A Passage to India by E. M. Forster (top novels to read .txt) 📕
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The setting of A Passage to India is the British Raj, at a time of racial tension heightened by the burgeoning Indian independence movement. Adela Quested, a young British subject, is visiting India to decide whether to marry a suitor who works there as a city magistrate. During her visit, a local physician, Aziz, is accused of assaulting her. His trial brings tensions between the British rulers and their Indian subjects to a head.
The novel is a complex exploration of colonialism, written at a time when the popular portrayal of the Indian continent was of mystery and savagery. Forster humanized the Indian people for his at-home British audience, highlighting the damage that colonialism caused not just to interpersonal relationships, but to society at large. On the other hand, some modern scholars view the failure of the human relationships in the book as suggesting a fundamental “otherness” between the two cultures: a gulf across which the disparate cultures can only see each other’s shadows. In any case, the novel generated—and continues to generate—an abundant amount of critical analysis.
A Passage to India is the last novel Forster published in his lifetime, and it frequently appears in “best-of” lists of literature: The Modern Library selected it as one of its 100 great works of the 20th century, Time magazine included it in its “All Time 100 Novels” list, and it won the 1924 James Tait Black Memorial Prize for fiction.
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- Author: E. M. Forster
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So Mrs. Moore had all she wished; she escaped the trial, the marriage, and the hot weather; she would return to England in comfort and distinction, and see her other children. At her son’s suggestion, and by her own desire, she departed. But she accepted her good luck without enthusiasm. She had come to that state where the horror of the universe and its smallness are both visible at the same time—the twilight of the double vision in which so many elderly people are involved. If this world is not to our taste, well, at all events there is Heaven, Hell, Annihilation—one or other of those large things, that huge scenic background of stars, fires, blue or black air. All heroic endeavour, and all that is known as art, assumes that there is such a background, just as all practical endeavour, when the world is to our taste, assumes that the world is all. But in the twilight of the double vision, a spiritual muddledom is set up for which no high-sounding words can be found; we can neither act nor refrain from action, we can neither ignore nor respect Infinity. Mrs. Moore had always inclined to resignation. As soon as she landed in India it seemed to her good, and when she saw the water flowing through the mosque-tank, or the Ganges, or the moon, caught in the shawl of night with all the other stars, it seemed a beautiful goal and an easy one. To be one with the universe! So dignified and simple. But there was always some little duty to be performed first, some new card to be turned up from the diminishing pack and placed, and while she was pottering about, the Marabar struck its gong.
What had spoken to her in that scoured-out cavity of the granite? What dwelt in the first of the caves? Something very old and very small. Before time, it was before space also. Something snub-nosed, incapable of generosity—the undying worm itself. Since hearing its voice, she had not entertained one large thought, she was actually envious of Adela. All this fuss over a frightened girl! Nothing had happened, “and if it had,” she found herself thinking with the cynicism of a withered priestess, “if it had, there are worse evils than love.” The unspeakable attempt presented itself to her as love: in a cave, in a church—Boum, it amounts to the same. Visions are supposed to entail profundity, but—Wait till you get one, dear reader! The abyss also may be petty, the serpent of eternity made of maggots; her constant thought was: “Less attention should be paid to my future daughter-in-law and more to me, there is no sorrow like my sorrow,” although when the attention was paid she rejected it irritably.
Her son couldn’t escort her to Bombay, for the local situation continued acute, and all officials had to remain at their posts. Antony couldn’t come either, in case he never returned to give his evidence. So she travelled with no one who could remind her of the past. This was a relief. The heat had drawn back a little before its next advance, and the journey was not unpleasant. As she left Chandrapore the moon, full again, shone over the Ganges and touched the shrinking channels into threads of silver, then veered and looked into her window. The swift and comfortable mail-train slid with her through the night, and all the next day she was rushing through Central India, through landscapes that were baked and bleached but had not the hopeless melancholy of the plain. She watched the indestructible life of man and his changing faces, and the houses he has built for himself and God, and they appeared to her not in terms of her own trouble but as things to see. There was, for instance, a place called Asirgarh which she passed at sunset and identified on a map—an enormous fortress among wooded hills. No one had ever mentioned Asirgarh to her, but it had huge and noble bastions and to the right of them was a mosque. She forgot it. Ten minutes later, Asirgarh reappeared. The mosque was to the left of the bastions now. The train in its descent through the Vindyas had described a semicircle round Asirgarh. What could she connect it with except its own name? Nothing; she knew no one who lived there. But it had looked at her twice and seemed to say: “I do not vanish.” She woke in the middle of the night with a start, for the train was falling over the western cliff. Moonlit pinnacles rushed up at her like the fringes of a sea; then a brief episode of plain, the real sea, and the soupy dawn of Bombay. “I have not seen the right places,” she thought, as she saw embayed in the platforms of the Victoria Terminus the end of the rails that had carried her over a continent and could never carry her back. She would never visit Asirgarh or the other untouched places; neither Delhi nor Agra nor the Rajputana cities nor Kashmir, nor the obscurer marvels that had sometimes shone through men’s speech: the bilingual rock of Girnar, the statue of Shri Belgola, the ruins of Mandu and Hampi, temples of Khajraha, gardens of Shalimar. As she drove through the huge city which the West has built and abandoned with a gesture of despair, she longed to stop, though it was only Bombay, and disentangle the hundred Indias that passed each other in its streets. The feet of the horses moved her on, and presently the boat sailed and thousands of coconut palms appeared all round the anchorage and climbed the hills to wave her farewell. “So you thought an echo was India; you took the Marabar caves as final?” they
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