The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“We quite readily believe it,” retorted Brangwen. “Neither do you intend him to be hopping for joy like a fish in a pond.”
This made her think. She was rather surprised to find that she did not intend her husband to be hopping for joy like a fish in a pond.
Her mother came, and they all sat down to tea, talking casually.
“Remember, child,” said her mother, “that everything is not waiting for your hand just to take or leave. You mustn’t expect it. Between two people, the love itself is the important thing, and that is neither you nor him. It is a third thing you must create. You mustn’t expect it to be just your way.”
“Ha—nor do I. If I did I should soon find my mistake out. If I put my hand out to take anything, my hand is very soon bitten, I can tell you.”
“Then you must mind where you put your hand,” said her father.
Anna was rather indignant that they took the tragedy of her young married life with such equanimity.
“You love the man right enough,” said her father, wrinkling his forehead in distress. “That’s all as counts.”
“I do love him, more shame to him,” she cried. “I want to tell him—I’ve been waiting for four days now to tell him—” her face began to quiver, the tears came. Her parents watched her in silence. She did not go on.
“Tell him what?” said her father.
“That we’re going to have an infant,” she sobbed, “and he’s never, never let me, not once, every time I’ve come to him, he’s been horrid to me, and I wanted to tell him, I did. And he won’t let me—he’s cruel to me.”
She sobbed as if her heart would break. Her mother went and comforted her, put her arms round her, and held her close. Her father sat with a queer, wrinkled brow, and was rather paler than usual. His heart went tense with hatred of his son-in-law.
So that, when the tale was sobbed out, and comfort administered and tea sipped, and something like calm restored to the little circle, the thought of Will Brangwen’s entry was not pleasantly entertained.
Tilly was set to watch out for him as he passed by on his way home. The little party at table heard the woman’s servant’s shrill call:
“You’ve got to come in, Will. Anna’s here.”
After a few moments, the youth entered.
“Are you stopping?” he asked in his hard, harsh voice.
He seemed like a blade of destruction standing there. She quivered to tears.
“Sit you down,” said Tom Brangwen, “an’ take a bit off your length.”
Will Brangwen sat down. He felt something strange in the atmosphere. He was dark browed, but his eyes had the keen, intent, sharp look, as if he could only see in the distance; which was a beauty in him, and which made Anna so angry.
“Why does he always deny me?” she said to herself. “Why is it nothing to him, what I am?”
And Tom Brangwen, blue-eyed and warm, sat in opposition to the youth.
“How long are you stopping?” the young husband asked his wife.
“Not very long,” she said.
“Get your tea, lad,” said Tom Brangwen. “Are you itchin’ to be off the moment you enter?”
They talked of trivial things. Through the open door the level rays of sunset poured in, shining on the floor. A grey hen appeared stepping swiftly in the doorway, pecking, and the light through her comb and her wattles made an oriflamme tossed here and there, as she went, her grey body was like a ghost.
Anna, watching, threw scraps of bread, and she felt the child flame within her. She seemed to remember again forgotten, burning, far-off things.
“Where was I born, mother?” she asked.
“In London.”
“And was my father”—she spoke of him as if he were merely a strange name: she could never connect herself with him—“was he dark?”
“He had dark-brown hair and dark eyes and a fresh colouring. He went bald, rather bald, when he was quite young,” replied her mother, also as if telling a tale which was just old imagination.
“Was he good-looking?”
“Yes—he was very good-looking—rather small. I have never seen an Englishman who looked like him.”
“Why?”
“He was”—the mother made a quick, running movement with her hands—“his figure was alive and changing—it was never fixed. He was not in the least steady—like a running stream.”
It flashed over the youth—Anna too was like a running stream. Instantly he was in love with her again.
Tom Brangwen was frightened. His heart always filled with fear, fear of the unknown, when he heard his women speak of their bygone men as of strangers they had known in passing and had taken leave of again.
In the room, there came a silence and a singleness over all their hearts. They were separate people with separate destinies. Why should they seek each to lay violent hands of claim on the other?
The young people went home as a sharp little moon was setting in the dusk of spring. Tufts of trees hovered in the upper air, the little church pricked up shadowily at the top of the hill, the earth was a dark blue shadow.
She put her hand lightly on his arm, out of her far distance. And out of the distance, he felt her touch him. They walked on, hand in hand, along opposite horizons, touching across the dusk. There was a sound of thrushes calling in the dark blue twilight.
“I think we are going to have an infant, Bill,” she said, from far off.
He trembled, and his fingers tightened on hers.
“Why?” he asked, his heart beating. “You don’t know?”
“I do,” she said.
They continued without saying any more, walking along opposite horizons, hand in hand across the intervening space, two separate people. And he trembled as if a wind blew on to him in strong gusts, out of the unseen. He was afraid. He was afraid to know he was alone. For she seemed fulfilled and separate and sufficient in her half of the world. He could not bear to know
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