After the Divorce by Grazia Deledda (buy e reader .txt) 📕
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Giovanna and Costantino Ledda are a happily married young Sardinian couple living a contented village existence with their small child and extended family. But after Costantino is wrongly convicted of murdering his uncle and imprisoned, the now‐impoverished Giovanna reluctantly divorces him under a newly enacted divorce law and marries Brontu Dejas, a wealthy but cruel drunkard who has always coveted her. While enduring a slave’s existence within this new marriage as well as the community’s derision of her as the “wife with two husbands,” the broken Giovanna is unexpectedly reunited with an embittered Costantino after his exoneration and early release from prison, and the two resume their now‐illicit relationship.
An exploration of hypocrisy, expiation, and the human disruption of a supernatural order that remorselessly reasserts itself, After the Divorce is set in an insular society of ancient, religious roots grappling with the intrusion of modern, secular social mores and is among the earliest of the serious works on which Grazia Deledda’s literary reputation is based. Deledda—the first Italian woman to win the Nobel Prize for Literature—critiqued the social norms of her native Sardinia through verismo depictions of the struggles of the lower classes, into which she wove elements of her own personal tragedies.
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- Author: Grazia Deledda
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Giovanna, crossing the street that leads from the station—near which the Porrus lived—to the prison, gazed upon her own violet-coloured mountains in the distance, hemming in the wild valleys below like a setting of amethysts; she inhaled the delicious air filled with the perfume of growing things; she thought of her little slate-rock house, of her child, of her lost happiness, and it seemed as though her heart would burst.
The mother walked briskly on in front, poising the basket on her head. Presently they reached the great, round, white, desolate pile in which are the prisons. A sentry stood, mute and immovable, looking in the morning light like a statue carved out of stone. A single green shrub growing against the blank expanse of wall seemed the rather to accentuate the dreariness of the spot. A huge, green door, which from time to time opened and shut like the mouth of a dragon, now opened and swallowed up the two women. Everyone in that dismal abode had come to know them; from the florid, important-looking head-keeper, who might have been a general at the very least, down to the junior custodian, with his pale face, his straight blond moustache, and his pretensions to elegance.
The visitors were not allowed to penetrate beyond the gloomy passageway, whose fetid atmosphere, however, gave some idea of the horrors that lay beyond. The pale and elegant guard, coming forward, took their basket, and Giovanna asked in a low voice if Costantino had slept.
Yes, he had slept, but he kept dreaming all the time. He did nothing but repeat over and over again the words—“The mortal sin!”
“Ah! may he go to the devil with his mortal sin!” exclaimed Aunt Bachissia angrily; “he ought to stop it!”
“Mamma, dear, why need you swear at him? Has not fate cursed him enough as it is?” murmured Giovanna.
The women now left the building and stood outside, waiting for the prisoner to be brought forth. When Giovanna’s eyes fell upon the group of carbineers who were to escort him to court, she fell to trembling violently, although on all the preceding days she had seen precisely the same thing; and her big, black eyes, stretched to their widest extent, fastened upon the great doorway with the unseeing stare of a crazy woman. Slowly the minutes lagged by, then the dragon mouth opened, and once more, surrounded by stony-faced guards with fierce black moustaches, the figure of Costantino appeared.
He was tall and as lithe as a young poplar tree; a long lock of lustrous black hair hung down on either side of a face, beardless, pallid from prison confinement, and almost feminine in its beauty. The eyes were large, and chestnut-brown in colour; the mouth small, and as innocent as a child’s, and there was a little cleft in the middle of the chin. He looked like a young Apollo.
The moment his eyes fell upon Giovanna, although he too had been waiting for that moment, he grew whiter than ever, and stopped short, resisting the guards. Giovanna rushed forward, sobbing, and seized hold of his manacled hands.
“Forward!” said one of the carbineers; then, gently, to her: “You know, my girl, it is not allowed.”
Aunt Bachissia now stepped forward as well, darting rapid glances out of her little green eyes. The escort halted for an instant, and Costantino, smiling bravely, said in a voice that was almost cheerful: “Courage! Courage!”
“The lawyer is waiting for you,” said Aunt Bachissia, and then the guards pushed the women gently aside.
“Stand back, good people! Out of the way!” said one, and they led the prisoner off, still smiling back at Giovanna, his gleaming white teeth showing between lips that were still round and full, albeit colourless. Thus he disappeared from view between his stony-faced conductors.
Aunt Bachissia now, in her turn, dragged off Giovanna, who wanted to follow her husband, and insisted that she should return first to the Porrus’ for breakfast.
They found the courtyard bathed in sunlight. It played upon the shining leaves of the grape-vines, from which hung bunches of unripe grapes like pale-green marble; the swallows disporting in it were moved to pour forth floods of song; and it tricked out Uncle Efes Maria, preparing to set out for the country on his chestnut horse. How full of light and cheerfulness seemed that little, enclosed spot, with its low stone-wall, beyond which could be seen a broad expanse of open country, stretching away to the distant horizon! The children sat on the threshold of the kitchen door, devouring their breakfast of bread soaked in café-au-lait; Grazia had taken hers to a retired corner, possibly in order not to be seen engaged upon anything so prosaic by the student-uncle. He, meanwhile, stood in his shirt-sleeves in the middle of the enclosure, gulping down the contents of a great bowl.
“How large is St. Peter’s?” asked Aunt Porredda, who was polishing the doctor’s shoes, and marvelling the while to hear of the wonderful things he had seen.
“How large? Why, as large as a tanca.3 You can’t even pray there; no one could say his prayers in a tanca. The angels are as large as that gateway—the littlest ones—those that hold the holy-water basins.”
“Ah! then you have to go upstairs to reach the water?”
“No; they are on their knees, I think. Give me a little more café-au-lait, mamma; is there any?”
“Of course there is. It seems to me you have come back very hungry, my little Paolo; you’re a regular shark!”
“Do you know how much this breakfast would cost in Rome? One franc! not a
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