Zuleika Dobson by Max Beerbohm (i am reading a book TXT) 📕

threaded his way featly and without pause. He had mastered his first excitement. In his swiftness was no haste. His procedure had the ease and inevitability of a natural phenomenon, and was most like to the coming of a rainbow.

Crimson-doubleted, blue-ribanded, white-trunk-hosed, he stooped to understrap his left knee with that strap of velvet round which sparkles the proud gay motto of the Order. He affixed to his breast the octoradiant star, so much larger and more lustrous than any actual star in heaven. Round his neck he slung that long daedal chain wherefrom St. George, slaying the Dragon, dangles. He bowed his shoulders to assume that vast mantle of blue velvet, so voluminous, so enveloping, that, despite the Cross of St. George blazing on it, and the shoulder-knots like two great white tropical flowers planted on it, we seem to know from it in what manner of mantle Elijah prophesied. Across his breast he knotted this mantle’s two cords of gleaming bullion, one tassel a due trifle higher than its fellow. All these things being done, he moved away from the mirror, and drew on a pair of white kid gloves. Both of these being buttoned, he plucked up certain folds of his mantle into the hollow of his left arm, and with his right hand gave to his left hand that ostrich-plumed and heron-plumed hat of black velvet in which a Knight of the Garter is entitled to take his walks abroad. Then, with head erect, and measured tread, he returned to the mirror.

You are thinking, I know, of Mr. Sargent’s famous portrait of him. Forget it. Tankerton Hall is open to the public on Wednesdays. Go there, and in the dining-hall stand to study well Sir Thomas Lawrence’s portrait of the eleventh Duke. Imagine a man some twenty years younger than he whom you there behold, but having some such features and some such bearing, and clad in just such robes. Sublimate the dignity of that bearing and of those features, and you will then have seen the fourteenth Duke somewhat as he stood reflected in the mirror of his room. Resist your impulse to pass on to the painting which hangs next but two to Lawrence’s. It deserves, I know, all that you said about it when (at the very time of the events in this chronicle) it was hanging in Burlington House. Marvellous, I grant you, are those passes of the swirling brush by which the velvet of the mantle is rendered⁠—passes so light and seemingly so fortuitous, yet, seen at the right distance, so absolute in their power to create an illusion of the actual velvet. Sheen of white satin and silk, glint of gold, glitter of diamonds⁠—never were such things caught by surer hand obedient to more voracious eye. Yes, all the splendid surface of everything is there. Yet must you not look. The soul is not there. An expensive, very new costume is there, but no evocation of the high antique things it stands for; whereas by the Duke it was just these things that were evoked to make an aura round him, a warm symbolic glow sharpening the outlines of his own particular magnificence. Reflecting him, the mirror reflected, in due subordination, the history of England. There is nothing of that on Mr. Sargent’s canvas. Obtruded instead is the astounding slickness of Mr. Sargent’s technique: not the sitter, but the painter, is master here. Nay, though I hate to say it, there is in the portrayal of the Duke’s attitude and expression a hint of something like mockery⁠—unintentional, I am sure, but to a sensitive eye discernible. And⁠—but it is clumsy of me to be reminding you of the very picture I would have you forget.

Long stood the Duke gazing, immobile. One thing alone ruffled his deep inward calm. This was the thought that he must presently put off from him all his splendour, and be his normal self.

The shadow passed from his brow. He would go forth as he was. He would be true to the motto he wore, and true to himself. A dandy he had lived. In the full pomp and radiance of his dandyism he would die.

His soul rose from calm to triumph. A smile lit his face, and he held his head higher than ever. He had brought nothing into this world and could take nothing out of it? Well, what he loved best he could carry with him to the very end; and in death they would not be divided.

The smile was still on his face as he passed out from his room. Down the stairs he passed, and “Oh,” every stair creaked faintly, “I ought to have been marble!”

And it did indeed seem that Mrs. Batch and Katie, who had hurried out into the hall, were turned to some kind of stone at sight of the descending apparition. A moment ago, Mrs. Batch had been hoping she might yet at the last speak motherly words. A hopeless mute now! A moment ago, Katie’s eyelids had been red with much weeping. Even from them the colour suddenly ebbed now. Dead-white her face was between the black pearl and the pink. “And this is the man of whom I dared once for an instant hope that he loved me!”⁠—it was thus that the Duke, quite correctly, interpreted her gaze.

To her and to her mother he gave an inclusive bow as he swept slowly by. Stone was the matron, and stone the maid.

Stone, too, the Emperors over the way; and the more poignantly thereby was the Duke a sight to anguish them, being the very incarnation of what themselves had erst been, or tried to be. But in this bitterness they did not forget their sorrow at his doom. They were in a mood to forgive him the one fault they had ever found in him⁠—his indifference to their Katie. And now⁠—o mirum mirorum⁠—even this one fault was wiped out.

For, stung by memory of a gibe lately cast at him by himself,