Growth of the Soil by Knut Hamsun (chromebook ebook reader txt) 📕
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Growth of the Soil was published in 1917 to universal acclaim. A mid- to late-career work for Hamsun, it was celebrated for its then-revolutionary use of literary techniques like stream of consciousness, and for its unadorned depiction of pastoral life. Its focus on the quotidian lives of everyday people has led scholars to classify it as a novel of Norwegian New Realism.
Isak, a man so strong and so simple that he echoes a primitive, foundational “everyman,” finds an empty plot of land in turn-of-the-century Norway, and builds a small home. He soon attracts a wife, Inger, whose harelip has led her to be ostracized from town life but who is nonetheless a hard and conscientious worker. Together the two earthy beings build a farm and a family, and watch as society and civilization grows and develops around them.
Isak and Inger’s toils sometimes bring them up against the burgeoning modernity around them, but curiously, the novel is not one driven by a traditional conflict-oriented plot. Instead, the steady progression of life on the farm, with its ups and downs, its trials and joys, makes the people and their growth the novel’s main propellant. While the humble, homespun protagonists occasionally come into conflict with the awe-inspiring forces of civilization, more often than not, those forces are portrayed as positive and symbiotic companions to the agrarian lifestyle.
Hamsun was awarded the Nobel Prize in Literature in 1920 for Growth of the Soil, one of the rare instances in which the Nobel committee awarded a prize for a specific novel, and not a body of work. It has since come to be regarded as a classic of modernist, and Norwegian, literature.
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- Author: Knut Hamsun
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And then, seeing she was so fine-hearted and behaved so splendidly, what could Axel do but bring out the kerchief he had bought for her the evening before, though he had really thought of keeping it by a while, and getting something respectable out of her in return. And there! she was pleased with it, and tried it on at once—ay, she turned to him and asked if she didn’t look nice in it. And yes, indeed she did; and she might put on his old fur cap if she liked, and she’d look nice in that! Barbro laughed at this and tried to say something really nice in return; she said: “I’d far rather go to church and communion in this kerchief than wear a hat. In Bergen, of course, we always wore hats—all except common servant-girls from the country.”
Friends again, as nice as could be.
And when Axel brought out the newspaper he had fetched from the post office, Barbro sat down to read news of the world: of a burglary at a jeweller’s shop in one Bergen street, and a quarrel between two gipsies in another; of a horrible find in the harbour—the dead body of a newborn child sewed up in an old shirt with the sleeves cut off. “I wonder who can have done it?” said Barbro. And she read the list of marketing prices too, as she always did.
So the summer passed.
XVIGreat changes at Sellanraa.
There was no knowing the place again, after what it had been at first: sawmill, cornmill, buildings of all sorts and kinds—the wilderness was peopled country now. And there was more to come. But Inger was perhaps the strangest of all; so altered she was, and good and clever again.
The great event of last year, when things had come to a head, was hardly enough in itself, perhaps, to change her careless ways; there was backsliding now and then, as when she found herself beginning to talk of the “Institute” again, and the cathedral at Trondhjem. Oh, innocent things enough; and she took off her ring, and let down that bold skirt of hers some inches. She was grown thoughtful, there was more quiet about the place, and visits were less frequent; the girls and women from the village came but rarely now, for Inger no longer cared to see them. No one can live in the depth of the wilds and have time for such foolishness. Happiness and nonsense are two different things.
In the wilds, each season has its wonders, but always, unchangingly, there is that immense heavy sound of heaven and earth, the sense of being surrounded on all sides, the darkness of the forest, the kindliness of the trees. All is heavy and soft, no thought is impossible there. North of Sellanraa there was a little tarn, a mere puddle, no bigger than an aquarium. There lived some tiny baby fish that never grew bigger, lived and died there and were no use at all—Herregud! no use on earth. One evening Inger stood there listening for the cowbells; all was dead about her, she heard nothing, and then came a song from the tarn. A little, little song, hardly there at all, almost lost. It was the tiny fishes’ song.
They had this good fortune at Sellanraa, that every spring and autumn they could see the grey geese sailing in fleets above that wilderness, and hear their chatter up in the air—delirious talk it was. And as if the world stood still for a moment, till the train of them had passed. And the human souls beneath, did they not feel a weakness gliding through them now? They went to their work again, but drawing breath first; something had spoken to them, something from beyond.
Great marvels were about them at all times; in the winter were the stars; in winter often, too, the northern lights, a firmament of wings, a conflagration in the mansions of God. Now and then, not often; not commonly, but now and then, they heard the thunder. It came mostly in the autumn, and a dark and solemn thing it was for man and beast; the animals grazing near home would bunch together and stand waiting. Bowing their heads—what for? Waiting for the end? And man, what of man standing in the wilds with bowed head, waiting, when the thunder came? Waiting for what?
The spring—ay, with its haste and joy and madcap delight; but the autumn! It called up a fear of darkness, drove one to an evening prayer; there were visions about, and warnings on the air. Folks might go out one day in autumn seeking for something—the man for a piece of timber to his work, the woman after cattle that ran wild now after mushroom growths: they would come home with many secrets in their mind. Did they tread unexpectedly upon an ant, crushing its hind part fast to the path, so the fore part could not free itself again? Or step too near a white grouse nest, putting up a fluttering hissing mother to dash against them? Even the big cow-mushrooms are not altogether meaningless; not a mere white emptiness in the eye. The big mushroom does not flower, it does not move, but there is something overturning in the look of it; it is a monster, a thing like a lung standing there alive and naked—a lung without a body.
Inger grew despondent at last, the wilds oppressed her, she turned religious. How could she help it? No one can help it in the wilds; life there is not
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