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forward. She forgot that the moon had looked through a window of the high, dark night, and nodded like a magic recognition, signalled to her to follow. Sun and moon travelled on, and left her, passed her by, a rich woman enjoying her riches. She should go also. But she could not go, when they called, because she must stay at home now. With satisfaction she relinquished the adventure to the unknown. She was bearing her children.

There was another child coming, and Anna lapsed into vague content. If she were not the wayfarer to the unknown, if she were arrived now, settled in her builded house, a rich woman, still her doors opened under the arch of the rainbow, her threshold reflected the passing of the sun and moon, the great travellers, her house was full of the echo of journeying.

She was a door and a threshold, she herself. Through her another soul was coming, to stand upon her as upon the threshold, looking out, shading its eyes for the direction to take.

VII The Cathedral

During the first year of her marriage, before Ursula was born, Anna Brangwen and her husband went to visit her motherโ€™s friend, the Baron Skrebensky. The latter had kept a slight connection with Annaโ€™s mother, and had always preserved some officious interest in the young girl, because she was a pure Pole.

When Baron Skrebensky was about forty years old, his wife died, and left him raving, disconsolate. Lydia had visited him then, taking Anna with her. It was when the girl was fourteen years old. Since then she had not seen him. She remembered him as a small sharp clergyman who cried and talked and terrified her, whilst her mother was most strangely consoling, in a foreign language.

The little Baron never quite approved of Anna, because she spoke no Polish. Still, he considered himself in some way her guardian, on Lenskyโ€™s behalf, and he presented her with some old, heavy Russian jewellery, the least valuable of his wifeโ€™s relics. Then he lapsed out of the Brangwenโ€™s life again, though he lived only about thirty miles away.

Three years later came the startling news that he had married a young English girl of good family. Everybody marvelled. Then came a copy of The History of the Parish of Briswell, by Rudolph, Baron Skrebensky, Vicar of Briswell. It was a curious book, incoherent, full of interesting exhumations. It was dedicated: โ€œTo my wife, Millicent Maud Pearse, in whom I embrace the generous spirit of England.โ€

โ€œIf he embraces no more than the spirit of England,โ€ said Tom Brangwen, โ€œitโ€™s a bad lookout for him.โ€

But paying a formal visit with his wife, he found the new Baroness a little, creamy-skinned, insidious thing with red-brown hair and a mouth that one must always watch, because it curved back continually in an incomprehensible, strange laugh that exposed her rather prominent teeth. She was not beautiful, yet Tom Brangwen was immediately under her spell. She seemed to snuggle like a kitten within his warmth, whilst she was at the same time elusive and ironical, suggesting the fine steel of her claws.

The Baron was almost dotingly courteous and attentive to her. She, almost mockingly, yet quite happy, let him dote. Curious little thing she was, she had the soft, creamy, elusive beauty of a ferret. Tom Brangwen was quite at a loss, at her mercy, and she laughed, a little breathlessly, as if tempted to cruelty. She did put fine torments on the elderly Baron.

When some months later she bore a son, the Baron Skrebensky was loud with delight.

Gradually she gathered a circle of acquaintances in the county. For she was of good family, half Venetian, educated in Dresden. The little foreign vicar attained to a social status which almost satisfied his maddened pride.

Therefore the Brangwens were surprised when the invitation came for Anna and her young husband to pay a visit to Briswell vicarage. For the Skrebenskys were now moderately well off, Millicent Skrebensky having some fortune of her own.

Anna took her best clothes, recovered her best high-school manner, and arrived with her husband. Will Brangwen, ruddy, bright, with long limbs and a small head, like some uncouth bird, was not changed in the least. The little Baroness was smiling, showing her teeth. She had a real charm, a kind of joyous coldness, laughing, delighted, like some weasel. Anna at once respected her, and was on her guard before her, instinctively attracted by the strange, childlike surety of the Baroness, yet mistrusting it, fascinated. The little baron was now quite white-haired, very brittle. He was wizened and wrinkled, yet fiery, unsubdued. Anna looked at his lean body, at his small, fine lean legs and lean hands as he sat talking, and she flushed. She recognized the quality of the male in him, his lean, concentrated age, his informed fire, his faculty for sharp, deliberate response. He was so detached, so purely objective. A woman was thoroughly outside him. There was no confusion. So he could give that fine, deliberate response.

He was something separate and interesting; his hard, intrinsic being, whittled down by age to an essentiality and a directness almost deathlike, cruel, was yet so unswervingly sure in its action, so distinct in its surety, that she was attracted to him. She watched his cool, hard, separate fire, fascinated by it. Would she rather have it than her husbandโ€™s diffuse heat, than his blind, hot youth?

She seemed to be breathing high, sharp air, as if she had just come out of a hot room. These strange Skrebenskys made her aware of another, freer element, in which each person was detached and isolated. Was not this her natural element? Was not the close Brangwen life stifling her?

Meanwhile the little baroness, with always a subtle light stirring of her full, lustrous, hazel eyes, was playing with Will Brangwen. He was not quick enough to see all her movements. Yet he watched her steadily, with unchanging, lit-up eyes. She was

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