Growth of the Soil by Knut Hamsun (chromebook ebook reader txt) 📕
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Growth of the Soil was published in 1917 to universal acclaim. A mid- to late-career work for Hamsun, it was celebrated for its then-revolutionary use of literary techniques like stream of consciousness, and for its unadorned depiction of pastoral life. Its focus on the quotidian lives of everyday people has led scholars to classify it as a novel of Norwegian New Realism.
Isak, a man so strong and so simple that he echoes a primitive, foundational “everyman,” finds an empty plot of land in turn-of-the-century Norway, and builds a small home. He soon attracts a wife, Inger, whose harelip has led her to be ostracized from town life but who is nonetheless a hard and conscientious worker. Together the two earthy beings build a farm and a family, and watch as society and civilization grows and develops around them.
Isak and Inger’s toils sometimes bring them up against the burgeoning modernity around them, but curiously, the novel is not one driven by a traditional conflict-oriented plot. Instead, the steady progression of life on the farm, with its ups and downs, its trials and joys, makes the people and their growth the novel’s main propellant. While the humble, homespun protagonists occasionally come into conflict with the awe-inspiring forces of civilization, more often than not, those forces are portrayed as positive and symbiotic companions to the agrarian lifestyle.
Hamsun was awarded the Nobel Prize in Literature in 1920 for Growth of the Soil, one of the rare instances in which the Nobel committee awarded a prize for a specific novel, and not a body of work. It has since come to be regarded as a classic of modernist, and Norwegian, literature.
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- Author: Knut Hamsun
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“With me?”
“Ay. Is he such a greenhorn and can’t see how ’tis with you now? Hasn’t he eyes in his head?”
Barbro turned on him straight at that: “Oh, so you think you’ve got a hold on me because of that? You’ll find out you’re wrong, that’s all.”
“Ho!” said Axel.
“Ay, and I’ll not stay here, neither.”
But Axel only smiled a little at this; not broadly and laughing in her face, no; for he did not mean to cross her. And then he spoke soothingly, as to a child: “Be a good girl now, Barbro. ’Tis you and me, you know.”
And of course in the end Barbro gave in and was good, and even went to sleep with the silver ring on her finger.
It would all come right in time, never fear.
For the two in the hut, yes. But what about Eleseus? ’Twas worse with him; he found it hard to get over the shameful way Barbro had treated him. He knew nothing of hysterics, and took it as all pure cruelty on her part; that girl Barbro from Breidablik thought a deal too much of herself, even though she had been in Bergen. …
He sent her back the photograph in a way of his own—took it down himself one night and stuck it through the door to her in the hayloft, where she slept. ’Twas not done in any rough unmannerly way, not at all; he had fidgeted with the door a long time so as to wake her, and when she rose up on her elbow and asked, “What’s the matter; can’t you find your way in this evening?” he understood the question was meant for someone else, and it went through him like a needle; like a sabre.
He walked back home—no walking-stick, no whistling. He did not care about playing the man any longer. A stab at the heart is no light matter.
And was that the last of it?
One Sunday he went down just to look; to peep and spy. With a sickly and unnatural patience he lay in hiding among the bushes, staring over at the hut. And when at last there came a sign of life and movement it was enough to make an end of him altogether: Axel and Barbro came out together and went across to the cowshed. They were loving and affectionate now, ay, they had a blessed hour; they walked with their arms round each other, and he was going to help her with the animals. Ho, yes!
Eleseus watched the pair with a look as if he had lost all; as a ruined man. And his thought, maybe, was like this: There she goes arm in arm with Axel Ström. How she could ever do it I can’t think; there was a time when she put her arms round me! And there they disappeared into the shed.
Well, let them! Huh! Was he to lie here in the bushes and forget himself? A nice thing for him—to lie there flat on his belly and forget himself. Who was she, after all? But he was the man he was. Huh! again.
He sprang to his feet and stood up. Brushed the twigs and dust from his clothes and drew himself up and stood upright again. His rage and desperation came out in a curious fashion now: he threw all care to the winds, and began singing a ballad of highly frivolous import. And there was an earnest expression on his face as he took care to sing the worst parts loudest of all.
XIXIsak came back from the village with a horse. Ay, it had come to that; he had bought the horse from the Lensmand’s assistant; the animal was for sale, as Geissler had said, but it cost two hundred and forty Kroner—that was sixty Daler. The price of horseflesh had gone up beyond all bounds: when Isak was a boy the best horse could be bought for fifty Daler.
But why had he never raised a horse himself? He had thought of it, had imagined a nice little foal—that he had been waiting for these two years past. That was a business for folk who could spare the time from their land, could leave waste patches lying waste till they got a horse to carry home the crop. The Lensmand’s assistant had said: “I don’t care about paying for a horse’s keep myself; I’ve no more hay than my womenfolk can get it in by themselves while I’m away on duty.”
The new horse was an old idea of Isak’s, he had been thinking of it for years; it was not Geissler who had put him up to it. And he had also made preparations such as he could; a new stall, a new rope for tethering it in the summer; as for carts, he had some already, he must make some more for the autumn. Most important of all was the fodder, and he had not forgotten that, of course; or why should he have thought it so important to get that last patch broken up last year if it hadn’t been to save getting rid of one of the cows, and yet have enough keep for a new horse? It was, sown for green fodder now; that was for the calving cows.
Ay, he had thought it all out. Well might Inger be astonished again, and clap her hands just as in the old days.
Isak brought news from the village; Breidablik was to be sold, there was a notice outside the church. The bit of crop, such as it was—hay and potatoes—to go with the rest. Perhaps the livestock too; a few beasts only, nothing big.
“Is he going to sell up the home altogether and leave nothing?” cried Inger. “And where’s he going to live?”
“In the village.”
It was true enough. Brede was going back to the tillage. But he had first tried to
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