Of Human Bondage by W. Somerset Maugham (classic english novels .TXT) ๐
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Considered by many to be Maughamโs masterpiece, Of Human Bondage is a semi-autobiographical coming-of-age tale. The novel follows Philip, a sensitive young man interested in literature and art, as he searches for happiness in London and Paris. Philip, the ostensible stand-in for Maugham, suffers from a club foot, a physical representation of the stutter that Maugham himself suffered. Philipโs love life, a central aspect to the book, also mirrors Maughamโs own stormy affairs.
Maugham originally titled the book โBeauty from Ashesโ before settling on the final title, taken from a section of Spinozaโs Ethics in which he discusses how oneโs inability to control oneโs emotions results in a form of bondage.
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- Author: W. Somerset Maugham
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โCโรฉtait une fatalitรฉ.โ
โAnd what happened then?โ asked Philip.
โThat is the end of the story,โ she replied, with a ripple of laughter.
Philip was silent for a moment. His heart beat quickly, and strange emotions seemed to be hustling one another in his heart. He saw the dark staircase and the chance meetings, and he admired the boldness of the lettersโ โoh, he would never have dared to do thatโ โand then the silent, almost mysterious entrance. It seemed to him the very soul of romance.
โWhat was he like?โ
โOh, he was handsome. Charmant garรงon.โ
โDo you know him still?โ
Philip felt a slight feeling of irritation as he asked this.
โHe treated me abominably. Men are always the same. Youโre heartless, all of you.โ
โI donโt know about that,โ said Philip, not without embarrassment.
โLet us go home,โ said Miss Wilkinson.
XXXIIIPhilip could not get Miss Wilkinsonโs story out of his head. It was clear enough what she meant even though she cut it short, and he was a little shocked. That sort of thing was all very well for married women, he had read enough French novels to know that in France it was indeed the rule, but Miss Wilkinson was English and unmarried; her father was a clergyman. Then it struck him that the art-student probably was neither the first nor the last of her lovers, and he gasped: he had never looked upon Miss Wilkinson like that; it seemed incredible that anyone should make love to her. In his ingenuousness he doubted her story as little as he doubted what he read in books, and he was angry that such wonderful things never happened to him. It was humiliating that if Miss Wilkinson insisted upon his telling her of his adventures in Heidelberg he would have nothing to tell. It was true that he had some power of invention, but he was not sure whether he could persuade her that he was steeped in vice; women were full of intuition, he had read that, and she might easily discover that he was fibbing. He blushed scarlet as he thought of her laughing up her sleeve.
Miss Wilkinson played the piano and sang in a rather tired voice; but her songs, Massenet, Benjamin Goddard, and Augusta Holmes, were new to Philip; and together they spent many hours at the piano. One day she wondered if he had a voice and insisted on trying it. She told him he had a pleasant baritone and offered to give him lessons. At first with his usual bashfulness he refused, but she insisted, and then every morning at a convenient time after breakfast she gave him an hourโs lesson. She had a natural gift for teaching, and it was clear that she was an excellent governess. She had method and firmness. Though her French accent was so much part of her that it remained, all the mellifluousness of her manner left her when she was engaged in teaching. She put up with no nonsense. Her voice became a little peremptory, and instinctively she suppressed inattention and corrected slovenliness. She knew what she was about and put Philip to scales and exercises.
When the lesson was over she resumed without effort her seductive smiles, her voice became again soft and winning, but Philip could not so easily put away the pupil as she the pedagogue; and this impression convicted with the feelings her stories had aroused in him. He looked at her more narrowly. He liked her much better in the evening than in the morning. In the morning she was rather lined and the skin of her neck was just a little rough. He wished she would hide it, but the weather was very warm just then and she wore blouses which were cut low. She was very fond of white; in the morning it did not suit her. At night she often looked very attractive, she put on a gown which was almost a dinner dress, and she wore a chain of garnets round her neck; the lace about her bosom and at her elbows gave her a pleasant softness, and the scent she wore (at Blackstable no one used anything but eau de cologne, and that only on Sundays or when suffering from a sick headache) was troubling and exotic. She really looked very young then.
Philip was much exercised over her age. He added twenty and seventeen together, and could not bring them to a satisfactory total. He asked Aunt Louisa more than once why she thought Miss Wilkinson was thirty-seven: she didnโt look more than thirty, and everyone knew that foreigners aged more rapidly than English women; Miss Wilkinson had lived so long abroad that she might almost be called a foreigner. He personally wouldnโt have thought her more than twenty-six.
โSheโs more than that,โ said Aunt Louisa.
Philip did not believe in the accuracy of the Careysโ statements. All they distinctly remembered was that Miss Wilkinson had not got her hair
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