The Rainbow by D. H. Lawrence (novels for beginners .txt) π
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydiaβs child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last thirdβand perhaps most famousβpart of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwenβs quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a careerβa concept both new and frightening to her family, who are just a generation removed from the era when a womanβs life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursulaβs story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrenceβs Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
Read book online Β«The Rainbow by D. H. Lawrence (novels for beginners .txt) πΒ». Author - D. H. Lawrence
He went on from day to day in a blackness of rage and shame and frustration. How he tortured himself, to be able to get away from her. But he could not. She was as the rock on which he stood, with deep, heaving water all round, and he was unable to swim. He must take his stand on her, he must depend on her.
What had he in life, save her? Nothing. The rest was a great heaving flood. The terror of the night of heaving, overwhelming flood, which was his vision of life without her, was too much for him. He clung to her fiercely and abjectly.
And she beat him off, she beat him off. Where could he turn, like a swimmer in a dark sea, beaten off from his hold, whither could he turn? He wanted to leave her, he wanted to be able to leave her. For his soulβs sake, for his manhoodβs sake, he must be able to leave her.
But for what? She was the ark, and the rest of the world was flood. The only tangible, secure thing was the woman. He could leave her only for another woman. And where was the other woman, and who was the other woman? Besides, he would be just in the same state. Another woman would be woman, the case would be the same.
Why was she the all, the everything, why must he live only through her, why must he sink if he were detached from her? Why must he cleave to her in a frenzy as for his very life?
The only other way to leave her was to die. The only straight way to leave her was to die. His dark, raging soul knew that. But he had no desire for death.
Why could he not leave her? Why could he not throw himself into the hidden water to live or die, as might be? He could not, he could not. But supposing he went away, right away, and found work, and had a lodging again. He could be again as he had been before.
But he knew he could not. A woman, he must have a woman. And having a woman, he must be free of her. It would be the same position. For he could not be free of her.
For how can a man stand, unless he have something sure under his feet. Can a man tread the unstable water all his life, and call that standing? Better give in and drown at once.
And upon what could he stand, save upon a woman? Was he then like the old man of the seas, impotent to move save upon the back of another life? Was he impotent, or a cripple, or a defective, or a fragment?
It was black, mad, shameful torture, the frenzy of fear, the frenzy of desire, and the horrible, grasping backwash of shame.
What was he afraid of? Why did life, without Anna, seem to him just a horrible welter, everything jostling in a meaningless, dark, fathomless flood? Why, if Anna left him even for a week, did he seem to be clinging like a madman to the edge of reality, and slipping surely, surely into the flood of unreality that would drown him. This horrible slipping into unreality drove him mad, his soul screamed with fear and agony.
Yet she was pushing him off from her, pushing him away, breaking his fingers from their hold on her, persistently, ruthlessly. He wanted her to have pity. And sometimes for a moment she had pity. But she always began again, thrusting him off, into the deep water, into the frenzy and agony of uncertainty.
She became like a fury to him, without any sense of him. Her eyes were bright with a cold, unmoving hatred. Then his heart seemed to die in its last fear. She might push him off into the deeps.
She would not sleep with him any more. She said he destroyed her sleep. Up started all his frenzy and madness of fear and suffering. She drove him away. Like a cowed, lurking devil he was driven off, his mind working cunningly against her, devising evil for her. But she drove him off. In his moments of intense suffering, she seemed to him inconceivable, a monster, the principle of cruelty.
However her pity might give way for moments, she was hard and cold as a jewel. He must be put off from her, she must sleep alone. She made him a bed in the small room.
And he lay there whipped, his soul whipped almost to death, yet unchanged. He lay in agony of suffering, thrown back into unreality, like a man thrown overboard into a sea, to swim till he sinks, because there is no hold, only a wide, weltering sea.
He did not sleep, save for the white sleep when a thin veil is drawn over the mind. It was not sleep. He was awake, and he was not awake. He could not be alone. He needed to be able to put his arms round her. He could not bear the empty space against his breast, where she used to be. He could not bear it. He felt as if he were suspended in space, held there by the grip of his will. If he relaxed his will would fall, fall through endless space, into the bottomless pit, always falling, will-less, helpless, nonexistent, just dropping to extinction, falling till the fire of friction had burned out, like a falling star, then nothing, nothing, complete nothing.
He rose in the morning grey and unreal. And she seemed fond of him again, she seemed to make up to him a little.
βI slept well,β she said, with her slightly false brightness. βDid you?β
βAll right,β he answered.
He would never tell her.
For three or four nights he lay alone through the white sleep, his
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