Green Forest Stories by Thornton W. Burgess (best e ink reader for manga txt) 📕
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American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories.
This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre.
Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history.
In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.)
The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example.
In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet.
That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
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- Author: Thornton W. Burgess
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So the hunter with the terrible gun walked noiselessly through the Green Forest, stepping with the greatest care to avoid snapping a stick underfoot, searching with keen eye every thicket and likely hiding-place for a glimpse of Lightfoot, and studying the ground for traces to show that Lightfoot had been there.
VII The Merry Little Breezes Help LightfootCould you have seen the hunter with the terrible gun and Lightfoot the Deer that morning on which the hunting season opened you might have thought that Lightfoot was hunting the hunter instead of the hunter hunting Lightfoot. You see, Lightfoot was behind the hunter instead of in front of him. He was following the hunter, so as to keep track of him. As long as he knew just where the hunter was, he felt reasonably safe.
The Merry Little Breezes are Lightfoot’s best friends. They always bring to him all the different scents they find as they wander through the Green Forest. And Lightfoot’s delicate nose is so wonderful that he can take these scents, even though they be very faint, and tell just who or what has made them. So, though he makes the best possible use of his big ears and his beautiful eyes, he trusts more to his nose to warn him of danger. For this reason, during the hunting season when he moves about, he moves in the direction from which the Merry Little Breezes may be blowing. He knows that they will bring to him warning of any danger which may lie in that direction.
Now the hunter with the terrible gun who was looking for Lightfoot knew all this, for he was wise in the ways of Lightfoot and of the other little people of the Green Forest. When he had entered the Green Forest that morning he had first of all made sure of the direction from which the Merry Little Breezes were coming. Then he had begun to hunt in that direction, knowing that thus his scent would be carried behind him. It is more than likely that he would have reached the hiding-place of Lightfoot the Deer before the latter would have known that he was in the Green Forest, had it not been for Sammy Jay’s warning.
When he reached the tangle of fallen trees behind which Lightfoot had been hiding, he worked around it slowly and with the greatest care, holding his terrible gun ready to use instantly should Lightfoot leap out. Presently he found Lightfoot’s footprints in the soft ground and studying them he knew that Lightfoot had known of his coming.
“It was that confounded Jay,” muttered the hunter. “Lightfoot heard him and knew what it meant. I know what he has done; he has circled round so as to get behind me and get my scent. It is a clever trick, a very clever trick, but two can play at that game. I’ll just try that little trick myself.”
So the hunter in his turn made a wide circle back, and presently there was none of the dreaded man-smell among the scents which the Merry Little Breezes brought to Lightfoot. Lightfoot had lost track of the hunter.
VIII Wit Against WitIt was a dreadful game the hunter with the terrible gun and Lightfoot the Deer were playing in the Green Forest. It was a matching of wit against wit, the hunter seeking to take Lightfoot’s life, and Lightfoot seeking to save it. The experience of other years had taught Lightfoot much of the ways of hunters and not one of the things he had learned about them was forgotten. But the hunter in his turn knew much of the ways of Deer. So it was that each was trying his best to outguess the other.
When the hunter found the hiding-place Lightfoot had left at the warning of Sammy Jay he followed Lightfoot’s tracks for a short distance. It was slow work, and only one whose eyes had been trained to notice little things could have done it. You see, there was no snow, and only now and then, when he had stepped on a bit of soft ground, had Lightfoot left a footprint. But there were other signs which the hunter knew how to read—a freshly upturned leaf here, and here, a bit of moss lightly crushed. These things told the hunter which way Lightfoot had gone.
Slowly, patiently, watchfully, the hunter followed. After a while he stopped with a satisfied grin. “I thought as much,” he muttered. “He heard that pesky Jay and circled around so as to get my scent. I’ll just cut across to my old trail and unless I am greatly mistaken, I’ll find his tracks there.”
So, swiftly but silently, the hunter cut across to his old trail, and in a few moments he found just what he expected—one of Lightfoot’s footprints. Once more he grinned.
“Well, old fellow, I’ve outguessed you this time,” said he to himself. “I am behind you and the wind is from you to me, so that you cannot get my scent. I wouldn’t be a bit surprised if you’re back right where you started from, behind that old windfall.” He at once began to move forward silently and cautiously, with eyes and ears alert and his terrible gun ready for instant use.
Now when Lightfoot, following behind the hunter, had lost the scent of the latter, he guessed right away that the latter had found his tracks and had started
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