Monsieur Lecoq by Émile Gaboriau (romance novel chinese novels .txt) 📕
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The last Lecoq novel goes back to the beginning, to Monsieur Lecoq’s first case, the case that began his reputation as a master of detection, master of disguise, and master of detail. The case begins simply: Lecoq and several other policemen come upon a crime as it’s being committed. Three men are dead and the killer is in custody. But who is he? Lecoq and his companion officer spend months trying to figure it out, to no avail. Lecoq finally goes to visit his old mentor in order to gain some insight.
The scene then changes to some fifty years previous; in the aftermath of Waterloo, some noblemen return from exile. One of them insults the character of a local who has acted honorably on the nobleman’s behalf, and the remainder of the novel is devoted to how those few minutes end up unravelling the lives of everyone present, and many who aren’t.
Gaboriau again demonstrates his ability to mix detective mystery and Dickensian drama, and foreshadows the style of the first two novels of his more famous English cousin in detection.
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- Author: Émile Gaboriau
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“Everything this lady possessed was sold?” inquired Lecoq.
“Everything.”
“And what is the name of this brother of hers?”
“Watchau, also. The baroness had probably married one of her relatives. Until last year her brother occupied a very prominent diplomatic position. I think he now resides at Berlin.”
Certainly this information would not seem to indicate that the auctioneer had been tampered with; and yet Lecoq was not satisfied. “It is very strange,” he thought, as he walked toward his lodgings, “that whichever side I turn, in this affair, I find mention of Germany. The murderer comes from Leipzig, Madame Milner must be a Bavarian, and now here is an Austrian baroness.”
It was too late to make any further inquiries that evening, and Lecoq went to bed; but the next morning, at an early hour, he resumed his investigations with fresh ardor. There now seemed only one remaining clue to success: the letter signed “Lacheneur,” which had been found in the pocket of the murdered soldier. This letter, judging from the half-effaced heading at the top of the notepaper, must have been written in some café on the Boulevard Beaumarchais. To discover which precise café would be mere child’s play; and indeed the fourth landlord to whom Lecoq exhibited the letter recognized the paper as his. But neither he, nor his wife, nor the young lady at the counter, nor the waiters, nor any of the customers present at the time, had ever once heard mention made of this singular name—Lacheneur.
And now what was Lecoq to do? Was the case utterly hopeless? Not yet. Had not the spurious soldier declared that this Lacheneur was an old comedian? Seizing upon this frail clue, as a drowning man clutches at the merest fragment of the floating wreck, Lecoq turned his steps in another direction, and hurried from theatre to theatre, asking everyone, from doorkeeper to manager: “Don’t you know an actor named Lacheneur?”
Alas! one and all gave a negative reply, at times indulging in some rough joke at the oddity of the name. And when anyone asked the young detective what the man he was seeking was like, what could he reply? His answer was necessarily limited to the virtuous Toinon’s phrase: “I thought him a very respectable-looking gentleman.” This was not a very graphic description, however, and, besides, it was rather doubtful what a woman like Polyte Chupin’s wife might mean by the word “respectable.” Did she apply it to the man’s age, to his personal aspect, or to his apparent fortune.
Sometimes those whom Lecoq questioned would ask what parts this comedian of his was in the habit of playing; and then the young detective could make no reply whatever. He kept for himself the harassing thought that the role now being performed by the unknown Lacheneur was driving him—Lecoq—wild with despair.
Eventually our hero had recourse to a method of investigation which, strange to say, the police seldom employ, save in extreme cases, although it is at once sensible and simple, and generally fraught with success. It consists in examining all the hotel and lodging-house registers, in which the landlords are compelled to record the names of their tenants, even should the latter merely sojourn under their roofs for a single night.
Rising long before daybreak and going to bed late at night, Lecoq spent all his time in visiting the countless hotels and furnished lodgings in Paris. But still and ever his search was vain. He never once came across the name of Lacheneur; and at last he began to ask himself if such a name really existed, or if it were not some pseudonym invented for convenience. He had not found it even in Didot’s directory, the so-called “Almanach Boitin,” where one finds all the most singular and absurd names in France—those which are formed of the most fantastic mingling of syllables.
Still, nothing could daunt him or turn him from the almost impossible task he had undertaken, and his obstinate perseverance well-nigh developed into monomania. He was no longer subject to occasional outbursts of anger, quickly repressed; but lived in a state of constant exasperation, which soon impaired the clearness of his mind. No more theories, or ingenious deductions, no more subtle reasoning. He pursued his search without method and without order—much as Father Absinthe might have done when under the influence of alcohol. Perhaps he had come to rely less upon his own shrewdness than upon chance to reveal to him the substance of the mystery, of which he had as yet only detected the shadow.
XVIIIWhen a heavy stone is thrown into a lake a considerable commotion ensues, the water spouts and seethes and bubbles and frequently a tall jet leaps into the air. But all this agitation only lasts for a moment; the bubbling subsides as the circles of the passing whirlpool grow larger and larger; the surface regains at last its customary smoothness; and soon no trace remains of the passage of the stone, now buried in the depths below.
So it is with the events of our daily life, however momentous they may appear at the hour of their occurrence. It seems as if their impressions would last for years; but no, they speedily sink into the depths of the past, and time obliterates their passage—just as the water of the lake closes over and hides the stone, for an instant the cause of such commotion.
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