Short Fiction by M. R. James (inspirational books for women TXT) 📕

Quite lately I was cataloguing the manuscripts in the library of the college to which he belonged. I had reached the end of the numbered volumes on the shelves, and I proceeded to ask the librarian whether there were any more books which he thought I ought to include in my description. “I don’t think there are,” he said, “but we had better come and look at the manuscript class and make sure. Have you time to do that now?” I had time. We went to the library, checked off the manuscripts, and, at the end of our survey, arrived at a shelf of which I had seen nothing. Its contents consisted for the most part of sermons, bundles of fragmentary papers, college exercises, Cyrus, an epic poem in several cantos, the product of a country clergyman’s leisure, mathematical tracts by a deceased professor, and other similar material of a kind with which I am only too familiar. I took brief notes of these. Lastly, there was a tin box, which was pulled out and dusted. Its label, much faded, was thus inscribed: “Papers of the Ven. Archdeacon Haynes. Bequeathed in 1834 by his sister, Miss Letitia Haynes.”

I knew at once that the name was one which I had somewhere encountered, and could very soon locate it. “That must be the Archdeacon Haynes who came to a very odd end at Barchester. I’ve read his obituary in the Gentleman’s Magazine. May I take the box home? Do you know if there is anything interesting in it?”

The librarian was very willing that I should take the box and examine it at leisure. “I never looked inside it myself,” he said, “but I’ve always been meaning to. I am pretty sure that is the box which our old Master once said ought never to have been accepted by the college. He said that to Martin years ago; and he said also that as long as he had control over the library it should never be opened. Martin told me about it, and said that he wanted terribly to know what was in it; but the Master was librarian, and always kept the box in the lodge, so there was no getting at it in his time, and when he died it was taken away by mistake by his heirs, and only returned a few years ago. I can’t think why I haven’t opened it; but, as I have to go away from Cambridge this afternoon, you had better have first go at it. I think I can trust you not to publish anything undesirable in our catalogue.”

I took the box home and examined its contents, and thereafter consulted the librarian as to what should be done about publication, and, since I have his leave to make a story out of it, provided I disguise the identity of the people concerned, I will try what can be done.

The materials are, of course, mainly journals and letters. How much I shall quote and how much epitomize must be determined by considerations of space. The proper understanding of the situation has necessitated a little⁠—not very arduous⁠—research, which has been greatly facilitated by the excellent illustrations and text of the Barchester volume in Bell’s Cathedral Series.

When you enter the choir of Barchester Cathedral now, you pass through a screen of metal and coloured marbles, designed by Sir Gilbert Scott, and find yourself in what I must call a very bare and odiously furnished place. The stalls are modern, without canopies. The places of the dignitaries and the names of the prebends have fortunately been allowed to survive, and are inscribed on small brass plates affixed to the stalls. The organ is in the triforium, and what is seen of the case is Gothic. The reredos and its surroundings are like every other.

Careful engravings of a hundred years ago show a very different state of things. The organ is on a massive classical screen. The stalls are also classical and very massive. There is a baldacchino of wood over the altar, with urns upon its corners. Farther east is a solid altar screen, classical in design, of wood, with a pediment, in which is a triangle surrounded by rays, enclosing certain Hebrew letters in gold. Cherubs contemplate these. There is a pulpit with a great sounding-board at the eastern end of the stalls on the north side, and there is a black and white marble pavement. Two ladies and a gentleman are admiring the general effect. From other sources I gather that the archdeacon’s stall then, as now, was next to the bishop’s throne at the southeastern end of the stalls. His house almost faces the west front of the church, and is a fine redbrick building of William the Third’s time.

Here Dr. Haynes, already a mature man, took up his abode with his sister in the year 1810. The dignity had long been the object of his wishes, but his predecessor refused to depart until he had attained the age of ninety-two. About a week after he had held a modest festival in celebration of that ninety-second birthday, there came a morning, late in the year, when Dr. Haynes, hurrying cheerfully into his breakfast-room, rubbing his hands and humming a tune, was greeted, and checked in his genial flow of spirits, by the sight of his sister, seated, indeed, in her usual place behind the tea-urn, but bowed forward and sobbing unrestrainedly into her handkerchief. “What⁠—what is the matter? What bad news?” he began. “Oh, Johnny, you’ve not heard? The poor dear archdeacon!” “The archdeacon, yes? What is it⁠—ill, is he?” “No, no; they found him on the staircase this morning; it is so shocking.” “Is it possible! Dear, dear, poor Pulteney! Had there been any seizure?” “They don’t think so, and that is almost the worst thing about it. It seems to have been all the fault of that stupid maid of theirs, Jane.” Dr. Haynes paused. “I don’t quite understand,