Brood of the Witch-Queen by Sax Rohmer (the top 100 crime novels of all time .TXT) 📕
Description
Perhaps best known for creating the character Fu-Manchu, Sax Rohmer is also known for his works involving the supernatural. This novel follows Robert Cairn, his father, Dr. Bruce Cairn, and their suspicion of one Antony Ferrara.
After witnessing the strange and violent death of a swan, Robert Cairn suspects that Ferrara may be involved with the death of the bird. Soon after two murders, Dr. Bruce Cairn arrives in London and warns Robert that he suspects Ferrara is using ancient Egyptian magic to accomplish his evil deeds. After a mystical attack on Robert, Dr. Cairn and his son become involved in a series of supernatural events as they work to prevent Antony Ferrara from inflicting his dark magic on more victims.
Like many of his works, Rohmer includes exotic locations in this novel; first set in London, the action soon moves to the pyramids of Egypt as the father and son duo track down Ferrara. Having received both success and notoriety from Fu-Manchu, Rohmer has been given praise for Brood of the Witch-Queen, such as when H. P. Lovecraft favorably compared it to Bram Stoker’s Dracula.
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- Author: Sax Rohmer
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At half-past ten, the servants all retired in accordance with Dr. Cairn’s orders. From where he stood by the tall mantelpiece, Robert Cairn could watch Myra Duquesne, a dainty picture in her simple evening-gown, where she sat reading in a distant corner, her delicate beauty forming a strong contrast to the background of sombre volumes. Dr. Cairn sat by the big table, smoking, and apparently listening. A strange device which he had adopted every evening for the past week, he had adopted again tonight—there were little white seals, bearing a curious figure, consisting in interlaced triangles, upon the insides of every window in the house, upon the doors, and even upon the fire-grates.
Robert Cairn at another time might have thought his father mad, childish, thus to play at wizardry; but he had had experiences which had taught him to recognise that upon such seemingly trivial matters, great issues might turn, that in the strange land over the Border, there were stranger laws—laws which he could but dimly understand. There he acknowledged the superior wisdom of Dr. Cairn; and did not question it.
At eleven o’clock a comparative quiet had come upon Half-Moon Street. The sound of the traffic had gradually subsided, until it seemed to him that the house stood, not in the busy West End of London, but isolated, apart from its neighbours; it seemed to him an abode, marked out and separated from the other abodes of man, a house enveloped in an impalpable cloud, a cloud of evil, summoned up and directed by the wizard hand of Antony Ferrara, son of the Witch-Queen.
Although Myra pretended to read, and Dr. Cairn, from his fixed expression, might have been supposed to be preoccupied, in point of fact they were all waiting, with nerves at highest tension, for the opening of the attack. In what form it would come—whether it would be vague moanings and tappings upon the windows, such as they had already experienced, whether it would be a phantasmal storm, a clap of phenomenal thunder—they could not conjecture, if the enemy would attack suddenly, or if his menace would grow, threatening from afar off, and then gradually penetrating into the heart of the garrison.
It came, then, suddenly and dramatically.
Dropping her book, Myra uttered a piercing scream, and with eyes glaring madly, fell forward on the carpet, unconscious!
Robert Cairn leapt to his feet with clenched fists. His father stood up so rapidly as to overset his chair, which fell crashingly upon the floor.
Together they turned and looked in the direction in which the girl had been looking. They fixed their eyes upon the drapery of the library window—which was drawn together. The whole window was luminous as though a bright light shone outside, but luminous, as though that light were the light of some unholy fire!
Involuntarily they both stepped back, and Robert Cairn clutched his father’s arm convulsively.
The curtains seemed to be rendered transparent, as if some powerful ray were directed upon them; the window appeared through them as a rectangular blue patch. Only two lamps were burning in the library, that in the corner by which Myra had been reading, and the green shaded lamp upon the table. The best end of the room by the window, then, was in shadow, against which this unnatural light shone brilliantly.
“My God!” whispered Robert Cairn—“that’s Half-Moon Street—outside. There can be no light—”
He broke off, for now he perceived the Thing which had occasioned the girl’s scream of horror.
In the middle of the rectangular patch of light, a grey shape, but partially opaque, moved—shifting, luminous clouds about it—was taking form, growing momentarily more substantial!
It had some remote semblance of a man; but its unique characteristic was its awful greyness. It had the greyness of a rain cloud, yet rather that of a column of smoke. And from the centre of the dimly defined head, two eyes—balls of living fire—glared out into the room!
Heat was beating into the library from the window—physical heat, as though a furnace door had been opened … and the shape, ever growing more palpable, was moving forward towards them—approaching—the heat every instant growing greater.
It was impossible to look at those two eyes of fire; it was almost impossible to move. Indeed Robert Cairn was transfixed in such horror as, in all his dealings with the monstrous Ferrara, he had never known before. But his father, shaking off the dread which possessed him also, leapt at one bound to the library table.
Robert Cairn vaguely perceived that a small group of objects, looking like balls of wax, lay there. Dr. Cairn had evidently been preparing them in the locked study. Now he took them all up in his left hand, and confronted the Thing—which seemed to be growing into the room—for it did not advance in the ordinary sense of the word.
One by one he threw the white pellets into that vapoury greyness. As they touched the curtain, they hissed as if they had been thrown into a fire; they melted; and upon the transparency of the drapings, as upon a sheet of gauze, showed faint streaks, where, melting, they trickled down the tapestry.
As he cast each pellet from his hand, Dr. Cairn took a step forward, and cried out certain words in a loud voice—words which Robert Cairn knew he had never heard uttered before, words in a language which some instinct told him to be Ancient Egyptian.
Their effect was to
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