The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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Anna had started guiltily when he left the house. She had hastened preparing the tea, hoping he would come back. She had made some toast, and got all ready. Then he didn’t come. She cried with vexation and disappointment. Why had he gone? Why couldn’t he come back now? Why was it such a battle between them? She loved him—she did love him—why couldn’t he be kinder to her, nicer to her?
She waited in distress—then her mood grew harder. He passed out of her thoughts. She had considered indignantly, what right he had to interfere with her sewing? She had indignantly refuted his right to interfere with her at all. She was not to be interfered with. Was she not herself, and he the outsider.
Yet a quiver of fear went through her. If he should leave her? She sat conjuring fears and sufferings, till she wept with very self-pity. She did not know what she would do if he left her, or if he turned against her. The thought of it chilled her, made her desolate and hard. And against him, the stranger, the outsider, the being who wanted to arrogate authority, she remained steadily fortified. Was she not herself? How could one who was not of her own kind presume with authority? She knew she was immutable, unchangeable, she was not afraid for her own being. She was only afraid of all that was not herself. It pressed round her, it came to her and took part in her, in form of her man, this vast, resounding, alien world which was not herself. And he had so many weapons, he might strike from so many sides.
When he came in at the door, his heart was blazed with pity and tenderness, she looked so lost and forlorn and young. She glanced up, afraid. And she was surprised to see him, shining-faced, clear and beautiful in his movements, as if he were clarified. And a startled pang of fear, and shame of herself went through her.
They waited for each other to speak.
“Do you want to eat anything?” she said.
“I’ll get it myself,” he answered, not wanting her to serve him. But she brought out food. And it pleased him she did it for him. He was again a bright lord.
“I went to Nottingham,” he said mildly.
“To your mother?” she asked, in a flash of contempt.
“No—I didn’t go home.”
“Who did you go to see?”
“I went to see nobody.”
“Then why did you go to Nottingham?”
“I went because I wanted to go.”
He was getting angry that she again rebuffed him when he was so clear and shining.
“And who did you see?”
“I saw nobody.”
“Nobody?”
“No—who should I see?”
“You saw nobody you knew?”
“No, I didn’t,” he replied irritably.
She believed him, and her mood became cold.
“I bought a book,” he said, handing her the propitiatory volume.
She idly looked at the pictures. Beautiful, the pure women, with their clear-dropping gowns. Her heart became colder. What did they mean to him?
He sat and waited for her. She bent over the book.
“Aren’t they nice?” he said, his voice roused and glad. Her blood flushed, but she did not lift her head.
“Yes,” she said. In spite of herself, she was compelled by him. He was strange, attractive, exerting some power over her.
He came over to her, and touched her delicately. Her heart beat with wild passion, wild raging passion. But she resisted as yet. It was always the unknown, always the unknown, and she clung fiercely to her known self. But the rising flood carried her away.
They loved each other to transport again, passionately and fully.
“Isn’t it more wonderful than ever?” she asked him, radiant like a newly opened flower, with tears like dew.
He held her closer. He was strange and abstracted.
“It is always more wonderful,” she asseverated, in a glad, child’s voice, remembering her fear, and not quite cleared of it yet.
So it went on continually, the recurrence of love and conflict between them. One day it seemed as if everything was shattered, all life spoiled, ruined, desolate and laid waste. The next day it was all marvellous again, just marvellous. One day she thought she would go mad from his very presence, the sound of his drinking was detestable to her. The next day she loved and rejoiced in the way he crossed the floor, he was sun, moon and stars in one.
She fretted, however, at last, over the lack of stability. When the perfect hours came back, her heart did not forget that they would pass away again. She was uneasy. The surety, the surety, the inner surety, the confidence in the abidingness of love: that was what she wanted. And that she did not get. She knew also that he had not got it.
Nevertheless it was a marvellous world, she was for the most part lost in the marvellousness of it. Even her great woes were marvellous to her.
She could be very happy. And she wanted to be happy. She resented it when he made her unhappy. Then she could kill him, cast him out. Many days, she waited for the hour when he would be gone to work. Then the flow of her life, which he seemed to damn up, was let loose, and she was free. She was free, she was full of delight. Everything delighted her. She took up the rug and went to shake it in the garden. Patches of snow were on the fields, the air was light. She heard the ducks shouting on the pond, she saw them charge and sail across the water as if they were setting off on an invasion of the world. She watched the rough horses, one of which was clipped smooth on the belly, so that he wore a jacket and long stockings of brown fur, stand kissing each other in the wintry morning by the churchyard wall. Everything delighted her, now he was gone, the insulator, the obstruction removed, the world was all hers, in connection with her.
She was joyfully active. Nothing pleased
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