The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“Anna,” he called.
There was no answer. He went up the stairs, in dread of the empty house—the horrible emptiness that made his heart ring with insanity. He opened the bedroom door, and his heart flashed with certainty that she had gone, that he was alone.
But he saw her on the bed, lying very still and scarcely noticeable, with her back to him. He went and put his hand on her shoulder, very gently, hesitating, in a great fear and self-offering. She did not move.
He waited. The hand that touched her shoulder hurt him, as if she were sending it away. He stood dim with pain.
“Anna,” he said.
But still she was motionless, like a curled up, oblivious creature. His heart beat with strange throes of pain. Then, by a motion under his hand, he knew she was crying, holding herself hard so that her tears should not be known. He waited. The tension continued—perhaps she was not crying—then suddenly relapsed with a sharp catch of a sob. His heart flamed with love and suffering for her. Kneeling carefully on the bed, so that his earthy boots should not touch it, he took her in his arms to comfort her. The sobs gathered in her, she was sobbing bitterly. But not to him. She was still away from him.
He held her against his breast, whilst she sobbed, withheld from him, and all his body vibrated against her.
“Don’t cry—don’t cry,” he said, with an odd simplicity. His heart was calm and numb with a sort of innocence of love, now.
She still sobbed, ignoring him, ignoring that he held her. His lips were dry.
“Don’t cry, my love,” he said, in the same abstract way. In his breast his heart burned like a torch, with suffering. He could not bear the desolateness of her crying. He would have soothed her with his blood. He heard the church clock chime, as if it touched him, and he waited in suspense for it to have gone by. It was quiet again.
“My love,” he said to her, bending to touch her wet face with his mouth. He was afraid to touch her. How wet her face was! His body trembled as he held her. He loved her till he felt his heart and all his veins would burst and flood her with his hot, healing blood. He knew his blood would heal and restore her.
She was becoming quieter. He thanked the God of mercy that at last she was becoming quieter. His head felt so strange and blazed. Still he held her close, with trembling arms. His blood seemed very strong, enveloping her.
And at last she began to draw near to him, she nestled to him. His limbs, his body, took fire and beat up in flames. She clung to him, she cleaved to his body. The flames swept him, he held her in sinews of fire. If she would kiss him! He bent his mouth down. And her mouth, soft and moist, received him. He felt his veins would burst with anguish of thankfulness, his heart was mad with gratefulness, he could pour himself out upon her forever.
When they came to themselves, the night was very dark. Two hours had gone by. They lay still and warm and weak, like the newborn, together. And there was a silence almost of the unborn. Only his heart was weeping happily, after the pain. He did not understand, he had yielded, given way. There was no understanding. There could be only acquiescence and submission, and tremulous wonder of consummation.
The next morning, when they woke up, it had snowed. He wondered what was the strange pallor in the air, and the unusual tang. Snow was on the grass and the windowsill, it weighed down the black, ragged branches of the yews, and smoothed the graves in the churchyard.
Soon, it began to snow again, and they were shut in. He was glad, for then they were immune in a shadowy silence, there was no world, no time.
The snow lasted for some days. On the Sunday they went to church. They made a line of footprints across the garden, he left a flat snowprint of his hand on the wall as he vaulted over, they traced the snow across the churchyard. For three days they had been immune in a perfect love.
There were very few people in church, and she was glad. She did not care much for church. She had never questioned any beliefs, and she was, from habit and custom, a regular attendant at morning service. But she had ceased to come with any anticipation. Today, however, in the strangeness of snow, after such consummation of love, she felt expectant again, and delighted. She was still in the eternal world.
She used, after she went to the High School, and wanted to be a lady, wanted to fulfil some mysterious ideal, always to listen to the sermon and to try to gather suggestions. That was all very well for a while. The vicar told her to be good in this way and in that. She went away feeling it was her highest aim to fulfil these injunctions.
But quickly this palled. After a short time, she was not very much interested in being good. Her soul was in quest of something, which was not just being good, and doing one’s best. No, she wanted something else: something that was not her ready-made duty. Everything seemed to be merely a matter of social duty, and never of her self. They talked about her soul, but somehow never managed to rouse or to implicate her soul. As yet her soul was not brought in at all.
So that whilst she had an affection for Mr. Loverseed, the vicar, and a protective sort of feeling for Cossethay church, wanting always to help it and defend it,
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