His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕
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His Masterpiece, sometimes translated as “The Work” or “The Masterpiece,” is Zola’s 14th entry in his Rougon-Macquart series of novels. In it we see Claude Lantier, a painter with obvious talent, struggle to leave a revolutionary mark on the art world of 19th-century Paris. The novel deftly explores the themes of genius, poverty, purity in art, art as a beaurocratic institution, obsession, and madness.
The book is notable not just for its accurate portrayal of the art world of the time, but also for the interesting personal details Zola incorporated into the book. Lantier is a pastiche of several famous painters Zola personally knew, including Paul Cézanne, Claude Monet, and Édouard Manet; Lantier’s masterpiece is based on Manet’s revolutionary painting Le Déjeuner sur l’herbe; and the novel’s accuracy is even blamed on ending the long friendship between Zola and Cézanne. Zola himself includes a self-portrait, as the character Pierre Sandoz.
Vizetelly’s translation is fresh and readable, and Zola’s rendition of Paris and the surrounding countryside is vibrant and engrossing. Rarely do we get such a close and engaging window into bohemian life in old Paris.
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- Author: Émile Zola
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His cry uprose and was lost in the immense vault of heaven. Not a breath stirred; there was nought but the silent ripple of the river past the willows. And Sandoz turned abruptly towards his companion, and said to him, face to face:
“So I have found what I wanted for myself. Oh, it isn’t much, a little corner of study only, but one that should be sufficient for a man’s life, even when his ambition is over-vast. I am going to take a family, and I shall study its members, one by one, whence they come, whither they go, how they react one upon another—in short, I shall have mankind in a small compass, the way in which mankind grows and behaves. On the other hand, I shall set my men and women in some given period of history, which will provide me with the necessary surroundings and circumstances—you understand, eh? a series of books, fifteen, twenty books, episodes that will cling together, although each will have a separate framework, a series of novels with which I shall be able to build myself a house for my old days, if they don’t crush me!”
He fell on his back again, spread out his arms on the grass, as if he wanted to sink into the earth, laughing and joking all the while.
“Oh, beneficent earth, take me unto thee, thou who art our common mother, our only source of life! thou the eternal, the immortal one, in whom circulates the soul of the world, the sap that spreads even into the stones, and makes the trees themselves our big, motionless brothers! Yes, I wish to lose myself in thee; it is thou that I feel beneath my limbs, clasping and inflaming me; thou alone shalt appear in my work as the primary force, the means and the end, the immense ark in which everything becomes animated with the breath of every being!”
Though begun as mere pleasantry, with all the bombast of lyrical emphasis, the invocation terminated in a cry of ardent conviction, quivering with profound poetical emotion, and Sandoz’s eyes grew moist; and, to hide how much he felt moved, he added, roughly, with a sweeping gesture that took in the whole scene around:
“How idiotic it is! a soul for every one of us, when there is that big soul there!”
Claude, who had disappeared amid the grass, had not stirred. After a fresh spell of silence he summed up everything:
“That’s it, old boy! Run them through, all of them. Only you’ll get trounced.”
“Oh,” said Sandoz, rising up and stretching himself, “my bones are too hard. They’ll smash their own wrists. Let’s go back; I don’t want to miss the train.”
Christine had taken a great liking to him, seeing him so robust and upright in his doings, and she plucked up courage at last to ask a favour of him: that of standing godfather to Jacques. True, she never set foot in church now, but why shouldn’t the lad be treated according to custom? What influenced her above all was the idea of giving the boy a protector in this godfather, whom she found so serious and sensible, even amidst the exuberance of his strength. Claude expressed surprise, but gave his consent with a shrug of the shoulders. And the christening took place; they found a godmother, the daughter of a neighbour, and they made a feast of it, eating a lobster, which was brought from Paris.
That very day, as they were saying goodbye, Christine took Sandoz aside, and said, in an imploring voice:
“Do come again soon, won’t you? He is bored.”
In fact, Claude had fits of profound melancholy. He abandoned his work, went out alone, and prowled in spite of himself about Faucheur’s inn, at the spot where the ferryboat landed its passengers, as if ever expecting to see all Paris come ashore there. He had Paris on the brain; he went there every month and returned desolate, unable to work. Autumn came, then winter, a very wet and muddy winter, and he spent it in a state of morose torpidity, bitter even against Sandoz, who, having married in October, could no longer come to Bennecourt so often. Claude only seemed to wake up at each of the other’s visits; deriving a week’s excitement from them, and never ceasing to comment feverishly about the news brought from yonder. He, who formerly had hidden his regret of Paris, nowadays bewildered Christine with the way in which he chatted to her from morn till night about things she was quite ignorant of, and people she had never seen. When Jacques fell asleep, there were endless
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