The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) π
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Authorβs Revised Edition published in 1848. The Sketch-Book is the first publication to use Irvingβs pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical βThe Mutability of Literatureβ to the eerie and seemingly supernatural βThe Legend of Sleepy Hollow,β but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, βThe Legend of Sleepy Hollowβ and βRip Van Winkle,β are Irvingβs most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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What then is to ensure this pile which now towers above me from sharing the fate of mightier mausoleums? The time must come when its gilded vaults which now spring so loftily, shall lie in rubbish beneath the feet; when instead of the sound of melody and praise the wind shall whistle through the broken arches and the owl hoot from the shattered tower; when the garish sunbeam shall break into these gloomy mansions of death, and the ivy twine round the fallen column; and the foxglove hang its blossoms about the nameless urn, as if in mockery of the dead. Thus man passes away; his name passes from record and recollection; his history is as a tale that is told, and his very monument becomes a ruin.
ChristmasBut is old, old, good old Christmas gone? Nothing but the hair of his good, gray old head and beard left? Well, I will have that, seeing I cannot have more of him.
βHue and Cry After ChristmasβA man might then behold
At Christmas, in each hall
Good fires to curb the cold,
And meat for great and small.
The neighbors were friendly bidden,
And all had welcome true,
The poor from the gates were not chidden
When this old cap was new.
Nothing in England exercises a more delightful spell over my imagination than the lingerings of the holiday customs and rural games of former times. They recall the pictures my fancy used to draw in the May morning of life, when as yet I only knew the world through books, and believed it to be all that poets had painted it; and they bring with them the flavor of those honest days of yore, in which, perhaps with equal fallacy, I am apt to think the world was more homebred, social, and joyous than at present. I regret to say that they are daily growing more and more faint, being gradually worn away by time, but still more obliterated by modern fashion. They resemble those picturesque morsels of Gothic architecture which we see crumbling in various parts of the country, partly dilapidated by the waste of ages and partly lost in the additions and alterations of latter days. Poetry, however, clings with cherishing fondness about the rural game and holiday revel from which it has derived so many of its themes, as the ivy winds its rich foliage about the Gothic arch and mouldering tower, gratefully repaying their support by clasping together their tottering remains, and, as it were, embalming them in verdure.
Of all the old festivals, however, that of Christmas awakens the strongest and most heartfelt associations. There is a tone of solemn and sacred feeling that blends with our conviviality and lifts the spirit to a state of hallowed and elevated enjoyment. The services of the Church about this season are extremely tender and inspiring. They dwell on the beautiful story of the origin of our faith and the pastoral scenes that accompanied its announcement. They gradually increase in fervor and pathos during the season of Advent, until they break forth in full jubilee on the morning that brought peace and goodwill to men. I do not know a grander effect of music on the moral feelings than to hear the full choir and the pealing organ performing a Christmas anthem in a cathedral, and filling every part of the vast pile with triumphant harmony.
It is a beautiful arrangement, also, derived from days of yore, that this festival, which commemorates the announcement of the religion of peace and love, has been made the season for gathering together of family connections, and drawing closer again those bands of kindred hearts which the cares and pleasures and sorrows of the world are continually operating to cast loose; of calling back the children of a family who have launched forth in life and wandered widely asunder, once more to assemble about the paternal hearth, that rallying-place of the affections, there to grow young and loving again among the endearing mementos of childhood.
There is something in the very season of the year that gives a charm to the festivity of Christmas. At other times we derive a great portion of our pleasures from the mere beauties of nature. Our feelings sally forth and dissipate themselves over the sunny landscape, and we βlive abroad and everywhere.β The song of the bird, the murmur of the stream, the breathing fragrance of spring, the soft voluptuousness of summer, the golden pomp of autumn, earth with its mantle of refreshing green, and heaven with it deep delicious blue and its cloudy magnificenceβ βall fill us with mute but exquisite delight, and we revel in the luxury of mere sensation. But in the depth of winter, when nature lies despoiled of every charm and wrapped in her shroud of sheeted snow, we turn for our gratifications to moral sources. The dreariness and desolation of the landscape, the short gloomy days and darksome nights, while they circumscribe our wanderings, shut in our feelings also from rambling abroad, and make us more keenly disposed for the pleasure of the social circle. Our thoughts are more concentrated; our friendly sympathies more aroused. We feel more sensibly the charm of each otherβs society, and are brought more closely together by dependence on each other for enjoyment. Heart calleth unto heart, and we draw our pleasures from the deep wells of loving-kindness which lie in the quiet recesses of our bosoms, and which,
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