Cane by Jean Toomer (100 best novels of all time .TXT) 📕
Description
Published in 1923, Jean Toomer’s Cane was widely heralded as one of the first masterpieces of the Harlem Renaissance, and its author as “a bright morning star” of the movement. Toomer himself, however, was reluctant to embrace an explicitly racialized identity, preferring to define himself as simply an American writer.
Inspired in part by Sherwood Anderson’s short story cycle Winesburg, Ohio, Toomer conceived Cane as a mosaic of intricately connected vignettes, poems, stories, songs, and even play-like dialogues. Drawing on both modernist poetry and African-American spirituals, Toomer imbues each form with a lyrical and often experimental sensibility.
The work is structured in three distinct but unnamed parts. The first is set in rural Georgia and focuses on the lives of women and the men who desire them. The second part moves to the urban enclaves of the North in the years following the Great Migration. The third and final part returns to the rural South and explores the interactions between African-Americans from the North and those living in the South.
Although sales languished in the later years of Toomer’s life, the book was reissued after his death and rediscovered by a new generation of American writers. Alice Walker described Cane as one of the most important books in her own development as a writer: “I love it passionately, could not possibly exist without it.”
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- Author: Jean Toomer
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There was talk about her fainting with me in the canefield. And I got one or two ugly looks from town men who’d set themselves up to protect her. In fact, there was talk of making me leave town. But they never did. They kept a watch-out for me, though. Shortly after, I came back North. From the train window I saw her as I crossed her road. Saw her on her porch, head tilted a little forward where the nail was, eyes vaguely focused on the sunset. Saw her face flow into them, the countryside and something that I call God, flowing into them … Nothing ever really happened. Nothing ever came to Fern, not even I. Something I would do for her. Some fine unnamed thing … And, friend, you? She is still living, I have reason to know. Her name, against the chance that you might happen down that way, is Fernie May Rosen.
NulloA spray of pine-needles,
Dipped in western horizon gold,
Fell onto a path.
Dry moulds of cow-hoofs.
In the forest.
Rabbits knew not of their falling,
Nor did the forest catch aflame.
Full moon rising on the waters of my heart,
Lakes and moon and fires,
Cloine tires,
Holding her lips apart.
Promises of slumber leaving shore to charm the moon,
Miracle made vesper-keeps,
Cloine sleeps,
And I’ll be sleeping soon.
Cloine, curled like the sleepy waters where the moon-waves start,
Radiant, resplendently she gleams,
Cloine dreams,
Lips pressed against my heart.
Nine.
Esther’s hair falls in soft curls about her high-cheek-boned chalk-white face. Esther’s hair would be beautiful if there were more gloss to it. And if her face were not prematurely serious, one would call it pretty. Her cheeks are too flat and dead for a girl of nine. Esther looks like a little white child, starched, frilled, as she walks slowly from her home towards her father’s grocery store. She is about to turn in Broad from Maple Street. White and black men loafing on the corner hold no interest for her. Then a strange thing happens. A clean-muscled, magnificent, black-skinned Negro, whom she had heard her father mention as King Barlo, suddenly drops to his knees on a spot called the Spittoon. White men, unaware of him, continue squirting tobacco juice in his direction. The saffron fluid splashes on his face. His smooth black face begins to glisten and to shine. Soon, people notice him, and gather round. His eyes are rapturous upon the heavens. Lips and nostrils quiver. Barlo is in a religious trance. Town folks know it. They are not startled. They are not afraid. They gather round. Some beg boxes from the grocery stores. From old McGregor’s notion shop. A coffin-case is pressed into use. Folks line the curbstones. Business men close shop. And Banker Warply parks his car close by. Silently, all await the prophet’s voice. The sheriff, a great florid fellow whose leggings never meet around his bulging calves, swears in three deputies. “Wall, y cant never tell what a nigger like King Barlo might be up t.” Soda bottles, five fingers full of shine, are passed to those who want them. A couple of stray dogs start a fight. Old Goodlow’s cow comes flopping up the street. Barlo, still as an Indian fakir, has not moved. The town bell strikes six. The sun slips in behind a heavy mass of horizon cloud. The crowd is hushed and expectant. Barlo’s under jaw relaxes, and his lips begin to move.
“Jesus has been awhisperin strange words deep down, O way down deep, deep in my ears.”
Hums of awe and of excitement.
“He called me to His side an said, ‘Git down on your knees beside me, son, Ise gwine t whisper in your ears.’ ”
An old sister cries, “Ah, Lord.”
“ ‘Ise agwine t whisper in your ears,’ he said, an I replied, ‘Thy will be done on earth as it is in heaven.’ ”
“Ah, Lord. Amen. Amen.”
“An Lord Jesus whispered strange good words deep down, O way down deep, deep in my ears. An He said, ‘Tell em till you feel your throat on fire.’ I saw a vision. I saw a man arise, an he was big an black an powerful—”
Someone yells, “Preach it, preacher, preach it!”
“—but his head was caught up in th clouds. An while he was agazin at th heavens, heart filled up with th Lord, some little white-ant biddies came an tied his feet to chains. They led him t th coast, they led him t th sea, they led him across th ocean an they didnt set him free. The
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