The History of Rasselas, Prince of Abyssinia by Samuel Johnson (classic fiction txt) π
Description
Rasselas is a fable-like story, more apologue than novel, written by Johnson in 1759 to help pay for the costs of his recently-deceased motherβs funeral. While the plot is basic and the characters are thin, the work is an important philosophical piece exploring whether or not humanity can attain happiness.
Rasselas, an Abyssinian prince, travels with his sister Nekayah, her handmaiden Pekuah, and the wise poet Imlacβa proxy for Johnson himself. Their exploration of happiness and the meaning of leading a happy life is a complex and subtle one, though the work ends with βnothing concluded.β Johnson leaves the reader to ponder: Can an individual ever attain happiness in any meaningful sense?
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- Author: Samuel Johnson
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He then examined the cavern through which the waters of the lake were discharged; and, looking down at a time when the sun shone strongly upon its mouth, he discovered it to be full of broken rocks, which, though they permitted the stream to flow through many narrow passages, would stop any body of solid bulk. He returned discouraged and dejected; but having now known the blessing of hope, resolved never to despair.
In these fruitless researches he spent ten months. The time, however, passed cheerfully awayβ βin the morning he rose with new hope; in the evening applauded his own diligence; and in the night slept soundly after his fatigue. He met a thousand amusements, which beguiled his labour and diversified his thoughts. He discerned the various instincts of animals and properties of plants, and found the place replete with wonders, of which he proposed to solace himself with the contemplation if he should never be able to accomplish his flightβ βrejoicing that his endeavours, though yet unsuccessful, had supplied him with a source of inexhaustible inquiry.
But his original curiosity was not yet abated; he resolved to obtain some knowledge of the ways of men. His wish still continued, but his hope grew less. He ceased to survey any longer the walls of his prison, and spared to search by new toils for interstices which he knew could not be found, yet determined to keep his design always in view, and lay hold on any expedient that time should offer.
VI A Dissertation on the Art of FlyingAmong the artists that had been allured into the Happy Valley, to labour for the accommodation and pleasure of its inhabitants, was a man eminent for his knowledge of the mechanic powers, who had contrived many engines both of use and recreation. By a wheel which the stream turned he forced the water into a tower, whence it was distributed to all the apartments of the palace. He erected a pavilion in the garden, around which he kept the air always cool by artificial showers. One of the groves, appropriated to the ladies, was ventilated by fans, to which the rivulets that ran through it gave a constant motion; and instruments of soft music were played at proper distances, of which some played by the impulse of the wind, and some by the power of the stream.
This artist was sometimes visited by Rasselas, who was pleased with every kind of knowledge, imagining that the time would come when all his acquisitions should be of use to him in the open world. He came one day to amuse himself in his usual manner, and found the master busy in building a sailing chariot. He saw that the design was practicable upon a level surface, and with expressions of great esteem solicited its completion. The workman was pleased to find himself so much regarded by the Prince, and resolved to gain yet higher honours. βSir,β said he, βyou have seen but a small part of what the mechanic sciences can perform. I have been long of opinion that, instead of the tardy conveyance of ships and chariots, man might use the swifter migration of wings, that the fields of air are open to knowledge, and that only ignorance and idleness need crawl upon the ground.β
This hint rekindled the Princeβs desire of passing the mountains. Having seen what the mechanist had already performed, he was willing to fancy that he could do more, yet resolved to inquire further before he suffered hope to afflict him by disappointment. βI am afraid,β said he to the artist, βthat your imagination prevails over your skill, and that you now tell me rather what you wish than what you know. Every animal has his element assigned him; the birds have the air, and man and beasts the earth.β
βSo,β replied the mechanist, βfishes have the water, in which yet beasts can swim by nature and man by art. He that can swim needs not despair to fly; to swim is to fly in a grosser fluid, and to fly is to swim in a subtler. We are only to proportion our power of resistance to the different density of matter through which we are to pass. You will be necessarily up-borne by the air if you can renew any impulse upon it faster than the air can recede from the pressure.β
βBut the exercise of swimming,β said the Prince, βis very laborious; the strongest limbs are soon wearied. I am afraid the act of flying will be yet more violent; and wings will be of no great use unless we can fly further than we can swim.β
βThe labour of rising from the ground,β said the artist, βwill be great, as we see it in the heavier domestic fowls; but as we mount higher the earthβs attraction and the bodyβs gravity will be gradually diminished, till we shall arrive at a region where the man shall float in the air without any tendency to fall; no care will then be necessary but to move forward, which the gentlest impulse will effect. You, sir, whose curiosity is so extensive, will easily conceive with what pleasure a philosopher, furnished with
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