Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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When he thought of this, chaos rose in his head. But he was brought out of this chaos by Chilo, who fell to lamenting his own fate. He had agreed to find Lygia. He had sought for her in peril of his life, and he had pointed her out. But what more do they want? Had he offered to carry the maiden away? Who could ask anything like this of a maimed man deprived of two fingers, an old man, devoted to meditation, to science, and virtue? What would happen were a lord of such dignity as Vinicius to meet some mishap while bearing the maiden away? It is true that the gods are bound to watch over their chosen ones—but have not such things happened more than once, as if the gods were playing games instead of watching what was passing in the world? Fortune is blindfold, as is well known, and does not see even in daylight; what must the case be at night? Let something happen—let that Lygian bear hurl a millstone at the noble Vinicius, or a keg of wine, or, still worse, water—who will give assurance that instead of a reward blame will not fall on the hapless Chilo? He, the poor sage, has attached himself to the noble Vinicius as Aristotle to Alexander of Macedon. If the noble lord should give him at least that purse which he had thrust into his girdle before leaving home, there would be something with which to invoke aid in case of need, or to influence the Christians. Oh, why not listen to the counsels of an old man, counsels dictated by experience and prudence?
Vinicius, hearing this, took the purse from his belt, and threw it to the fingers of Chilo.
“Thou hast it; be silent!”
The Greek felt that it was unusually heavy, and gained confidence.
“My whole hope is in this,” said he, “that Hercules or Theseus performed deeds still more arduous; what is my personal, nearest friend, Croton, if not Hercules? Thee, worthy lord, I will not call a demigod, for thou art a full god, and in future thou wilt not forget a poor, faithful servant, whose needs it will be necessary to provide for from time to time, for once he is sunk in books, he thinks of nothing else; some few stadia of garden land and a little house, even with the smallest portico, for coolness in summer, would befit such a donor. Meanwhile I shall admire thy heroic deeds from afar, and invoke Jove to befriend thee, and if need be I will make such an outcry that half Rome will be roused to thy assistance. What a wretched, rough road! The olive oil is burned out in the lantern; and if Croton, who is as noble as he is strong, would bear me to the gate in his arms, he would learn, to begin with, whether he will carry the maiden easily; second, he would act like Aeneas, and win all the good gods to such a degree that touching the result of the enterprise I should be thoroughly satisfied.”
“I should rather carry a sheep which died of mange a month ago,” answered the gladiator; “but give that purse, bestowed by the worthy tribune, and I will bear thee to the gate.”
“Mayst thou knock the great toe from thy foot,” replied the Greek; “what profit hast thou from the teachings of that worthy old man, who described poverty and charity as the two foremost virtues? Has he not commanded thee expressly to love me? Never shall I make thee, I see, even a poor Christian; it would be easier for the sun to pierce the walls of the Mamertine prison than for truth to penetrate thy skull of a hippopotamus.”
“Never fear!” said Croton, who with the strength of a beast had no human feeling. “I shall not be a Christian! I have no wish to lose my bread.”
“But if thou knew even the rudiments of philosophy, thou wouldst know that gold is vanity.”
“Come to me with thy philosophy. I will give thee one blow of my head in the stomach; we shall see then who wins.”
“An ox might have said the same to Aristotle,” retorted Chilo.
It was growing gray in the world. The dawn covered with pale light the outlines of the walls. The trees along the wayside, the buildings, and the gravestones scattered here and there began to issue from the shade. The road was no longer quite empty. Marketmen were moving toward the gates, leading asses and mules laden with vegetables; here and there moved creaking carts in which game was conveyed. On the road and along both sides of it was a light mist at the very earth, which promised good weather. People at some distance seemed like apparitions in that mist. Vinicius stared at the slender form of Lygia, which became more silvery as the light increased.
“Lord,” said Chilo, “I should offend thee were I to foresee the end of thy bounty, but now, when thou hast paid me, I may not be suspected of speaking for my own interest only. I advise thee once more to go home for slaves and a litter, when thou hast learned in what house the divine Lygia dwells; listen not to that elephant trunk, Croton, who undertakes to carry off the maiden only to squeeze thy purse as if it were a bag of curds.”
“I have a blow of the fist to be struck between the shoulders, which means that thou wilt perish,” said Croton.
“I have a cask of Cephalonian wine, which means that I shall be well,” answered Chilo.
Vinicius made no answer, for he approached the
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