Howards End by E. M. Forster (best book recommendations .TXT) 📕
Description
Howards End, published in 1910, is considered by many to be Forster’s masterpiece. The plot revolves around three families in Edwardian England: the Schlegels, a trio of half-German, middle-class siblings who to poor people seem rich, but to rich people seem poor; the Wilcoxes, a large, wealthy family of businessmen; and the Basts, a lower class young couple struggling to keep up appearances.
The Schlegel siblings are sharp, intelligent, and idealistic, and they pursue culture and art with an enthusiasm reminiscent of the Bloomsbury group. They befriend the Wilcoxes while on a trip abroad, and the lonely Wilcox matriarch and Margaret Schlegel, the strong-willed elder sister, strike up a friendship. As their families begin butting heads in London, Helen, the younger Schlegel sister, runs in to Leonard Bast while at the opera. Bast is proud and ambitious, but clearly impoverished and lacking gentility. Helen, a rash and fiery idealist, takes him up as a pet project, oblivious to the deep cultural gulf between Bast and themselves as she tries her best to educate him in matters of art and literature and lift him out of his class.
The interplay between the three families becomes a complex reflection on social codes and class difference in England: how class can lock lives in place, and how even the well-to-do are not immune from becoming ossified in their station thanks to the seemingly-unbreakable social conventions of the age. Capitalism, a still-new philosophy of life, is juxtaposed against humanism and the arts as the families try to do what they each think is the right thing. Forster weaves these threads expertly against the backdrop of London city life and the cozy family cottage of Howards End, the ultimate centerpiece in these three families’ lives.
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- Author: E. M. Forster
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Margaret had expected the disturbance, and was not irritated by it. For a sensitive woman she had steady nerves, and could bear with the incongruous and the grotesque; and, besides, there was nothing excessive about her love-affair. Good-humour was the dominant note of her relations with Mr. Wilcox, or, as I must now call him, Henry. Henry did not encourage romance, and she was no girl to fidget for it. An acquaintance had become a lover, might become a husband, but would retain all that she had noted in the acquaintance; and love must confirm an old relation rather than reveal a new one.
In this spirit she promised to marry him.
He was in Swanage on the morrow bearing the engagement ring.
They greeted one another with a hearty cordiality that impressed Aunt Juley. Henry dined at The Bays, but had engaged a bedroom in the principal hotel; he was one of those men who know the principal hotel by instinct. After dinner he asked Margaret if she wouldn’t care for a turn on the Parade. She accepted, and could not repress a little tremor; it would be her first real love scene. But as she put on her hat she burst out laughing. Love was so unlike the article served up in books; the joy, though genuine, was different; the mystery an unexpected mystery. For one thing, Mr. Wilcox still seemed a stranger.
For a time they talked about the ring; then she said: “Do you remember the Embankment at Chelsea? It can’t be ten days ago.”
“Yes,” he said, laughing. “And you and your sister were head and ears deep in some quixotic scheme. Ah well!”
“I little thought then, certainly. Did you?”
“I don’t know about that; I shouldn’t like to say.”
“Why, was it earlier?” she cried. “Did you think of me this way earlier! How extraordinarily interesting, Henry! Tell me.”
But Henry had no intention of telling. Perhaps he could not have told, for his mental states became obscure as soon as he had passed through them. He misliked the very word “interesting,” connoting it with wasted energy and even with morbidity. Hard facts were enough for him.
“I didn’t think of it,” she pursued. “No; when you spoke to me in the drawing-room, that was practically the first. It was all so different from what it’s supposed to be. On the stage, or in books, a proposal is—how shall I put it?—a full-blown affair, a kind of bouquet; it loses its literal meaning. But in life a proposal really is a proposal—”
“By the way—”
“—a suggestion, a seed,” she concluded; and the thought flew away into darkness.
“I was thinking, if you didn’t mind, that we ought to spend this evening in a business talk; there will be so much to settle.”
“I think so too. Tell me, in the first place, how did you get on with Tibby?”
“With your brother?”
“Yes, during cigarettes.”
“Oh, very well.”
“I am so glad,” she answered, a little surprised. “What did you talk about? Me, presumably.”
“About Greece too.”
“Greece was a very good card, Henry. Tibby’s only a boy still, and one has to pick and choose subjects a little. Well done.”
“I was telling him I have shares in a currant-farm near Calamata.”
“What a delightful thing to have shares in! Can’t we go there for our honeymoon?”
“What to do?”
“To eat the currants. And isn’t there marvellous scenery?”
“Moderately, but it’s not the kind of place one could possibly go to with a lady.”
“Why not?”
“No hotels.”
“Some ladies do without hotels. Are you aware that Helen and I have walked alone over the Apennines, with our luggage on our backs?”
“I wasn’t aware, and, if I can manage it, you will never do such a thing again.”
She said more gravely: “You haven’t found time for a talk with Helen yet, I suppose?”
“No.”
“Do, before you go. I am so anxious you two should be friends.”
“Your sister and I have always hit it off,” he said negligently. “But we’re drifting away from our business. Let me begin at the beginning. You know that Evie is going to marry Percy Cahill.”
“Dolly’s uncle.”
“Exactly. The girl’s madly in love with him. A very good sort of fellow, but he demands—and rightly—a suitable provision with her. And in the second place you will naturally understand, there is Charles. Before leaving town, I wrote Charles a very careful letter. You see, he has an increasing family and increasing expenses, and the I. and W.A. is nothing particular just now, though capable of development.”
“Poor fellow!” murmured Margaret, looking out to sea, and not understanding.
“Charles being the elder son, some day Charles will have Howards End; but I am anxious, in my own happiness, not to be unjust to others.”
“Of course not,” she began, and then gave a little cry. “you mean money. How stupid I am! Of course not!”
Oddly enough, he winced a little at the word. “Yes. Money, since you put it so frankly. I am determined to be just to all—just to you, just to them. I am determined that my children shall have me.”
“Be generous to them,” she said sharply. “Bother justice!”
“I am determined—and have already written to Charles to that effect—”
“But how much have you got?”
“What?”
“How much have you a year? I’ve six hundred.”
“My income?”
“Yes. We must begin with how much you have, before we can settle how much you can
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