Short Fiction by Fritz Leiber (top romance novels .TXT) 📕
Description
Fritz Leiber is most famous for his “Fafhrd and the Gray Mouser” stories, but he also wrote in many other genres. Between 1950 and 1963 he wrote a number of short stories that appeared in Galaxy magazine, including one in the same universe as The Big Time and the Change War stories (“No Great Magic”).
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- Author: Fritz Leiber
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The human being walked respectfully around Pink Wastebasket several times and then gave her a nervous little poke with a rubber-handled probe.
Pink Wastebasket gently regurgitated her last snack, turned dead white, gave a last flicker and shake, and expired. Black Coroner recorded the immediate cause of death as tinkering by a human being.
The human being, a bald and scrawny one named Potshelter, picked up the envelope responsible for all the trouble, stared at it incredulously, opened it with trembling fingers, scanned the contents briefly, gave a great shriek and ran off at top speed, forgetting to hop on his perambulator, which followed him making anxious clucking noises.
The nearest human representative of the Solar Bureau of Investigation, a rather wooden-looking man named Krumbine, also bald, recognized Potshelter as soon as the latter burst gasping into his office, squeezing through the door while it was still dilating. The human beings whose work took them among the Top Brass, as the upper-echelon machines were sometimes referred to, formed a kind of human elite, just one big nervous family.
“Sit down, Potshelter,” the S.B.I. Man said. “Hold still a second so the chair can grab you. Hitch onto the hookah and choose a tranquilizer from the tray at your elbow. Whatever deviation you’ve uncovered can’t be that much of a danger to the planets. I imagine that when you leave this office, the Solar Battle Fleet will still be orbiting peacefully around Luna.”
“I seriously doubt that.”
Potshelter gulped a large lavender pill and took a deep breath. “Krumbine, a letter turned up in the first-class mail this morning.”
“Great Scott!”
“It is a letter from one person to another person.”
“Good Lord!”
“The flow of advertising has been seriously interfered with. At a modest estimate, three hundred million pieces of expensive first-class advertising have already been chewed to rags and I’m not sure the Steel Helms—God bless ’em!—have the trouble in hand yet.”
“Judas Priest!”
“Naturally the poor machines weren’t able to cope with the letter. It was utterly outside their experience, beyond the furthest reach of their programming. It threw them into a terrible spasm. Pink Wastebasket is dead and at this very instant, if we’re lucky, three police machines of the toughest blued steel are holding down Black Sorter and putting a muzzle on him.”
“Great Scott! It’s incredible, Potshelter. And Pink Wastebasket dead? Take another tranquilizer, Potshelter, and hand over the tray.”
Krumbine received it with trembling fingers, started to pick up a big pink pill but drew back his hand from it in sudden revulsion at its color and swallowed two blue oval ones instead. The man was obviously fighting to control himself.
He said unsteadily, “I almost never take doubles, but this news you bring—Good Lord! I seem to recall a case where someone tried to send a sound-tape through the mails, but that was before my time. Incidentally, is there any possibility that this is a letter sent by one group of persons to another group? A hive or a therapy group or a social club? That would be bad enough, of course, but—”
“No, just one single person sending to another.” Potshelter’s expression set in grimly solicitous lines. “I can see you don’t quite understand, Krumbine. This is not a sound-tape, but a letter written in letters. You know, letters, characters—like books.”
“Don’t mention books in this office!” Krumbine drew himself up angrily and then slumped back. “Excuse me, Potshelter, but I find this very difficult to face squarely. Do I understand you to say that one person has tried to use the mails to send a printed sheet of some sort to another?”
“Worse than that. A written letter.”
“Written? I don’t recognize the word.”
“It’s a way of making characters, of forming visual equivalents of sound, without using electricity. The writer, as he’s called, employs a black liquid and a pointed stick called a pen. I know about this because one hobby of mine is ancient means of communication.”
Krumbine frowned and shook his head. “Communication is a dangerous business, Potshelter, especially at the personal level. With you and me, it’s all right, because we know what we’re doing.”
He picked up a third blue tranquilizer. “But with most of the hive-folk, person-to-person communication is only a morbid form of advertising, a dangerous travesty of normal newscasting—catharsis without the analyst, recitation without the teacher—a perversion of promotion employed in betraying and subverting.”
The frown deepened as he put the blue pill in his mouth and chewed it. “But about this pen—do you mean the fellow glues the pointed stick to his tongue and then speaks, and the black liquid traces the vibrations on the paper? A primitive non-electrical oscilloscope? Sloppy but conceivable, and producing a record of sorts of the spoken word.”
“No, no, Krumbine.” Potshelter nervously popped a square orange tablet into his mouth. “It’s a handwritten letter.”
Krumbine watched him. “I never mix tranquilizers,” he boasted absently. “Handwritten, eh? You mean that the message was imprinted on a hand? And the skin or the entire hand afterward detached and sent through the mails in the fashion of a Martian reproach? A grisly find indeed, Potshelter.”
“You still don’t quite grasp it, Krumbine. The fingers of the hand move the stick that applies the ink, producing a crude imitation of the printed word.”
“Diabolical!” Krumbine smashed his fist down on the desk so that the four phones and two-score microphones rattled. “I tell you, Potshelter, the S.B.I. is ready to cope with the subtlest modern deceptions, but when fiends search out and revive tricks from the pre-Atomic Cave Era, it’s almost too much. But, Great Scott, I dally while the planets are in danger. What’s the sender’s code on this hellish letter?”
“No code,” Potshelter said darkly, proferring the envelope. “The return address is—handwritten.”
Krumbine blanched as his eyes slowly traced the uneven lines in the upper left-hand corner:
from Richard Rowe
215 West 10th St. (horizontal)
2837 Rocket Court (vertical)
Hive 37, NewNew York 319, N.Y.
Columbia, Terra
“Ugh!” Krumbine said, shivering. “Those crawling characters, those letters, as you call them, those things barely enough like
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