five pounds in hand. The cheque came as soon as it was requested, and Reardon’s face brightened for the moment. Blessed money! root of all good, until the world invent some saner economy.
“How much do you owe your mother?” he inquired, without looking at Amy.
“Six pounds,” she answered coldly.
“And five to Carter; and rent, twelve pounds ten. We shall have a matter of fifty pounds to go on with.”
XII Work Without HopeThe prudent course was so obvious that he marvelled at Amy’s failing to suggest it. For people in their circumstances to be paying a rent of fifty pounds when a home could be found for half the money was recklessness; there would be no difficulty in letting the flat for this last year of their lease, and the cost of removal would be trifling. The mental relief of such a change might enable him to front with courage a problem in any case very difficult, and, as things were, desperate. Three months ago, in a moment of profoundest misery, he had proposed this step; courage failed him to speak of it again, Amy’s look and voice were too vivid in his memory. Was she not capable of such a sacrifice for his sake? Did she prefer to let him bear all the responsibility of whatever might result from a futile struggle to keep up appearances?
Between him and her there was no longer perfect confidence. Her silence meant reproach, and—whatever might have been the case before—there was no doubt that she now discussed him with her mother, possibly with other people. It was not likely that she concealed his own opinion of the book he had just finished; all their acquaintances would be prepared to greet its publication with private scoffing or with mournful shaking of the head. His feeling towards Amy entered upon a new phase. The stability of his love was a source of pain; condemning himself, he felt at the same time that he was wronged. A coldness which was far from representing the truth began to affect his manner and speech, and Amy did not seem to notice it, at all events she made no kind of protest. They no longer talked of the old subjects, but of those mean concerns of material life which formerly they had agreed to dismiss as quickly as possible. Their relations to each other—not long ago an inexhaustible topic—would not bear spoken comment; both were too conscious of the danger-signal when they looked that way.
In the time of waiting for the publishers’ offer, and now again when he was asking himself how he should use the respite granted him, Reardon spent his days at the British Museum. He could not read to much purpose, but it was better to sit here among strangers than seem to be idling under Amy’s glance. Sick of imaginative writing, he turned to the studies which had always been most congenial, and tried to shape out a paper or two like those he had formerly disposed of to editors. Among his unused material lay a mass of notes he had made in a reading of Diogenes Laertius, and it seemed to him now that he might make something salable out of these anecdotes of the philosophers. In a happier mood he could have written delightfully on such a subject—not learnedly, but in the strain of a modern man whose humour and sensibility find free play among the classic ghosts; even now he was able to recover something of the light touch which had given value to his published essays.
Meanwhile the first number of The Current had appeared, and Jasper Milvain had made a palpable hit. Amy spoke very often of the article called “Typical Readers,” and her interest in its author was freely manifested. Whenever a mention of Jasper came under her notice she read it out to her husband. Reardon smiled and appeared glad, but he did not care to discuss Milvain with the same frankness as formerly.
One evening at the end of January he told Amy what he had been writing at the Museum, and asked her if she would care to hear it read.
“I began to wonder what you were doing,” she replied.
“Then why didn’t you ask me?”
“I was rather afraid to.”
“Why afraid?”
“It would have seemed like reminding you that—you know what I mean.”
“That a month or two more will see us at the same crisis again. Still, I had rather you had shown an interest in my doings.”
After a pause Amy asked:
“Do you think you
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