Green Forest Stories by Thornton W. Burgess (best e ink reader for manga txt) đź“•
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American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories.
This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre.
Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history.
In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.)
The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example.
In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet.
That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
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- Author: Thornton W. Burgess
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It was so quiet and peaceful and altogether lovely there in the Green Forest, where Lightfoot the Deer lay resting behind a pile of brush near the top of a little hill, that it didn’t seem possible such a thing as sudden death could be anywhere near. It didn’t seem possible that there could be any need for watchfulness. But Lightfoot long ago had learned that often danger is nearest when it seems least to be expected. So, though he would have liked very much to have taken a nap, Lightfoot was too wise to do anything so foolish. He kept his beautiful, great, soft eyes fixed in the direction from which the hunter with the terrible gun would come if he were still following that trail. He kept his great ears gently moving to catch every little sound.
Lightfoot had about decided that the hunter had given up hunting for that day, but he didn’t let this keep him from being any the less watchful. It was better to be overwatchful than the least bit careless. By and by, Lightfoot’s keen ears caught the sound of the snapping of a little stick in the distance. It was so faint a sound that you or I would have missed it altogether. But Lightfoot heard it and instantly he was doubly alert, watching in the direction from which that faint sound had come. After what seemed a long, long time he saw something moving, and a moment later a man came into view. It was the hunter and across one arm he carried the terrible gun.
Lightfoot knew now that this hunter had patience and perseverance and had not yet given up hope of getting near enough to shoot Lightfoot. He moved forward slowly, setting each foot down with the greatest care, so as not to snap a stick or rustle the leaves. He was watching sharply ahead, ready to shoot should he catch a glimpse of Lightfoot within range.
Right along through the hollow at the foot of the little hill below Lightfoot the hunter passed. He was no longer studying the ground for Lightfoot’s tracks, because the ground was so hard and dry down there that Lightfoot had left no tracks. He was simply hunting in the direction from which the Merry Little Breezes were blowing because he knew that Lightfoot had gone in that direction, and he also knew that if Lightfoot were still ahead of him, his scent could not be carried to Lightfoot. He was doing what is called “hunting upwind.”
Lightfoot kept perfectly still and watched the hunter disappear among the trees. Then he silently got to his feet, shook himself lightly, and noiselessly stole away over the hilltop towards another part of the Green Forest. He felt sure that that hunter would not find him again that day.
XII Lightfoot Visits Paddy the BeaverDeep in the Green Forest is the pond where lives Paddy the Beaver. It is Paddy’s own pond, for he made it himself. He made it by building a dam across the Laughing Brook.
When Lightfoot bounded away through the Green Forest, after watching the hunter pass through the hollow below him, he remembered Paddy’s pond. “That’s where I’ll go,” thought Lightfoot. “It is such a lonesome part of the Green Forest that I do not believe that hunter will come there. I’ll just run over and make Paddy a friendly call.”
So Lightfoot bounded along deeper and deeper into the Green Forest. Presently through the trees he caught the gleam of water. It was Paddy’s pond. Lightfoot approached it cautiously. He felt sure he was rid of the hunter who had followed him so far that day, but he knew that there might be other hunters in the Green Forest. He knew that he couldn’t afford to be careless for even one little minute. Lightfoot had lived long enough to know that most of the sad things and dreadful things that happen in the Green Forest and on the Green Meadows are due to carelessness. No one who is hunted, be he big or little, can afford ever to be careless.
Now Lightfoot had known of hunters hiding near water, hoping to shoot him when he came to drink. That always seemed to Lightfoot a dreadful thing, an unfair thing. But hunters had done it before and they might do it again. So Lightfoot was careful to approach Paddy’s pond upwind. That is, he approached the side of the pond from which the Merry Little Breezes were blowing toward him, and all the time he kept his nose working. He knew that if any hunters were hidden there, the Merry Little Breezes would bring him their scent and thus warn him.
He had almost reached the edge of Paddy’s pond when from the farther shore there came a sudden crash. It startled Lightfoot terribly for just an instant. Then he guessed what it meant. That crash was the falling of a tree. There wasn’t enough wind to blow over even the most shaky dead tree. There had been no sound of axes, so he knew it could not have been chopped down by men. It must be that Paddy the Beaver had cut it, and if Paddy had
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